Chansons du deuxième étage

This film won the prestigious Cannes Film Festival award in 2000, and it is indeed very well made. But damn, it's not what you'd want to take someone to on a date. Unless they have odd tastes.

Songs is a kind of allegorical black comedy about capitalism and the brutalising effects of modern society. The cast is mainly depressed middle-aged men in bad suits and there are multiple storylines and little scenes that all add up to one big condemnation of the Western world: a man who hasn't missed a day in 14 years and decides to go to work rather than have sex with his wife, then gets fired. A poet/taxi driver driven insane by the misery around him. His father, who burnt down his store for the insurance and spends most of the film covered in soot. You get the picture.

The film is full of powerful symbols, like a heap of cheap plastic Christs being thrown onto a rubbish heap, or the eternal traffic jam, and moments of absurdity that made me laugh out loud, such as when the Swedish high command gather to honour a retired commander who is so senile his bedpan gets emptied while they give him a speech. But the even the humour is bleak - there isn't a single happy moment in this film. Frankly I didn't buy it. Life may sometimes be dull, bad things do happen to good people, capitalism can suck, but it just isn't that awful. Forgive me for getting lyrical, but life is too full of hope and friendship and beauty to get sucked down in to this grey, dreary view of the world.

RATING: 7/10

One critic described this film as being "Slapstick Ingmar Bergman"; it's a great joke, and in many ways a true one. I've never seen a movie like this before, and I haven't laughed so hard at one in years. Every single scene has something off-beat or funny happening in it, so that you may want to see it more than once. (I watched it twice in one day!) The best bit occurs when the businesspeople decide on a rash course of action to save the faltering economy. I won't spoil it for you but trust me, it's one of the blackest comic moments in all of film. Don't miss it!

Possibly incomprehensible to those who have never lived in Sweden, where whole hours somehow manage to lose themselves in a meditative calm that exists nowhere else. Songs from the Second Floor is truly Ingemar Bergman meets Monty Python, as Roy Andersson non too gently deflates the pretentious, the pompous and the self important. The sparse dialogue and hugely tongue-in-cheek solemnity will either offend the spectator to the point of rage, or scratch the itch that nothing else quite reaches. I adored it. Like raw oysters, broccoli or goat milk - you'll either connect with the Roy Andersson brand of iconoclastic insanity and love this one ... or you'll hate it with a passion. There'll be no fence-sitting with this Nordic treasure.

This film makes you probably sad and depressed, but it is a wonderful and touching movie about the misery of human life: the ultimate loneliness and hopelessness, which we do not like to think of, but have to face. As the film is based on poetry (by the to me unknown Cesar Vallejo), it does not have a straightforward story. Rather, it is a collection of scenes that all move you at an emotional level, as you see the vulnerability of all the people. The film is moving from reality towards surrealism, although you could see the strong surrealistic pictures as the real and hidden nature of our society, which fails to offer any help to these eternal problems. I should probably go to see this movie again so that I could grasp more from its symbolism, enjoy its excellent and unique film-making, and last but not least to feel it again. This film does not give you hope, but perhaps it makes you more sympathetic to other people, let them be alcoholics, immigrants, old, stupid, mentally ill or just simple "boring philistines".

I have only seen this movie once and that is certainly not enough. The pictures contain more than our perception can handle. The general impression of the film is however, that Roy Andersson has performed a splendid diagnosis of our society, a society whose individuals no longer communicate, no longer interact. He shows us the result of a system that proclaims egoism and neglect. The message is clear: Only together, people can find a way to endure the tragedy of life, only together, we can enjoy the small fragments of happiness that life offers.

I encourage all non-Swedish people to see this film, 99,84% of the world population is not Swedish. This movie concerns all of you.