Chalti Ka Naam Gaadi

Saw this film for the 2nd time after a very long gap. The DVD print was very sharp and that always helps. CKNG is a landmark Hindi film for 2 reasons: (1) It is the only Hindi film which starred all 3 Kumar brothers (real family name Ganguly). (2) It paired the 2 most beautiful actresses of all time in the history of Hindi cinema--Veena (real name Tajour Sultana) & Madhubala (real name Mumtaz Jehan Dehlavi); note that this pairing was as adults. Madhubala did appear as a child actress in a 1946 film in which Veena starred. With all due consideration that old time actress Veena was in disheveled make-up for most all of her scenes, Veena's stunning beauty still managed to break through. Only at the last scene of this wacky comedy, do the viewers get to see Veena all neat and prim. Even so, it is apparent that the filmmakers did not go all out to showcase Veena's full beauty via the most suitable make-up and hairstyle befitting her. Film director Satyen Bose must have been well aware of the Marx Brothers, the Three Stooges, and the forgotten Ritz Brothers when he directed this fare. As crazy and talented as Kishore Kumar was on screen, there were generations of Indian filmgoers who for the life of them could never understand how the gorgeous Madhubala ever married him of all the people in the world. It was like gorgeous Ava Gardner marrying Mickey Rooney in the early 1940s...Truly jaw-dropping. Of the 3 brothers, only Ashok Kumar looked somewhat like a matinée idol in his youth. Let's face the facts, Anoop and Kishore looked like cartoons...And on occasion, acted like cartoons. But for this film, it was right on the money. Speaking of money, this film was the 2nd highest grossing Hindi film of 1958. Where this film fell short is in the backdrop of the romance of Ashok's Brijmohan and Veena's Kamini. That was a very promising subplot which certainly should have been given a far superior treatment than it was. The same can be said of the romantic subplot of Anoop's Jagmohan and Sahira's Sheela. Veteran screen great K. N. Singh provides a powerful, menacing presence in this movie as the main heavy. Singh was reunited in this film with his HUMAYUN co-stars Ashok Kumar & Veena, the 1945 Mehboob Khan epic. Singh was even more menacing here than he was in that historical drama. This movie most certainly had the potential of being an all time classic Hindi film comedy but ended up falling short of it. Nevertheless, it is a film that must be viewed at least once by fans of Hindi films.

My words can't express my feelings about this move

This is a true classic! Simple story, wonderful music, great acting, brilliant cast and phenomenally hilarious!!!

Three brothers (brothers in real life too) manage a car repairshop, the eldest (Ashok Kumar) being a misogynist because he was jilted once. Hence, he does not want his younger, and in his eyes, naive brothers to go after women. So, he stops them from any female contact whatsoever. But the inevitable happens, and they fall in love one after the other. What ensues is all sorts of hilarious situations - an enormously funny boxing match (between the eldest and the youngest brother, played brilliantly by Kishore Kumar) where the referee (Anup Kumar playing the middle brother) gets knocked out, crazy detective routines, an out of this world car race and the typical climax - a fight sequence.

This movie stands tall amongst the greatest comedies ever, rubbing shoulders with the likes of Singin' in the Rain, Modern Times etc. Shows you that you do not need to get obscene or profane to get laughs! And believe me, this one gives you more laughs than you can handle!!!

Chalti Ka Naam Gaadi (1958) : Brief Review -

What Mughal-E-Azam means to grandeur cinema, CKNG means to comedy cinema. Bollywood's answer to classic Hollywood musicals from the golden age. I have been through this movie many times during childhood, but the actual fun is experienced today only. Maybe because I have seen a lot of old Hollywood classics that defined and established formulas, genres, and sub-genres in the early talkie era. I can recall at least 5 dozen classic comedies (including rom-coms, screwball, and musical comedies) from the golden age of Hollywood (30s-50s), and yet, I can proudly say that Bollywood made this classic musical comedy in the late 50s. So, we were late, but not as late as they expected us to be. Even Hollywood wasn't really good with multistarrer comedies in that period, so Chalti Ka Naam Gaadi has an upper hand there. It's non-stop entertainment. Almost every comedy movie feels boring for at least 5 minutes here and there, but this one literally has no such moments. Usually, songs work as loo breaks, but here, songs are even better than the narrative. In Hollywood movies, musical numbers are there to define the situation and carry the story or narrative forward, but in Bollywood, music has always been a different setup of entertainment. For that, the story had to be dropped for 5 minutes. Chalti Ka Naam Gaadi broke that stereotype for filmmakers and audiences. You see the songs, how they are designed, how the tunes match the tone of the situations, and how brilliantly the lyrics put the situation in words. Pure masterclass! Many typical plot holes and subtexts were established here. Just keep an eye on them, and you'll realize how important this film was for the Bollywood industry. What's more? We have seen the same templates used in the 90s comedy (that's 30 years later). Imagine the impact it must have had on audiences in the 50s. Evergreen Comedy and Iconic Album Hands down.

RATING - 8/10*

By - #samthebestest.

The movie's theme was hinted in the first scene itself. It was always clear that it was going to be the story of the three brothers who would try their best to keep distance from the ladies but would somehow get stuck in the romantic scenarios. This was clearly a good opening for the comedy and the first half of the movie is as satisfying as it could get. Not only does it manage to generate some good laughter but the build up for the plot was also excellent. It was also interesting how the multiple circumstances were connected in order to reach the conclusion. Most of the songs are played in the first half itself and even though almost everytime a random scene suddenly turns into a song sequence, the songs do not seem misplaced by any means. They are all placed in accordance with the characters' situations. The soundtrack of this movie deserves the popularity it has. Almost all songs are catchy and never get old. Classic in true sense.

The quality declines in the second half though. Most of the comedy scenes in the second half either felt outdated or were pretty lame. The movie certainly wasn't as humourous as it felt in the first half. The villains too were one-dimensional and the plot progression too felt ordinary.

What kept this movie from being one time watch was the brilliant characterization of all the main characters. Their motivation and the character development were brilliantly done and their goofiness was really good to watch.