Tess of the D'Urbervilles

I watched Tess on TV when it was first aired an I was totally blown away! I knew nothing about Thomas Hardy or the novel and was very impressed not only by the shocking story and plot twists but the sensitivity of the acting to the characters. All of the characters qualities and faults are portrayed in such a way that it is not so easy for the audience to judge Angel as good and Alec as bad. It is highly relevant to controversial issues in society today (as with many of Hardy's novels) and you should watch it with an open mind. Since watching, I have not only read the novel but most of Hardy's other novels. I would certainly recommend anyone who enjoyed this to read Hardy and other similar writers such as Wilkie Collins.

This movie was FANTASTIC. I haven't yet read the book, but this has incited me to do so. The characters were fascinating. Every one, even the evil ones. The story was great, all the things that happened greatly added to the suspense towards the end. DO NOT MISS THE END. The end is the best part. I waited a week to see the second half of this movie and it was well worth it.

Though all three adaptations I've seen have been very good in their own way, the other two being the Polanski film and the Gemma Arterton mini-series, all three do a noble job adapting a literary classic. Of the three personal favourite and best has to go to this version, and while that it is the most faithful of the three to the book what is done on its own is even more remarkable. The locations are evocative and manage in being really beautiful and atmospheric. The photography matches those qualities with its richness, this is a really beautifully shot adaptation and of the three versions it is the most striking visually. The music adds a lot to the atmosphere too, a great mix of haunting and emotive, very well suited for the nature of the story and the impact of Tess' plight. The dialogue is intelligent and has the spirit of Hardy's writing with the vivid descriptions and his way of words, phrases and poetry. The story really packs a powerful impact and adapted in a way that doesn't make the telling of it feel too complicated. the ending is absolutely heart-breaking. The acting from the three leads is spot on. Justine Waddell is a Tess that we feel immediately feel sympathy for and Waddell also brings dignity to the character. Oliver Milburn's Angel Clare has a sense of optimism though he doesn't make him too one-dimensional, we still get a sense that Angel Clare is not as innocent as he seems. In contrast we have Jason Flemying who portrays Alec as a genuine sleaze and cad and in a malevolent way but there is still the sense that he did love Tess. All in all, brilliant and the best of the three adaptations personally seen of Tess of the D'Urbevilles, if there is a better version I've yet to see it and it has to be really amazing to beat this. 10/10 Bethany Cox

Staying true to the novel, this film reflects the richness of Hardy's novel, as it does his affectionate portrayal of Tess. The stunning settings are beautifully shot making Tess of the D'Urbevilles a pleasure to watch.

If I may be so bold, I would say that this particular adaptation of Tess of the d'Urbervilles is just what Hardy had in mind when he wrote his masterpiece. However, it's difficult to put into words just why one production works so well. For me, one crucial ingredient was the music. The music in this production is emotive, a bit lively, innocently hedonistic, playful and lilting, but with a definite, bittersweet note illustrating the transient glory and ups and downs of Tess' too brief, and unfortunately, mostly tragic life. The beautiful Justine Waddell plays the role of Tess with great talent and simple dignity. In particular, I liked the scene in which she says there's no point learning about history only to discover that there have been countless other people like her in the past living through the same kind of drudgery. Oliver Milburn, who played Angel Clare, brings a new kind of skeptical optimism to the role not as apparent in Peter Firth's portrayal back in 1979. Milburn seems more angelic and innocent and innocuous in manner, posture, appearance, and in facial expression. He is open and appealing, very easily seducing the heart of Tess in spite of her reservations. His treatment of her when he has discovered her secret seems all the more callous and tragic for his previous admiration and light-hearted demeanor. But kudos must go to the directors and cinematographers of this production. From the opening scene of the maidens dancing in the field, the visual shots in this film are rich in beauty and light, at least when all is well. Even the drear scenes to come are depicted with absolute visual integrity and adhere faithfully to Hardy's vision and eloquent natural language. In particular, I like the fact that in this film, the last scene at Stonehenge has been more accurately portrayed from the book than in the previous version, 1979's "Tess". (Ie. the atheistic comments have not been censored out when Tess mourns with despair that Angel and she will never meet again.) All in all, this film is worth every moment watching. Not only are the dialogues delightful and the themes intriguing, but many will be captivated simply by the glorious scenery and by the beauty and demeure grace of Tess herself. My rating: 10/10