Sous influences

Six Ways To Sunday is billed as a black comedy. That it is, but it is so much more. It is fraught with great characters, situations, and relationships. It is a psychological study that plumbs the depths of a mother/son relationship that effects or determines almost everything that happens in the movie --- good and bad. The relationship is, at the very least, fascinating, but it would be unfair to say more than that. The film tells the story of young man from a depressed area who gets into a life crime. At this point I would like to recognize Mr. Reedus' portrayal of Harry, the naive, gentle, and submissive but simultaneously worldly, aggressive, and violent young man was done deftly and beautifully. A review (Box Office Magazine, I believe) stated that he had the look of Leonardo DiCaprio and the charm of Ewan McGregor --- a dynamite combination that I believe to be true. He could be Hollywood's next big star. The film also sheds light on other human relationships involving love and hate, passion and coldness, and loyalty and betrayal. The film was written and directed by Adam Bernstein. Although there was one situation that I did not find believable which did not detract from the film, Six Ways To Sunday was compelling from beginning to end. A word of caution, the film is deserving of its "R" rating due to some extreme violence and exploring an incestuous relationship. If you do not get a chance to see this film in the theaters, it is well worth renting. Good entertainment. Three plus stars!!!

Which.. i am. I really enjoyed this movie. I mean come on people Issac Hayes and Debbie Harry, we're talking Chef and Blondie, how cool is that? It was very messed up in that "Clockwork Orange" kind of way. I'm not sure what to say about it, but... I really liked it.

This masterful creation is bound to have any viewer thinking about it for some time after the credits roll. Thinking especially about the complex character of Harry Odum played by Norman Reedus - that's complex in more than one sense of the word. Adam Bernstein does an amazing job of plotting out the character development of Harry Odum throughout the story. His is a character that undergoes much change throughout the film and there is never a point where the viewer can pinpoint to say that Harry Odum has displayed an excessively overt transformation. The transition from a young fledgling who is still bathed and nurtured by his mother to a cold blooded killer for the Mafia happens quite smoothly. Smoother than you would probably think possible until you see this film. Of course, credit for this is also due to the fabulous performance by Norman Reedus. As well, Deborah Harry gave a pleasant performance as his incestuous mother.

As you may have guessed, any film dealing with the Mafia, incest, and a complex character with a complex is not a light natured film. In fact the mood gets quite dark at times and Adam Bernstein does a lovely job of keeping this dim air present throughout. This includes everything from the depressing industrial set town that the story takes place in, to the gloomy rooms that the scenes are shot in, to the dark lighting in many of the scenes, to the fitting music, all the way to the disparaging words and attitudes of the characters. All of which will contribute to leaving an indelible impression on the viewer.

Produced by Jonathan Demme and based on the novel PORTRAIT OF A YOUNG MAN DROWNING, SIX WAYS TO Sunday (6WtS) follows the adventures of Harold "Harry" Odum (Norman Reedus), a young man pinned so tightly under his mother's thumb he can barely move. On Harry's road of, er, self-discovery, he evolves (for lack of a better term) from mama's boy to hit man for the local Jewish mob. Even more mind-boggling, his smothering mom is played by an eerily effective Deborah Harry! (Deborah Harry Odum? :-) Although she gets to sing in flashbacks (and Blondie's "Sunday Girl" is used to nice effect in a diner scene. In fact, music is used well in this film overall, especially The Feminine Complex's charmingly Petula Clarkesque "Love Love Love"), for the most part Harry is startlingly different from her Blondie front-woman persona, both physically and personality-wise. Directed by Adam Bernstein, who's gone on to excellent work on RESCUE ME and other edgy TV series, 6WtS boasts a cast as talented as it is eclectic. Norman Reedus manages to be boyish and intense at the same time, as well as looking like the positive result of an eccentric geneticist's attempt to create a hybrid of Ewan McGregor, Leonardo DiCaprio, and a young Gary Sinise. There are also memorable turns by Isaac Hayes as a cop (listen for his rendition of "What A Friend We Have in Mother" during the opening scenes), Jerry Adler (best known in our household as Woody Allen and Diane Keaton's mysterious neighbor Mr. House in MANHATTAN MURDER MYSTERY) as the Jewish mob's equivalent of the capo di tutti capi, and Elina Löwensohn (NADJA, SCHINDLER'S LIST) as the girl Harry loves, reminding me of a sort of wistful, downtrodden Audrey Hepburn. For my money, the most entertaining scenes belong to Adrien Brody, and not just because I'm a fan of his. Brody channels his inner Ali G as Harry's childhood friend Arnie Finklestein, an inept gangsta wannabe who tries to look and act like a homeboy with hilarious results -- but nobody's laughing when he chickens out and flees the scene during one of Harry's hits... 6WtS isn't for all tastes, but if you like your crime comedies weird, dark and twisted, it's at least worth a rental.

This is such a great movie. Debbie Harry gives the best performance as a mother obsessed with her son. She even baths him! The film is mainly about a young boy joining the mob to earn money. He has a split personality, likes his Mom too much and falls in love but is essentially an alright guy, if not a little warped. The best scene is when he and his Mom talk about sex. A very underrated film, worth watching if only for Debbie Harry.