Pour l'amour du jeu

As not a American i just love these kind of movies, this is a great movie. This is real American drama and a feel good movie. I saw this many times and just watch Moneyball also a great movie. I just say if wanna watch a movie about baseball that also has some feel good and you can see with your girl without the story he you wanna watch sports again watch this. Great makes me pink a cry every time.

This was one of those rare events where you find yourself clicking through channels and luck upon the beginning of a movie so engrossing that the world completely stops until the credits roll. This is Costner's greatest performance, with a depth of emotion that we've never seen before.

This is much more than a baseball film. It's a love story about love and baseball, and life and facing the future when you finally "grow up." It's about the choices behind us and the chances ahead.

For Love Of The Game

Maybe I'm looking at this film through rose colored glasses. Sam Raimi is one of my favorite directors, a real talent with visual ingenuity and a penchant for silliness. With last holiday's bleak A SIMPLE PLAN, Raimi gave up his EVIL DEAD past and churned out the most satisfying dramatic thriller of last year. He is certainly growing by leaps and bounds as a storyteller, and his latest film, FOR LOVE OF THE GAME, is another surprise for those of us who are fans. A truly elegant, dashingly romantic, white-knuckled look at baseball and matters of the human heart, GAME represents what a true Hollywood soap opera should be, effective.

Kevin Costner plays Billy Chapel, an aging pitcher for the Detroit Tigers heading for the mound for may be his last time ever. The team owner has sold the organization to a corporation and they have plans to trade Billy. His arm continues to fail him more every time he steps up to thrown. And to top it all off, Billy must deal with his tempestuous relationship with Jane, a woman he met by a broken down car on the side of the road five years ago and has yet to fully commit to. With all these thoughts swirling inside Billy's head, he unknowingly begins pitching a perfect game. Unable to keep his mind clear, Billy thinks back on his life during the game and considers the mistakes he has made and the people he has met.

Told mostly in flashback, LOVE OF THE GAME is first and foremost a baseball movie. While being knocked for his recent professional choices (yeah, I liked THE POSTMAN, say what you will) Kevin Costner seems to have been crowned king of the baseball flicks. Ron Shelton's BULL DURHAM is pure genius, the best baseball film ever. FIELD OF DREAMS is more like GAME, both share a strong heartbeat and retaining a smart enthusiasm for the sport. Costner has been the glue that held both films together. He's always been a good actor, only reaching brilliance once (DURHAM). He has the rare charm the many actors forget to consider. While not technically proficient, Costner knows screen charisma well. GAME gives us a desperate Costner performance, one which lets the actor take his guard down for once. His Billy Chapel is a man used to success, yet unsure how to use it to his advantage. A man who can hardly imagine himself consumed by anything but baseball. It's a great performance from Costner. My only hope is that public opinion doesn't tarnish the acting for the paying crowd.

Kelly Preston has the more troublesome task of shining brighter than Costner. A working actress for sometime now, this new film feels like the first time Preston is really acting. I enjoyed her supporting work in 1998's underrated JACK FROST, and GAME finally puts her front and center. She bounces effortlessly of Costner, and the two - while skittish at first - melt into a nice chemistry that packs more emotion than I expected. The loopy John C. Reilly (BOOGIE NIGHTS) and Jena Malone (STEPMOM) are also quite pleasant in small roles.

Working with even more restraint than his SIMPLE PLAN, Raimi brings to the table his gift for camera placement and visual tenacity. The baseball scenes in GAME are very romantic, the title doesn't lie. A self-professed fanatic of baseball, Raimi's love of the game shows in each shot. With noted cinematographer John Bailey, the two create a pristine looking film. The stadium scenes are both frightening cinematic and realistic at the same time. The look of the film might not register with many people, but I couldn't help but to admire such attention to detail.

Screenwriter Dana Stevens made quite an impression with her spare and warm CITY OF ANGELS remake. What she brings to GAME is the feeling of courtship that I enjoyed in Costner's last film MESSAGE IN A BOTTLE. Costner and Preston really show the genesis of a relationship, warts and all. The structure of flashback that Stevens uses to tell the story isn't as unfortunate as it sounds. It's all a rather nice mix of familiar baseball melodrama and a hearty dose of Hollywood soap opera. Stevens proves once again that she has a wonderful ear for romantic entanglements.

Call me a sucker for the obvious, but FOR LOVE OF THE GAME really worked for me. I really was moved by the story and enjoyed all the nuances and quirks. This classy film might not have a hero with a chainsaw for a hand, a crispy scientist with a reliance on synthetic skin, or a quickdrawing Sharon Stone. What it does have is strong emotional resonance. A audience film that the mainstream will love and the arthouse will abhor. I'll take that any day.-------- 10/10

This film is much more than a beautiful film about baseball. It's about life....about the continuity of life... about moving on... about taking stock of who you are, and who you are going to be. Billy Chapel stands there, quietly, introspectively, doing what he has always done, what he wants to always do, but knowing at the same time, through his reflections and his actions, that things change nevertheless. At the crux of the pennant game for the Yankees, this Detroit pitcher stands on the pitcher's mound, knowing, seeing, the flow of life. His team sold, knowing his days for the Tigers are over, that his catcher will likely not be there again, that his great love is leaving, that her daughter has grown, his friend playing now for the Yankees, even the last pitcher he faces - who began as a Tiger bat boy for the team his father played for, the Tigers - a boy whom the announcers say has no idea of what this moment is, although he does, his team owner watching the last great game of summer... deciding... about the rest of his life. Through his comments, his thoughts, and his reflections, he evaluates not only where he is going, but who he is and what he will be. And at the precipice of the rest of his life, a perfect game in the balance, he finds it... what his life means. This film never fails to make me cry.

FIRST: Let us FOCUS on the Title's Content and Context......

"They just don't make 'em like they used to!" As regards "For Love of the Game", the above comment applies to both movies and baseball players!

Old-fashioned, straight-ahead storytelling, complimented by solid performances, extremely convincing on-the-field action, excellent photography and more than competent direction by Sam Raimi, make for a resoundingly entertaining movie... even if you're not much of a baseball fan!

Perhaps the best thing going for the film is its truly innovative integration and balance of rapid-fire on-going game vs. Relationship development flashback elements, allowing the viewer to "get inside the athlete's head" in a way no other movie in recent memory does. FOR LOVE thusly manages to put a signature spin on the subjective experience of a great athlete's swan song by sharing and highlighting the stark contrast between the external precision and perfection of the real-world game in progress, and the turbulent, highly personal, inner-world of the passions that drive him.

Kevin Costner, certainly NOT the greatest actor in the world, literally shines in the mother of all tailor made roles. Kelly Preston shows us a highly focused intensity, in just what may be her best on screen appearance to date! John C. Reilly, although cast as the solid-as-a-rock-always-there-when-you-need-him-on-the-sidelines Catcher, plays to the hilt a supporting role, in every sense of the word.

There are moments in FOR LOVE however, that seem a touch too maudlin, trying just a little too hard to jerk that extra tear. A few of these melancholy scenes are drawn out to the point of making the viewer self-conscious and put upon. These occasional excesses are easily overlooked, however, in light of the films many strengths and its overall highly engrossing nature.

8*.....ENJOY! / DISFRUTELA!

Any comments, questions or observations, in English o en Español, are most welcome!