Lord Tichborne, the ninth richest nobleman in England, disappears after a South American shipwreck. Some years later, his erudite Afro-English valet, Bogle, is sent to investigate rumors tha... Read allLord Tichborne, the ninth richest nobleman in England, disappears after a South American shipwreck. Some years later, his erudite Afro-English valet, Bogle, is sent to investigate rumors that Tichborne survived and settled in Australia. An alcoholic ruffian answer's Bogle's inqui... Read allLord Tichborne, the ninth richest nobleman in England, disappears after a South American shipwreck. Some years later, his erudite Afro-English valet, Bogle, is sent to investigate rumors that Tichborne survived and settled in Australia. An alcoholic ruffian answer's Bogle's inquiries claiming to be the lost heir. Bogle suspects fraud, but conspires with the claimant t... Read all
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Who do we blame - The director David Yates or the producer Tom McCabe ? I looked up Yates resume and though much of his work has been in television he has a fairly good track record and will be directing the next Harry Potter film so that must mean something while McCabe has a very uneven CV which nearly always involves his produced works failing to get wide distribution so I'm making a very educated guess that Mr McCabe is the one responsible for this film being virtually unknown
The problem starts round about the opening sequence where Andrew Bogle relates the story of Lord Tichborne through a series of photographs and a not convincing model shot of a shipwreck . This expositional story telling technique has been done many times via the BBC's excellent history show TIMEWATCH and umpteen documentaries on the history channel and all through the running time of THE TICHBORNE CLAIMENT I never got the feeling that I was watching a dramatised cinematic account but something from The History Channel
What makes this rather unforgivable is the potential of the story and the fine cast . People love hearing about other people being made fools of and it's part of human nature but at no point will the audience rub their hands in sadistic glee watching people getting ripped off ( GREY OWL also suffers from this by being overly serious ) and the cast certainly don't help by being very staid . The whole movie would have been much more better if it had a Dickensian caricature feel where the characters are portrayed as Great British eccentrics . As it stands THE TICHBORNE CLAIMENT is instantly forgettable and ever so wasted as a cinematic film
- the voting for this film that is. I agree that it is an interesting, if somewhat slow period drama, but it is intelligent, and well acted and scripted. It's historical accuracy is an added dimension. Worth a look but probably not worth shelling out much money for. My vote 7/10
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- TriviaThe last movie of James Villiers (Uncle Henry) and Charles Gray (Arundell).
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