Telling Lies in America

Interesting and well done look at the American pop scene in the sexy sixties. Featuring a oversexed, insecure loser named Karchy who teams up with another oversexed loser disc jockey intent on preying and playing just one more gig in the nowhere business of top 40 music. The charismatic DJ, a burned out cynic, has a history of using unpopular teens to make illegal profits or to cheat them in business deals; which, of course, continues as he rolls into a new town amid a flurry of excitement and adulation. As the rollicking DJ and the impressionable teen play out their drama, another is occurring as Karchy tries to woo an older woman who, for some reason, shows an interest in the love struck teen. Different from most of the gunk coming out today: well worth seeing.

"Telling Lies in America" is a film that seems to have gone directly to video. It certainly deserved a wider audience because what Guy Ferland, the director does with the screen play Joe Eszterhas wrote for the film. Mr. Eszterhas is a man that can write, although some of his efforts have misfired.

If you haven't seen the film, perhaps you should stop reading here.

The basic problem with the film is the casting of Brad Renfro as the main character of the film. While this actor is not a bad actor, he seems miscast as this Karchy Jonas. Most comments in this forum focus on the fact Karchy has no accent, but having been in Cleveland for about seven years, explain that he already has a command of the language. Yes, he might stumble upon certain words, as shown in the film, but basically the character is believable. The only thing is that Mr. Renfro looks an older fourteen, rather than the seventeen he is in the film.

This fact becomes painfully apparent in his relationship with Diney, and with the older woman Billy decides to have him experience sex for the first time. We are not saying it's not possible, because it can easily have been the case, which might have been derived from an experience of Mr. Eszterhas life.

The other thing that doesn't ring true is the relationship between Karchy and his father. It appears that he can do whatever he wants and it's OK with the old man. Usually in the case of immigrant families, it's just the opposite. People immigrating to this country tend to be more protective, demanding discipline and obedience that is nowhere to be seen in the film. Also, Karchy's behavior in school would have probably grounded him forever, but it never comes into play.

The marvelous Kevin Bacon is the best asset this film has going for itself. Not only is Mr. Bacon the most versatile of the current actors working in films, he brings such an intelligent take to his take on Billy Magic, the DJ of the local radio station that sees right through the lies Karchy Jonas tells. Being a liar himself, Billy can pick a liar whenever he sees one, as is the case when he meets Jonas. Billy Magic has no scruples. He takes money from the record companies, but he has Karchy pick the envelopes.

The cast is good. Maximilian Schell, plays the father, Dr. Jonas, a man so decent, one wonders where did Karchy go wrong. He seems to be a loving father, albeit a distant one. Is it perhaps the fact that the son has embraced the American culture with too much gusto? That might explain the difference, although Karchy is never disrespectful to the old man.

Calista Flockhart is seen as Diney, the mousy worker at the poultry shop where young Karchy works after school. Ms. Flockhart is perfect as the older girl that inspires love in the young man. Luke Wilson is seen as the man in charge of the shop. Paul Dooley makes a wonderful Father Norton, the man who dares put Karchy in his place.

Notable in the film is the use of the popular songs that one hears in the sound track. It made perfect sense the use of those tunes since the background is a popular radio station that catered to teenagers.

This is a film that should be seen by more people because of the good work the director and screen writer have done.

Yes, the movie deals tangentially with the payola scandals of the 50's (truly a big problem in the entertainment industry), but only as one of the many lies hinted at in the title.

The two main characters (Renfro and Bacon) do *nothing* but lie. They are balanced by the purity of the other characters (Flockhart and Schell).

Schell's character was a little underwhelming and the work by Renfro was, at times, uneven, but both were generally excellent. My only other quibble was with the settings of the film. As a Clevelander (where the story takes place and the film was shot), it's easy to understand the where the scenes took place and how the story was built around them, but I'm not sure that an "outsider" would understand the implications to the story of those different locations (the neighborhoods, the market, etc.).

The real find is Calista Flockhart. She gives a wonderfully nuanced performance, sweeter and deeper than anything you'll see on Ally McBeal. Interestingly, Flockhart spent time working on stage at the Cleveland Playhouse, so was well-suited for the role in a way.

Joe Eszterhas is not exactly known for his subtlety, but this movie is a small triumph for him and portends better things from his pen in the future.

Kevin Bacon is the best thing about this film. He can play any

type of role, barely human (Murder in the First), a small-time

crook (The River Wild) or a twisted DJ (Telling Lies in

America). Here he is believable and puts in a good performance.

Brad Renfro also does well in his role, but isn't very

convincing. Two problems.

1.) He comes from Hungary, but has no accent, and sounds like he

came from New York

2.) Age. A year before this was filmed, he co-starred in The

Cure. There he played an 11 year old, and looked too old. Here

he plays a 17 year old, and looks too young for the role.

The other highlight is Maximillian Schell (I doubt I spelled

his name right). He is fourth billed as Renfro's Hungarian

father and is dead-on. Why Joe Esterhaus (Spelling error?) is

America's top paid screenwriter will never be known. He writes

lame scripts that deserve to be thrown away, but are instead

made into big-budget movies like this one.

+ (GOOD THINGS) 1.) Kevin Bacon's performance 2.) Maximillian

Schell's performance 3.) Plot line

• (BAD THINGS) 1.) Pretty well everything else

Telling Lies in America is a semi historically accurate examination of the late 50s/early 60s payola scandal told via a fictitious hustling DJ Billie Magic (Kevin Bacon) who comes to a Cleveland Top 40 radio station as his 4th station in 3 years. His tactic: hire a high school boy via a "Man of the School" competition won via the kid voted in the most mailed-in post cards. Billy rightly figures the winner usually forged most of the signatures and so would be the ideal young bag man for the payola cash envelopes.

Enter 17 year old Hungarian refugee Karchy Jonas (Brad Renfro) eager to graduate and be popular at an exclusive Catholic school that his law professor father Istvan Jonas (Maximillian Schell) struggles to afford via a working class job. Billy showers Karchy with high pay, fancy meals, offers of entry to Broadcasting School, lets him drive his fancy Cadillac convertible and hires a classy hooker to seduce him. Karchy falls for an older girl Diney (Calister Flockhart) at his previous work and gets a record contract via Billy for his black singer friend Amos (Damien Fletcher). When the police come investigating Billy, they threaten Karchy and his dad with being denied US citizenship if he doesn't implicate Billy in payola. You will have to watch the movie to see with how Karchy threads that needle.

The movie is carried by Bacon who knocks it out if the park as the epitome of a sleazy morally bankrupt DJ. Schell is solid as always. Renfro by then was a Hollywood darling at only 14 with all the right looks. Whilst he's a great actor, he's a bit out of place in this movie trying to play a high school senior and a Hungarian refugee supposedly only in the US for seven years. And having him dating Flockhart's character when Calista was almost 20 years older than Brad....hmmm, somewhat of a casting mismatch. Overall an OK movie with a cool ending.