IMDb RATING
6.8/10
10K
YOUR RATING
Although mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother.Although mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother.Although mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother.
- Director
- Writers
- Stars
- Won 1 Primetime Emmy
- 3 wins & 22 nominations total
Brandy Norwood
- Cinderella
- (as Brandy)
Natalie Desselle Reid
- Minerva
- (as Natalie Desselle)
Melanie A. Gage
- Dancer #5
- (as Melanie Gage)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10Meelie
I love this movie soooo much. I have seen it over 100 times. I have the video and I taped all the songs off of the movie and listen to it on a daily basis. I have memorized all the songs and words. The acting is great. I love all the people and how well they act together. Also I think the prince is just so cute!! I am a big fan of Brandy and Whitney Houston and I love all the dancing and music in the musical. My favorite scene is in the village at the beginning. I love this musical and if you haven't seen it you don't know what you are missing !!!!
If there's anything to be criticized in the Cinderella story, it's the fundamental premise that Cinderella is passive...but then it's a one-plot story that doesn't give her the chance to "evolve" as Harry Potter does. But don't we all wish to have our problems solved and our dreams made to come true for us?
I love this updated version of the story because, at least for me and my family, it represents a double fantasy of the way the world should be. While the multi-colored cast might be jarring for those who knew the original version (which I saw as a kid), I thought it was brilliant. My kids don't look like me--my daughter is Chinese and my son is Guatemalan. So for them to see a black queen and a white king with an Asian son, who falls in love with the beautiful but misused black stepdaughter of a white woman with one black and one white daughter--neither of whom look remotely like her--isn't as un-real (or merely PC) as some people might think. For my family, it's an affirmation of modern reality. For my daughter to see a handsome Asian prince fall in love with a beautiful dark-skinned Cinderella is incredibly powerful.
Also, while I am not a huge fan of any one person in the cast, I thought they all performed wonderfully within the limits of the genre. Peters' "Falling in love with love" blew me away, because it actually gives you a moment of real sympathy for the stepmother--no one is wicked always, it seems to say, and heartbreak has hardened her heart against her beautiful stepdaughter. Instead of merely evil, she becomes tragic.
The costumes and sets were great--firmly placing this in the vaguely "old world" romantic place that fairy tales live--the pop stylings and characters of the actors instantly make this a period piece of the late 20th century--but that's just fine. Cinderella will be reborn many times in the coming generations.
It would be nice to see a subtle re-working of Cinderella with even more sympathy for the stepmother and sisters, and a little more complexity of character and plot to make the heroine and hero less two-dimensional--but then it wouldn't really be a children's movie, would it?
I love this updated version of the story because, at least for me and my family, it represents a double fantasy of the way the world should be. While the multi-colored cast might be jarring for those who knew the original version (which I saw as a kid), I thought it was brilliant. My kids don't look like me--my daughter is Chinese and my son is Guatemalan. So for them to see a black queen and a white king with an Asian son, who falls in love with the beautiful but misused black stepdaughter of a white woman with one black and one white daughter--neither of whom look remotely like her--isn't as un-real (or merely PC) as some people might think. For my family, it's an affirmation of modern reality. For my daughter to see a handsome Asian prince fall in love with a beautiful dark-skinned Cinderella is incredibly powerful.
Also, while I am not a huge fan of any one person in the cast, I thought they all performed wonderfully within the limits of the genre. Peters' "Falling in love with love" blew me away, because it actually gives you a moment of real sympathy for the stepmother--no one is wicked always, it seems to say, and heartbreak has hardened her heart against her beautiful stepdaughter. Instead of merely evil, she becomes tragic.
The costumes and sets were great--firmly placing this in the vaguely "old world" romantic place that fairy tales live--the pop stylings and characters of the actors instantly make this a period piece of the late 20th century--but that's just fine. Cinderella will be reborn many times in the coming generations.
It would be nice to see a subtle re-working of Cinderella with even more sympathy for the stepmother and sisters, and a little more complexity of character and plot to make the heroine and hero less two-dimensional--but then it wouldn't really be a children's movie, would it?
We received this movie as a gift and it sat unwatched for a year until my 3-yr old pulled it out. I don't usually tear up during movies, but this production is stunning to watch, and lovingly detailed. The costumes, the sets, the colors are hypnotic, very much like a dream. I particularly appreciate the inclusive, multi-racial cast, especially because we're used to seeing all combinations of families here in Cambridge. Whitney Houston's voice gives new meaning to the idea of fairy godmother. It's really her show; the whole theme that "nothing is impossible" rings even truer when you know about Houston's own history as a young housewife singing in her basement, dreaming of something better. Brandy makes a most sympathetic Cinderella-- she's not passive, she just doesn't know what to do, and her transformation from scullery maid to conficent princess is as believable as it is lovely to watch. This production is also unpretentious in that it's not preachy, or divisive. There is no one evil or bad; everyone's clearly trying to do the best they can. What more can you ask for? I'm in love with this movie, and credit Houston with a clear vision of how the dusty Cinderella story can become timeless and compassionate with just a few strategic modern touches!
This is one movie I never get tired of. I especially like the fact that it's multi-culturaled, which is a good example for young children. The message is universal, teaching that no matter how things appear at the present there's always something good at the end if you believe in yourself.
One of Rodger and Hammerstein's masterpiece. Although this TV movie is a remake, you just can't get enough of Brandy, Paolo Montalban, Whoopi Goldberg, Whitney Houston, Bernadette Peters, and all of the casts that makes this movie a classic. Listen to the music. Hear its glory.
Did you know
- TriviaBrandy Norwood became the first African American to play Cinderella. This version broke viewership records when it debuted, and it holds the record for the best-selling video for a made-for-TV movie.
- GoofsDuring the song "A Lovely Night", when Cinderella is dancing around with her stepsisters the crew can be seen in the mirrors on the wall.
- ConnectionsFeatured in The 50th Annual Primetime Emmy Awards (1998)
- SoundtracksPrologue: Impossible
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Performed by Whitney Houston
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Rodgers & Hammerstein's Cinderella
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
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By what name was La Légende de Cendrillon (1997) officially released in Canada in English?
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