Secrets du coeur

Sensational film that dispenses a brooding plot and considered to be one of the best Spanish films of the 90s , in fact was voted one of the best pictures by professionals and critics . Well directed film by Montxo Armendariz , including his own story and screenplay , who tried to create an agreeable flick plenty of sensitivity and metaphor by tackling a description about a particular and dysfunctional family formed by two spinster aunts (Charo Lopez , Vicky Peña) , an affected mother (Silvia Munt) , the brother-in-law (Carmelo Gomez) , the grandfather (Joan Valles) , but especially focusing the little boy (Andoni Erburu) and his brother . This is an intense as well as sensitive drama dealing with a little boy called Javi , a coming-of-age tale in which he discovers the sense of life about sex , family , freedom and love . This slow-moving and intelligent picture is well set in Spain of the 50s . Javi (Andoni Erburu) and his friend Carlos (Garces) visit an old house on the outskirts of a small Spanish village next to Pamplona . According to his brother Juan (Nagore) this is a haunted house and one can hear the voices of the dead . Later he is intrigued with a room which is always closed and his mom (Silvia Munt) prohibits it . He is so interested in these mysteries that exacerbate his ingenuity and imagination . As Javi begins to investigate all the secrets of these dead people , of his family and their stories , but he finds terrible trues .

Sensitive film full of feeling , haunting mood-pieces , wonderful scenes and sense of wonder . Colorful picture , including marvelous frames , being mostly filmed at Tudela , Navarra and including sunny outdoor scenes . This extraordinary flick spells through intricate patterns of images , sets , sound and color . In addition , a magnificent support cast of known and prestigious players , such as Charo Lopez , Vicky Peña , Carmelo Gomez , Chete Lera , among others . His style is pretty much dry in the atmosphere as in the fresh dialog , as well as realistic , and including pleasant elements as when the family sings popular songs . "Secrets of the Heart" is one of Armendariz's undisputed masterpieces and fundamental in his filmography where shows efficiently an interesting story and shot at the height of his creativity , with some peculiar characters , as the main starring boy , his spinster aunts and the grudge grandfather . Splendid , luxurious photography with juicy atmosphere by Javier Aguirresarobe . Aguirresarobe subsequently would make a prestigious career in Hollywood such as ¨Fright night , ¨The twilight saga: eclipse¨, ¨The road¨ , ¨The others¨ and many others . Interesting screenplay by the same director based on a original story . Moving and emotive musical score by Bingen Mendizabal and including unforgettable regional songs . This touching picture will appeal to Spanish films buffs ; being deservedly nominated for Oscar Best Foreign Language Film, and won Blue Angel in Berlin International Film Festival 1997 . Furthermore , achieved Goya prizes : Best Supporting Actress , Charo López , Best New Actor ,Andoni Erburu, Best Sound , Best Production Design , Félix Murcia , Best Director , Montxo Armendárizand Best Film . Rating : Top-notch and outstanding movie , worthwhile seeing .

The motion picture perfectly produced by magnificent producers Andres Santana and Imanol Uribe was stunningly directed by Montxo Armendariz , a very good Spanish movies director . Montxo is a well recognized filmmaker both nationally and internationally, and in proof of it he won many prizes in several Festivals . Montxo Armendáriz was born in Navarra, and his films are mostly set in this Spanish region . He is a nice writer and director, expert on dramas , being especially known for Tasio (1984) , 27 hours (1986) , Cartas a Alou (1990) , Secretos del Corazón (1997), Silencio roto or Broken silence (2001) Obaba (2005), and No Tengas Miedo (2011) .

This Spanish film was a success in both ways (box office and critically). Despite a few faults and a few somewhat inconsistent sequences, it is a reasonable movie.

Secrets are the main subject of this film, what this movie is mostly about. The second main subject is death - not *really* deaths "per se", but more of conversations about it and secrets related to those deaths.

This foreign motion picture has a solid story, even though (just a personal thought) it could use more sequences in the old abandoned house. That'd only do good to it.

Javi is wonderfully performed by Andoni Erburu. This kid must have been quite a revelation when this movie came out. His cuteness, his tender and so expressive face, his undeniable talent... a natural-born actor. Íñigo Garcés also gives a good portrayal of his friend Carlos. The same about Álvaro Nagore (who sadly died in a car crash shortly after this movie was made, at the very young age of 14/15) as Juan (Javi's brother). Javi's grandfather is funny because he is such a grumpy old man and he is well portrayed by the actor.

The mysterious voices of dead people heard in some bits of this movie must have served as an inspiration for the over-hyped American film 'The Sixth Sense'.

This film by Montxo Armendariz did not get wide distribution in the US. It certainly is a much better film than recent arrivals from Europe and it deserved to have been seen by a wider audience.

This is a world seen by the eyes of Javi, who cannot comprehend the many secrets the adults in the family hide from him and the older brother. Everything that on the surface seems to be one way, mean something entirely different when kept away from the inquisitive mind of the young boy. He senses the dishonesty behind all the adults who cannot bring themselves to tell the truth to the boy, even though he is on the right track.

The young actor Andoni Erburu is the best thing going throughout the film. He has a very expressive face, with eyes that sparkle and tell a lot of what's going on in his mind. All the adults lie to him about the real tragedy around him. They all conspire in hiding from the children what they only can guess.

The cast is well balanced. Carmelo Lopez is only seen on a few scenes, even though he's one of the pivotal figures in this story. In general all the actors are very subdued in playing their parts, obviously under the tight rein of Mr. Armendariz, who up to now has made films that are utterly uncommercial, at least, the type to attract a wider audience, and he proves with this film that he can make them as well as some of the other good directors from Spain. Let's hope he leaves the themes of the Civil War behind and start telling us other "secrets" that have the haunting qualities of this film.

"Secrets of the Heart" is a relatively uneventful but often poignant Spanish coming-of-age/slice-of-life flick about a boy's learning about life....period. If that sounds dull it's probably is because it is dull. This tedious film features a cute kid with a whole lot of questions about everything which may be of interest to those who were never a boy. Like maybe females. Having been a boy, this film showed me nothing new. Been there, done that. Better films are easy to find. (C+)

Montxo Armendáriz, who has also filmed shorts such as Carboneros de Navarra (1981), Ikuska 12 (1981), Ikusmena (1980, and Barregarriaren Dantza (1979) not listed in IMDb, is essentially Navarran rather than Spanish in most of his filmography. This is clearly seen in Tasio (1984)(qv), the film which made him well known. and in "Secretos del Corazón".

`Secretos del Corazón', much the same as `Tasio', is an intimistic portrait of rural life in Navarra, though the focus of attention is totally different. Through the eyes of a ten year-old-boy, Javi (Andoni Erburu), we enter the mysterious world of growing up, in this case in the 1950s. The action moves from Pamplona, capital of Navarra, made famous by Hemingway unfortunately, to villages high up on the skirts of the Pyrenees. These villages, little more than an hour's car ride from where I am, offer delights to any traveller worth his salt. Ochagavía, situated high up the valley of the River Salazar, is formed mostly by noble late 17th/early 18th Century houses, with beautiful little streets and squares which are just delightful for having your tea and croissants any early-summer Sunday morning; Roncal, further to the east is famed for its cheese and sits astride the relaxing River Esca; further up the valley of Roncal you reach the delightful town of Isaba, picturesque, though tends to become a bit of a hustle and bustle at weekends. However, the spooky house is near Marcilla, at Barandalla, next to the sugar factory, way down to the south in the area known as the Ribera. How Armendáriz managed to get a train to pass just at the moments when the lads run pell-mell out of the gate, I do not know, as I have never seen a train pass through the derelict-looking railway station there.

The genius of Armendáriz is apparent here, even more than in `Tasio'. The story here is somewhat more tangible, and the many children in the film in general, and Andoni Erburu in particular, are extraordinary. Charo López is good; nice to see Silvia Munt again, so many years after `La Plaza del Diamante' (1981), but I was very attracted to Joan Valies playing the grandfather, sitting in his chair, who even had to have his hair combed for him, but whose mind still worked:

<< `Do you know why I don't want to die?' `No.' `Nor do I' >>

<< If you hit a child when he is speaking the truth, he will learn not to do so.' >>

There are some beautiful scenes of a spider's web, with the big spider in it, taken with the sun shining in through it. That web had to be moved from another house and placed there for the film! Such is the effort and detail Armendáriz is prepared to go to in order to reach his personal taste for perfection.

Yes, it is all there: the cows coming home in the evening to sleep at home in the stalls which form the ground floor of these houses in the sierra; the religious or just simply traditional customs of the villagers, revived in some cases for the making of the film; the mares coming home to foal; the beautiful golden browns of autumnal Pyrenees, beautifully filmed by Javier Aguirresarobe, and beautifully accompanied by Bingen Mendizábal's music. Talking about the music: there is a beautiful scene in which Javi is asking his old aunt, spinster, why she had never married and if it was because she did not want to `chingar'; she replied that she did not want to be bossed around by a man, and as she goes away to weep, Beethoven's Triple Concerto swells up on the old radio..... According to my `Diccionario María Moliner' the verb `chingar' has some uses in Costa Rica, usually meaning to play jokes, so can only deduce that its use here is a localism up in those Navarran villages. The film discloses some of that mysteriousness which when we grow up we conveniently forget about, a lot of silly childishness; however in this film the focus is very much a local one, very Spanish, such that maybe certain things might not be interpreted in the same way through other eyes - not that this would detract from the beauty of the film and understanding the empiric aspects.

Do not lose the scene where the two little kids pay three pesetas to see a girl's knickers: she sits on a bench in the park in front of them, shows a little above the knees and walks off. The two lads look at each other, confused and frustrated:

<< `Is that all? Shucks! We've been done....!' >>