Paranoïa

The concept of making the audience wonder whether the hero is really being threatened or is the victim of delusions, has been used several times recently. I enjoyed this take on it better than most and I love Patrick Stewart in any role! I hadn't expected it to be so heart-wrenching at times, but it was. One scene, in which Mace (P.S.)is doing a cognitive test for his doctor, was particularly effective. As a result, this was not only a suspense movie it had some very realistic portrayals of the slow but steady mental decline of Alzheimer's victims--and how tragic that is, as they realize it is happening. I think I appreciated that accurate and informational aspect as much as I did the mystery of Mace's activities with his complex computer set-up. I watched this while walking on my treadmill and usually do a movie in two sessions. This one kept me going through the entire time.

This is a film about paranoia. When you think you're being watched, your every move being documented, your every action recorded and analyzed. Mace Sowell, an ex-military officer from a covert operations team no one knows about, is confined to his home, because he fears for his life. His daughter doesn't think that he is in danger, instead, she just thinks he's getting senile, or maybe he's just paranoid. He regularly runs 'drills' in order to keep himself prepared for any direct strike on his house. Meanwhile, he also discovers that he's slowly developing Alzheimer's Disease, which only makes things worse. The plot is great, the idea is quite original, and the movie moves along at a great pace; every scene has some development in the plot, and often it also has some great humor. The film delivers a great sense of paranoia all the way through. The acting is great, both by Patrick Stewart and Kimberly Williams. The consistent paranoia, the various intense scenes that are easily explained once they're over, the overall mood of the film, it all leads up to an exciting climax that only few will be able to figure out until it happens. All in all, a great thriller about paranoia. I recommend this to fans of thrillers, especially fans that are fond of conspiracy theories and paranoia in thrillers. 8/10

Every time I see Patrick Stewart I become more and more impressed by this actor's versatility. From Shakespeare to SciFi, from drama to suspense to historical epic, Stewart does it all, and does it very well. With "Safe House," Stewart demonstrates a wide range of talent, including - what I enjoyed most - a flair for subtle comedy, unexpected in a movie billed as a suspense flick.

I have to admit first off that if you're looking for a hair-raising, edge of your seat thriller, look elsewhere. I spent a lot more of my time sitting back chuckling than I did on the edge of my seat - and I mean that positively. This was a very funny movie in many ways, laced with some tense moments. Stewart plays Mace Sowell, a man suffering from the early stages of Alzheimer's Disease, who tries to convince his daughter Michelle (played by Joy Kilpatrick) that the life she thought he had lived had been a lie, and that he had really been a military intelligence officer whose life was now in danger because of the things he knew. She, of course, assumes that her father is delusional because of the Alzheimer's, and hires a caregiver (Andi Travers, played by Kimberley Williams in a pretty decent performance) who Sowell distrusts from the start, but finally begins to warm up to. There's the outline of a pretty suspenseful movie there, except for one basic fault: I had this thing figured out within about 10-15 minutes of the opening! It's very predictable. However, I must confess that the decision to have Sowell suffering from Alzheimer's throws a wild card into this, and there were a few times when, with the twists and turns that happen, and with Sowell's obvious confusion, I began to doubt what I had assumed would happen. So it definitely managed to hold my interest. Stewart, in addition to some wonderfully funny scenes, also showed his dramatic flair as he portrays Sowell struggling with his emotions as he confronts the disease beginning to ravage his mind.

Most of the other performances in the movie are solid but unspectacular. I frankly found the character of Stuart (played by Craig Shoemaker) to be nothing less than irritating. Why he had to play almost every scene at least partly impersonating a famous actor was beyond me, and I really just wanted him to go away after a while. Hector Elizondo as Dr. Simon, Sowell's psychiatrist, was underused and offered little.

Basically, though, this is a pretty good movie. I'd rate it as a 7/10.

This is a great film that premeired as a Showtime original picture in 1999, I believe. The plot is awesome, and it will leave you guessing the entire time, it's very entertaining to watch, even tho you are watching a poor man drift further and further into Alzheimer's disease. The setting of the film is in a very lavish, very expensive house in which a very rich man (Patrick Stewart) lives. After being diagnosed with the disease, his daughter decides he needs someone at the house to take care of him and whatever else needs taken care of. He is a proud man, and he's very stubborn in that he doesn't think he needs anyone to live with him. He is grouchy and rude to begin with, but he begins to warm up to the hired help (the bride in the movie 'Father of the Bride'--Kimberly Williams, I think?)...anyhow...it's been a while since I've seen the movie, but I remember he was involved in very top secret stuff during his career, and he is paranoid that someone is out to kill him. You see him thru out the movie practicing with a gun in and outside of his house (he won't leave the yard, he's so paranoid.) There is that element to the film, but there is also a much lighter note on top of everything. It's a comedy, a 'buddy' movie, and an adventure all in one. It is beautifully shot, unlike some of the originals you'll see on Showtime, and it was a nice change from most of the films they have done in the past. Stewart does a superb job, and he keeps you entertained thru the entire film. On the subject of plot changes and surprises...be prepared, it is very good in this way at the end.

This movie was billed as a thriller and a semi caper film. Though I adore Patrick Stewart the movie had a very very 'Baywatch' feel, silly American production stereotypes and poor direction made it into a movie rather difficult to take seriously. Any scene with Patrick Stewart by himself is well done and believable. The other characters seem to get in the way of the main idea of the movie and blow of proportion the Clandestine sub plot (which was what the main plot was billed as) or the Maguffin if you will. This movie is worth a watch, but it isn't exciting or memorable really. Sloppy production, miscasting, misdirection and a weak story take away from what could have been a terrifying film about the middle aged 'coming of age' into senility and the fear that accompany's that.