Titanic Town

"Titanic Town" is the real-life story of Bernie McPhelimy, a Belfast mother who was the driving force behind an anti-violence initiative of the 1970's. (The film draws its name from its city of location, where the "Titanic" was built at the Harland & Wolff shipyards.) Bernie is a witness to several military raids within both her neighborhood and her own home. The film shows how her feelings of indignancy are ignited and herself propelled--rather too quickly--into a spiral of Irish politics and intrigue. "Titanic Town" does an excellent job of demonstrating how one's own emotions, the news media and circumstantial events work to transform an ordinary individual into a national controversy. Performances by Julie Walters (as Bernie McPhelimy), newcomer Nuala O'Neill (as her daughter), and Ciaran McMenamin (as an IRA activist) are particularly well done. Strong supporting work is given by Ciaran Hinds, as Bernie's spent and sickly husband. Adeptly directed by Roger Michell ("Notting Hill"), "Titanic Town" may be somewhat dated from a topical standpoint, but its presentation of the Irish conflict in most human of terms makes it a more than worthy watch. It is a brave story, about a brave (if somewhat belligerent) people, which will elicit compassion, sympathy and respect from nearly any viewer.

True story of one Bernie McPhillimy, a determined lady who tries to negotiate an agreement between the IRA and the Brits in 1972, during the height of the fighting. She is tired of innocent children being killed and comes up with an idea of a 'daytime truce' so the children can safely get to school and back. From he modest petition drive she is thrust quickly into the limelight as a leader of the 'peace movement.' Although she is not pro-British, she is given the tag of 'anti-IRA' by the nieghbours and we see the wrath that label brings upon her and her family. Despite all the setbacks and threats, her dogged determination is inspiring and at times even fun to watch. This movie does a great job of putting you right in the thick of things in Belfast. Unlike other movies based on the troubles in Ireland which usually looks at it from an IRA standpoint, this one focuses on how the regular blokes are affected and what their daily lives are like. Not entirely uplifting nor a complete bummer, it treads keenly between an over the top drama and made for tv drama. Still, I like it.

"Titanic Town" is a journeyman drama with a low budget feel which revisits Belfast, NI (circa 1970's) when the IRA and Brits waged war in the streets. The film tells of a housewife and mother who gets fed up with the violence and takes the initiative waging her own war of peace through mediation. Open ended and relatively uneventful, this film has little to offer save the curious and sometimes humorous juxtaposition of a "mom" amongst considerably more sagacious combatants. Not a bad small screen watch for moms but pretty trite stuff by cinematic standards.

I notice that a lot of comments such as 'Yawn, yawn. Another film about Northern Ireland' were written by people who don't actually live there. Well, I was born in Belfast in 1960 and lived there till 1982, and I can tell you that when you were yawning at the news about people being murdered, tortured, kidnapped, beaten, burned out of their homes, intimidated and imprisoned without trial, the people I lived among were going through it. I think this is an excellent film and very realistic. Julie Walters' accent is spot on, and the humour is, too. People who suffer greatly stay sane by developing a kind of gallows humour. If you think it is a trite film, you must have had an easy life. You've probably spent too much of your time watching movies. This is a luxury accorded to those who live in peace; be grateful you do.

I saw this at the 1998 Montreal Film Festival and found it a moving and challenging film on the complexities of personal and political response to a longstanding and divisive issue. Well acted and cinematographed, this film added a dimension that has been rarely touched upon in other depictions of the "troubles in Northern Ireland." It compliments "Every Mother's Son" and "In the Name of the Father" with a moving story of the long-lasting and indiscriminate effects of violence and an attempt to question its limits as a political strategy. This is not a simplistic film, and its power comes from the depth of its critique of all the players in this ongoing political struggle.