In the year 2036 a special forces team led by Major Agatha Doyle, formed from death-row prisoners, takes on a mission. A former war hero on death row is offered the chance at a pardon if he ... Read allIn the year 2036 a special forces team led by Major Agatha Doyle, formed from death-row prisoners, takes on a mission. A former war hero on death row is offered the chance at a pardon if he joins the team to infiltrate an enemy facility.In the year 2036 a special forces team led by Major Agatha Doyle, formed from death-row prisoners, takes on a mission. A former war hero on death row is offered the chance at a pardon if he joins the team to infiltrate an enemy facility.
Patricia M. Peters
- Goodis
- (as Tricia Peters)
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Me and my brother had borrowed some movies......all B-rated movies.I thought it would be cool to see Corey Feldman in a horror movie. And he did really good as a computer hacker. But I found the movie as pretty lame, but still pretty fun to watch. I think a lot of new space-horror movies is trying to be in the same class as Alien and the Predator movies, but most movies are far away from close. Legion is ok, it gets 6 out of 10 from me.
When I saw the box to this movie I thought it might be good for a laugh as it was a normal low budget frightener. I was quite impressed by the way it started though. It has the main character trying to escape from a prison and getting caught only to be told he was being tested for a mission. He and a train load of other misfits are to be sent to a space colony to kill everyone. The introductions to the characters automatically tell you what they're like. Theres Koosman, a pilot. Goodis, a dumb acrobatic who is great small range. Cutter, a rapist and killer. Po, a huge black guy who killed loads of people and so on. There are more but I'd take forever explaining them. They all arrive on the space port anyway and find that everyone has been butchered and mutilated by an animal or something. Is it Bigfoot? Is it the Loch Ness Monster? No. It's just the usual alien monster cover up type thing but its fun to guess WHO it is. An adult Corey Feldman and 80's pop idol Rick Springfield give good performances and make it quite suspenseful. It just turns into a rip-off of Predator at the end though. Quite bloody, good fight scenes and a good monster make it worthwhile too. Overall the good and bad points it gets a 6 out of 10. Now go and find it!
This movie has gotten a lot of flak, but given the low budget, I think the cast and crew did an exemplary job. It's reminiscent of the Dirty Dozen meets Predator meets Aliens, with a group of futuristic soldiers slated for execution given a last chance at redemption by going on a dangerous mission. Most of the characters are somewhat two-dimensional, but each has a few particular traits that seperate them from the rest of the group. It's a solid movie the whole way through, and might be worth your time to watch.
This one was like "Aliens" without the aliens... or maybe it was more like a sci-fi slasher movie... Yes, that's it, a sci-fi slasher B-flick. Some folks say that this movie steals the basic premise of "The Dirty Dozen" and puts it in outer space. Indeed, here we have a group of convicts turned into soldiers and sent off to a planet to secure a space station (or something). Amongst them are a religious fanatic female military doctor, a drug-addict/rapist, a nymphomaniac, and Corey Feldman as a computer nerd. The space station looks, of course, like an old factory. You know the drill: all of them get slaughtered (in a not too bloody way) one by one. Lots of running around, lots of shooting and near the end you won't even care about who's doing the killing or if the mutant make-up looks cool or not. I managed to sit through it without too many problems, so I guess it could have been worse.
'Legion' is unmistakably a TV movie in every regard. It's underwritten, and underwhelming, and only just manages to be entertaining enough to keep us watching.
Before anything else, let's just admire the cast for a moment. Terry Farrell, best known as Jadzia Dax on 'Star Trek: Deep Space 9.' Corey Feldman, child actor all grown up. Trevor Goddard, best known as Kano in the underappreciated 1995 'Mortal Kombat' film. Tricia Peters, experienced stuntwoman. Rick Springfield, musician.
It's unfortunate that they're all given so little to do.
Set design and special effects are adequate, though curious, and mostly feel outdated even by the standards of 1998. Sometimes I'm reminded of cutscenes from mid-90s PC videogames; at other points it seems like effects are a throwback to the 1970s - I could swear that some explosions wouldn't look out of place in the infamous B-movie 'Phase IV.' Roger Neill's music is probably best described as simply perfunctory. Make-up and blood effects look good, at least.
Writing and direction is very forthright, maintaining a quick pace bereft of subtlety and leaving little room for the assembled cast to explore their roles. Characters are diverse in their personalities and backgrounds, yet that small sense of variation belies generally flat, one-dimensional parts that pigeon-hole the actors. This is most vividly true of Farrell as Major Doyle: She maintains the same force of personality we got to see in her much more dynamic role in 'Deep Space 9,' but Doyle is considerably more hard-boiled, and Farrell is bulldozed into chewing scenery as much as anything else. If this is less true of her co-stars, it's only because their roles are less prominent.
Much of 'Legion' thrums along with minimal meaningful narrative, and sparse significant story beats mostly serve as impetus for the characters to a) stalk through an empty industrial setting with their nerves on edge, and b) fight among each other. In the first two-thirds of the feature I counted exactly 3 instances of plot development. The screenplay opens up a bit in the run-up to the finale, allowing characters to show slightly more depth, but at all points the dialogue is irrepressibly ham-fisted, so blocky as to almost give the sense of "square peg, round hole."
It's gratifying, at least, that the climax is unquestionably the best part of 'Legion' - clearly the greatest energy was poured into the final minutes, in every regard. Yet by that point we've sat through so much middling pablum, barely holding our attention, that I'm unsure the conclusion is worth it.
It's difficult to recommend this even for particular fans of the cast, as they go to waste here more than not. 'Legion' isn't altogether bad, but there's so little to keep us truly engaged, and watching feels like checking off an item on a mundane to-do list. It's mildly interesting enough if you come across it and aren't notably discerning in your film preferences, but definitely don't go out of your way for it.
Before anything else, let's just admire the cast for a moment. Terry Farrell, best known as Jadzia Dax on 'Star Trek: Deep Space 9.' Corey Feldman, child actor all grown up. Trevor Goddard, best known as Kano in the underappreciated 1995 'Mortal Kombat' film. Tricia Peters, experienced stuntwoman. Rick Springfield, musician.
It's unfortunate that they're all given so little to do.
Set design and special effects are adequate, though curious, and mostly feel outdated even by the standards of 1998. Sometimes I'm reminded of cutscenes from mid-90s PC videogames; at other points it seems like effects are a throwback to the 1970s - I could swear that some explosions wouldn't look out of place in the infamous B-movie 'Phase IV.' Roger Neill's music is probably best described as simply perfunctory. Make-up and blood effects look good, at least.
Writing and direction is very forthright, maintaining a quick pace bereft of subtlety and leaving little room for the assembled cast to explore their roles. Characters are diverse in their personalities and backgrounds, yet that small sense of variation belies generally flat, one-dimensional parts that pigeon-hole the actors. This is most vividly true of Farrell as Major Doyle: She maintains the same force of personality we got to see in her much more dynamic role in 'Deep Space 9,' but Doyle is considerably more hard-boiled, and Farrell is bulldozed into chewing scenery as much as anything else. If this is less true of her co-stars, it's only because their roles are less prominent.
Much of 'Legion' thrums along with minimal meaningful narrative, and sparse significant story beats mostly serve as impetus for the characters to a) stalk through an empty industrial setting with their nerves on edge, and b) fight among each other. In the first two-thirds of the feature I counted exactly 3 instances of plot development. The screenplay opens up a bit in the run-up to the finale, allowing characters to show slightly more depth, but at all points the dialogue is irrepressibly ham-fisted, so blocky as to almost give the sense of "square peg, round hole."
It's gratifying, at least, that the climax is unquestionably the best part of 'Legion' - clearly the greatest energy was poured into the final minutes, in every regard. Yet by that point we've sat through so much middling pablum, barely holding our attention, that I'm unsure the conclusion is worth it.
It's difficult to recommend this even for particular fans of the cast, as they go to waste here more than not. 'Legion' isn't altogether bad, but there's so little to keep us truly engaged, and watching feels like checking off an item on a mundane to-do list. It's mildly interesting enough if you come across it and aren't notably discerning in your film preferences, but definitely don't go out of your way for it.
Did you know
- TriviaTerry Farrell signed on to do the TV movie following her departure from Star Trek: Deep Space Nine (1993) which she played Lt. Cmdr. Jadzia Dax.
- GoofsWhen the guards attempt to confiscate Aldrich's cigarettes in the execution chamber the guard to Aldrich's right is wearing a balaclava which covers his mouth. When the camera cuts back the guard to Aldrich's right is wearing a ski mask that covers his whole face except for his eyes and mouth. There's no indication that Aldrich turned to face the other guard around since the entry door is still behind his left shoulder.
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