Les rêveurs

I have to disagree with the other rather lengthy comment made by a viewer in Germany. This film is hypnotic, powerful and satisfying. One has to be in the right mood for this film. It takes it's time. It is surrounded by snow and muted colors (except one character, Rebecca, is always in red - even her car is red). In a dreamlike state, this film will take you into four different people's lives and see how they intersect through the tragedy of a car accident. I think Twyker is extremely gifted with how he tells a story visually and I was a big fan of his Run Lola Run. He obviously has an attraction to stories about destiny and fate and how life is full of little decisions and moments that mold us or damage us in a blink of the eye. Very well acted film also.

Odd how everyone's perception of film is different. I thought this film was fantastic - good acting and characters, fantastic story, beautiful camerawork, excellent music.... etc etc

This film shows that you can still make a unique, original film without stuffing EVERYTHING down the viewers throat. It has the most excellent circularity to it where everyone gets exactly what is coming to them. It is funny, dark, depressing, enthralling, and overall, satisfying.

Winter Sleepers, a film Tom Tykwer made before his brilliant Run Lola Run, shows some of his development. A few of the more dramatic shots were things he tried here first. From a technical point of view, the work is excellent: editing, photography, lighting, music, sets and locations were all beautifully delivered. At times, that's enough, but this is both an unrelentingly down story and it's probably about 25 minutes too long...a rough combination. I'm glad to have seen it; I enjoy Tykwer's vision and technical crispness; he knows how to grab your attention powerfully without resorting to cloying tricks like Spielberg. On the other hand, there aren't many people I would recommend Winter Sleepers to. Great work, so-so outcome.

This movie pictures the life of five characters connect by a car accident in a snowing road, provoked by the projectionist Rene (Ulrich Matthes) and the broken farmer Theo (Josef Bierbichler). Rene is a kind of melancholic intellectual, who has amnesia problem and takes picture of the most important events of his life to recall them. One night he drinks too much and steals the car of the ski trainer Marco (Heino Ferch) just for fun. Due to a lack of attention of Theo on the road, there is a dreadful accident, when his young daughter is seriously hurt in the head. She is sent to a hospital without the necessary resources for such a case, but she is unable to be transferred to another suitable place due to the bad weather and her conditions. The nurse in charge of the young girl is Laura (Marie-Lou Sellen), an anorexic woman full of problems and inferiority complex due to her body, who lives in a house inherited from her grandmother with her friend Rebecca (the delicious and sexy Floriane Daniel). Rebecca works in translation, usually wears red colored clothes and has a kind of engagement (indeed their relationship is limited to sex) with Marco. He is a typical unfaithful male man, sexually chasing the women trained by him and being an empty person. The story is a kind of metaphor with the cycle of life, through the lives of five persons with different attitudes and behavior, who are linked by an incident, having death and birth but with life going on. The direction and the performance of the cast are excellent and the photography is wonderful. My vote is eight.

Title (Brazil): `Winter Sleepers – Inverno Quente' (`Winter Sleepers – Hot Winter')

I loved this film. Tykwer weaves the white world, the green, and the red together in a fascinating manner. The skier/ski instructor, the nurturer/earth mother, and the nymphomaniac inhabit spheres that naturally conflict, but which are catalysts for the unusual story that may say something about events in recent German history. Blame, guilt, and punishment occur ironically in an unjust world where short-term memory loss is necessary to produce a new generation of innocence.

The filmmaker's art alone is worth spending the 2 hours for. Great cinematography, sound, and locations make for great eye and ear candy. All characters were intriguingly drawn, even if you don't like some of them. The ending was an unforgettable cinematic vision, beautifully realized.

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