Les proies - La résurrection

A terrible movie here, folks. First of all, it's hard to review this film objectively. I REALLY enjoyed the book (one of my favourite Dean Koontz novels), and I'm way too much of a Mark Hamill fan (regardless of what everybody tells me). But this was a uniquely weak film. I've mentioned before that films with the potential for good/greatness are much more disappointing than those that were empty from the beginning. This is, what, the tenth attempt to make Koontz's "Watchers" into a movie, and again, somebody somewhere screwed up. I mean, what is the problem with this book? I can't tell you, except that even after several other tries, this one is particularly bad. The acting was sub-par, the violence hokey and unnecessary, the special effects laughable, and the editing was as bad as a sixth-grader with two VCRs. There were a couple of moments when I thought, "Wait a minute, maybe this won't suck," which made it all the worse when it did. "Nightmare on Elm Street 4 & 5"'s Lisa Wilcox wasn't spectacularly awful, just awful. The pathetic-but-didn't-have-to-be monster was never scary, and often so poorly done that I longed for another Ewok movie. I guess the once-great Mark Hamill should stick with cartoon voice-overs.

Man, Roger Corman certainly got his moneys worth out of the film rights to the Dean Koontz novel WATCHERS. This, the fourth entry in the series, continues the saga of Einstein the Golden Retriever and his mutant buddy/stalker The Outsider. The Outsider breaks out of a Government facility where he and Einstein are being tested on. The duo are on the loose and The Outsider kills off a zoo security guard. Det. Murphy (Mark Hamill) is on the case and quickly discovers the dog and scientist Grace (Lisa Wilcox) snooping around. The mean Feds (led by Stephen Macht) are also on the case and want to kill everyone associated with the project to keep it hush-hush. Naturally, that means kill them in public.

Despite an offer of new ideas (REBORN), this is the same ol' WATCHERS. Man finds dog. Dog is smart. Monster chases dog. Dog saves lives. The end. And what does it say about a film when the best actor is a dog? I'm not kidding. Einstein, who gets no screen credit, displays better emotions than Hamill ever does. Director John Carl Buechler keeps things moving fast enough and the kills are all gory so I guess it has that going for it. The end tries to go for a sympathetic Frankenstein's monster twist but it isn't working when your monster looks this bad. "Pet me," he cries at one point to great comic effect. Wilcox, who played Alice in ELM STREET 4 & 5, sports blonde hair in this and looks like a dead ringer for Barbara Campton. As always, Macht gives a solid turn as the heel. He must be filed in all Hollywood Rolodexes under "Bad Guy."

Seriously... if you have "Mein Kampf" or the communist manifesto - sit down and go through them rather then wasting time on this movie!!! It's a shame that one of the world's best fiction author (Dean Koontz) will have one of his best books turned into a movie as awful as this one. The acting is terrible, the story is so predictable and stupid (not at all like the book), and it's just BORING. All the excitement is over after 5 min. and you'd wish you had never made it to the video store...

Believe it or not, I have now seen all four of the Roger Corman-produced WATCHERS films. The best of the series was the mediocre WATCHERS 2, though as mediocre as it was, it looks like a masterpiece compared to this fourth entry. Things don't start well with the first few minutes seemingly consisting of stock footage, and things just get worse from that point on. Mark Hamill (who was one of the producers - did he really think this project was worthy?) looks and sounds very tired, like he had been sleeping in an alley for a week before coming onto the set. Actually, Hamill isn't really to blame, because the screenplay has various plot points and plot turns you have seen in the previous WATCHERS movies. There isn't really anything new here, which will make you wonder why Corman decided to do the same old things once again, especially since it looks like he had less money to spend than in the previous films. Even if you were involved in the production of the movie, there's no compelling reason to watch these end results.

Although not a genius film, and certainly one that passes from cliche to cliche, there are some wonderful elements to it. Namely, between the cliches are flashes of genius and brilliance which buoy the story and make it watchable. The actors are not particularly great, however LISA WILCOX is the real star, her acting is credible and intelligent and she is a delight to watch.