Les truands

The smooth scams and chemistry between the actors in this film work well. The rest, not so much. I'm a sucker for movies about con-men, and the tricks they pull in this movie seem both original and believable. But despite fine acting and an interesting backdrop, you just keep getting the feeling that a lot of stuff was thrown together while the script was being written. Both of the quasi-romances are hard to buy, and the ending seems like a scene from the "Death Wish" series tacked onto a character study. Probably worth checking out, but not a great movie.

...you'll do far better enjoying Guy Ritchie's "Snatch" in which Brad Pitt's Mickey brings that entire Celtic sub-culture to near preternatural perfection. It's also a much better movie. I feel that Traveler wastes so much of its potential impact with lame ripoff schemes and a confusing sense of who and what the Travelers actually are. Also, setting it in America is like setting a movie about Eskimo life (not that I'm comparing Travelers to Alaskan natives by any means) in New Orleans.

North Carolina?

Paxton and Marky Mark are talented performers but this film, while certainly watchable, doesn't really seem to get to the point.

Longtime Clint Eastwood cinematographer Jack N. Green made his directorial debut with this combination of character study and drama. It tells the story of modern day gypsy types (of Irish descent) such as "Bokky" (Bill Paxton). Guys like Bokky basically make their living by scamming people; in the films' opening minutes, Bokky is pretending to fix a homeowners' driveway. Into their lives comes Pat (Mark Wahlberg), whose father had left the clan to get married. Therefore, Pat's not exactly welcomed by these people, but Bokky decides to take Pat under his wing. Trouble brews for our unlikely hero when, after taking pity on and falling in love with a "mark" (Julianna Margulies), he starts developing a set of scruples.

Some people might find the ugliness of the climax a little hard to take, but it doesn't exactly come out of left field. Bokky and company had to know that there would be repercussions for their actions. Still, this is a reasonably well made and reasonably well told story, written with heart by Jim McGlynn and directed with efficiency by Green. The filmmakers do keep you watching as things develop, even if, overall, there's a sense of predictability to the scenario. The soundtrack - both the score by Andy Paley and the selection of tunes - is pleasing to listen to. The pacing is generally adequate, with a fairly straightforward narrative.

The acting is the most effective component. Paxton delivers a typically engaging performance, while Margulies is appealing as his love interest. Wahlberg is fine as the neophyte who takes a bit of time to ease into the art of scamming. Veterans like Rance Howard, Luke Askew, and Jo Ann Pflug are all solid in supporting roles. It's particularly amusing to see Rance and his late wife Jean, the parents of Ron H., both making appearances. But the person who walks away with the film is a very funny and lively James Gammon as "outlaw Gypsy" Double D, constantly popping up in Bokky's life and urging him to join in on a con job.

Other than Gammons' performance, there's nothing really exceptional here, but "Traveller" does entertain for 100 minutes.

Seven out of 10.

I saw this first time in the 90's. Now seeing it again some 20 years later, I didn't remember much of it, from back then. It's good. I saw it in 1080p and that was nice on the 75". It was a fun 100 minutes. I do a lot of re-viewing of old movies, now under covid-19 and I just stumbled upon this by chance.

These scams were typical in the early 2000's. From what I remember. They scammed everybody, especially old people. Thankfully we are a bit more updated today. The movie stands the wear and tear of time passed by. If you haven't seen it, then enjoy this good classic Wahlberg Paxton movie. 7/10

This could have been an interesting movie but it didn't live up to its promise. For one, the "traveller" culture of itinerant Irish grifters is explored very sketchily, if at all. The violent climax seems like an import from a totally different kind of movie. The only really entertaining scam was the one that Bokky and Pat pull on Jean, the bartender Bokky ends up falling for. The rest were either so simple as to be dull (the phony sealant, the trailers) or so complex you couldn't follow them (the scam involving the Turks). There are much better movies about con men; "House of Games" is probably my favorite.

The acting alone makes "Traveller" worth watching. Bill Paxton is very good as Bokky, a likeable rogue with a sincere face and an awakening conscience, and he credibly conveys his growing love for Jean; his anguish when he has unwittingly put her in grave danger is palpably and painfully real. Julianne Margulies brings warmth and spunk to her potrayal of Jean, and the romantic chemistry between her and Paxton is undeniable. Mark Wahlberg, in one of his first "real" roles, projects just the right mix of boyish vulnerability, charm (in the scenes where he's romancing Kate, the clan boss's daughter), and cool-dude moxie. As the old grifter "Double D," James Gammon is a lot of fun to watch whenever he's onscreen.

Unfortunately, the screenplay doesn't do enough to develop the two main characters. For instance, Bokky seems to have a good heart; yet he's been conning people for years (not even siphoning some extra cash from rich people for whom it's merely a drop in the bucket, but cheating poor and ignorant folk -- in some cases, cheating them out of their life's savings), and somehow it never bothered him until he met Jean. That doesn't make much sense. As for Pat, I think the film should have told us more about his life "on the outside." We gather that he's poor and doesn't have too many opportunities (though he's dressed nicely enough when he arrives for his father's burial), but it's still hard to understand exactly why he's so eager to be a part of the "family" and to join a lifestyle in which his choices, even about things as basic as whom to marry, will be severely restricted, or why he thinks it's so terrible that Bokky risks being excommunicated from the Travellers. (Bokky's on-the-road life certainly doesn't look like being "on top of the world" to me.) Pat's relationship with Kate is treated as an afterthought, maybe a plot device to give him a reason to come back to the Travellers camp.

Because of these flaws, the character development that could have been the strongest part of this movie never really gels. The shaky plot structure, especially toward the end, compounds the problems.