Éveil à la vie

My husband and I thought this was an excellent movie! We watched it with our 2 young daughters and it opened a great deal of doors for discussions with them. The casting was wonderful! I had read in an article that M. Night Shyamalan was kind of disappointed with it over-all, and I think that he should re-consider that thought. He states that he wants people to somehow be touched by and to identify with the work that he produces and this movie does exactly that! It hits home on all different levels for young and old.

This is a must see for families!!

What I initially thought of as a kiddie flick, I was pleasantly surprised to find 'Wide Awake' so much more (though I should have known better since it was written by the wonderful M. Night 'Sixth Sense' Shymalan).

The story of the film revolves around a little boy named Joshua who seeks to find God in order to ensure his dead grandfather is safe. Ten-year-old Josh is Catholic and an unflinching believer in his faith until the death of his beloved grandfather. Suddenly all Josh has been raised to believe in is thrown into turmoil as he finds his faith seriously called into question. He begins to wonder why God allows so much bad to exist in the world and, more importantly, what happened to his grandfather following his death.

The film is not just a story of faith but also of growing up and realising the world is not a simple place with absolutes, rather things may not always be what they seem. The ending, like 'Sixth Sense' does have a great twist that works so well and will leave even the hard-hearted feeling warm. Joseph Cross, as Josh, and Timothy Reifsnyder, as his best friend Dave, were able to carry the film at a first-rate level despite being so young. Cross portrayed Josh's innocence, his disenchantment with God, his love for his friends and family and the joy at his end revelation with the proficiency of a professional triple his age. His touching performances brought heart to the story. The adult actors in supporting roles, with Dana Delany and Denis Leary as Josh's parents and Rosie O'Donnell as the nun teacher, were decent yet understated as they, quite rightly, let the child actors shine.

One of the best things of this film is that although much of the cast are children, they aren't the typical annoying brats you see tend to encounter in Hollywood films. The storyline isn't sugary either. The interaction of Josh with his friends and adults around him were handled poignancy, especially the flashback scenes with his grandfather that portrayed their strong bond perfectly.

'Wide Awake' does make you wonder if ten-year-olds' can have deeper thoughts and views than adults give them credit for and I think many of us can empathise with how childlike wonder slowly gives way to adult insights as we grow up and leave childhood behind. This isn't a film just for the religious but those who are interested in a realistic depiction of a child's coming-of-age.

When his grandfather dies, Joshua is left feeling lost and confused. Full of questions he begins to search for God in order to get answers. Turning to priests as well as other religions, Joshua is frustrated by his lack of progress but soon learns more than he thought on his journey.

Like many of those who have recently seen it, I was drawn to this film by the fact that Shyamalan directed it shortly before hitting big with Sixth Sense. The film isn't like his more recent straight-dramas with a twist, so beware what you expect; this is more a human story and, as such, it isn't totally successful. It delivers most of the story quite well, managing to be quite touching without ever really falling into daytime tv sentimentality, however something was lacking I felt. The overall story is worthy enough but that side of it never really touched me as much as I would have hoped and it could have been made more of - especially as the ending is focused on that aspect in particular. Also I needed more feeling for the relationship between Josh and his grandfather - the flashbacks were OK but didn't do enough to convey the depth of Josh's love nor the sheer loss he must feel.

Like he did in Sixth Sense, Shyamalan gets good performances out of his child actors. All the support kids are good but Cross is particularly strong and he does very well carrying the narrative. He really is the lead role and nobody else really gets close in terms of screen time. Given this fact I was surprised how many other famous faces were in small roles - O'Donnell, Leary, Loggia and Lauria; they are all OK but none really has more than a supporting role.

Overall, this film was nice but not great. The plot is an interesting one but it doesn't manage to satisfactorily conclude on all the mysticism and ideas that it puts forward. It is still quite a nice little story if you just look at it as a sort of coming of age story surrounding Joshua, but really it didn't quite go where I hoped it would.

An average drama of M. Night Shyamalan right before his most successful film. The film revolves around a 10 year old in search of God. Though some interesting parts are there, the film as a whole is little boring. It was a goosebumps moment to see the name of Indian cinematographer Madhu Ambat in the end credits.

Shyamalan's second feature is a very sweet, good natured and funny look at belief during trying times. It focuses on a young boy Joshua Beal (Joseph Cross) a student at a catholic school, who goes on a spiritual journey to find God after his grandfather dies. There is an incredibly close relationship between him and his grandfather played by Robert Loggia and this is the emotional centre of the story; both performances really shine particularly in these tender moments shown between them and you genuinely believe in their characters, making the impending passing very sad to watch. Cross is the stand out in the film who at such a young age naturally manages to convey all kinds of emotions just through facial features; particularly confusion! There is a lovely appearance also by Rosie O Donnell as Joshua's teacher Sister Terry who is of course very funny but also portrays a sensitive and understanding role model very well. My only reservations about the film are it's soundtrack and the ending. Both of these do over egg the sentimental aspect of the film which does slightly tip over the edge making it a bit too sickly sweet to watch at points. Nevertheless, it's still a nice gentle watch and I'd recommend seeking it out if you fancy something to watch that you can just relax and enjoy