A young cop gets thrown in with a special police squad who are acting as assassins against hoods and who don't care who gets in the way.A young cop gets thrown in with a special police squad who are acting as assassins against hoods and who don't care who gets in the way.A young cop gets thrown in with a special police squad who are acting as assassins against hoods and who don't care who gets in the way.
Andy Davoli
- Paramedic #1
- (as Andrew Davoli)
Zack Tiegen
- Detective
- (as Zachary Tiegan)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a strictly B movie that manages to successfully disguise its true identity up until the last 1/3rd of the story.
The story is nothing new - Clint Easywood, amongst others, charted the same territory of vigilante cops pulling the wrong newbie into their group in 1973's MAGNUM FORCE - but it has been spiced up with some bullet ballet that is actually more realistic than most big budget affairs produce. Overall, the photography and lighting are very professional in a gritty way, and so is the editing, which gives the movie a very polished, well-budgeted look. Still, police dramas with mediocre plots need to be carried by their characters, and while Stephen Baldwin does make an interesting hero, his shooting does more for character development than his dialogue. Tia Carrere is nice, but she comes across way too smart, and definitely way too composed, for a call-girl, and she shows virtually zero skin - an especially big disappointment in a genre film of this kind...:) If anything, the supporting characters, the 'baddies' who make up the police team, are the ones that carry you through several scenes: their action is fairly nicely choreographed, and it is a pleasure to see them die.
...but, ultimately, Scar City really fails. The first third is somewhat engaging, because the director wisely spends his time to establish the protagonists' and the antagonists' strengths and weaknesses. The second third rolls well because of all the action suddenly exploding onto the screen. In the third, though, where action and characters could be nicely pulled together into a tight, plot-driven finale, the film crumbles into a dozen silly clichés and inconsistencies instead. Why would you ask someone whether they can shoot, a few hours after they showed you their gun, telling you how they used to shoot squirrels with it? The mess is hardly mopped up by an incomplete and nonsensical ending that makes it look like the director was too tired to tie up a dozen characters and plot lines.
Still, for a slow weekday evening it is good gunplay.
The story is nothing new - Clint Easywood, amongst others, charted the same territory of vigilante cops pulling the wrong newbie into their group in 1973's MAGNUM FORCE - but it has been spiced up with some bullet ballet that is actually more realistic than most big budget affairs produce. Overall, the photography and lighting are very professional in a gritty way, and so is the editing, which gives the movie a very polished, well-budgeted look. Still, police dramas with mediocre plots need to be carried by their characters, and while Stephen Baldwin does make an interesting hero, his shooting does more for character development than his dialogue. Tia Carrere is nice, but she comes across way too smart, and definitely way too composed, for a call-girl, and she shows virtually zero skin - an especially big disappointment in a genre film of this kind...:) If anything, the supporting characters, the 'baddies' who make up the police team, are the ones that carry you through several scenes: their action is fairly nicely choreographed, and it is a pleasure to see them die.
...but, ultimately, Scar City really fails. The first third is somewhat engaging, because the director wisely spends his time to establish the protagonists' and the antagonists' strengths and weaknesses. The second third rolls well because of all the action suddenly exploding onto the screen. In the third, though, where action and characters could be nicely pulled together into a tight, plot-driven finale, the film crumbles into a dozen silly clichés and inconsistencies instead. Why would you ask someone whether they can shoot, a few hours after they showed you their gun, telling you how they used to shoot squirrels with it? The mess is hardly mopped up by an incomplete and nonsensical ending that makes it look like the director was too tired to tie up a dozen characters and plot lines.
Still, for a slow weekday evening it is good gunplay.
I had the chance to watch this for free and I've got to say it was worth every penny. Seriously, it was not nearly as bad as it could have been. It's a decent if never surprising "action" movie with a bit of cleavage and lingerie thrown in. I felt that a lot of parts seemed thrown together and rushed, but I've seen a whole lot worse.
'Scar City' aka 'Scarred City' from dtv companies Millennium Films, Nu-Image doesn't do anything fresh with it's b-pic formula, but its another reminder that you don't mind when the action is carried out well. A big cast in Stephen Baldwin, Tia Carrere, Chazz Palminteri, Michael Rispoli and Gary Dourdan doesn't hurt neither.
Officer John Trace (Baldwin) is already on shaky ground after three cop shootings in a year when he gets his fourth fatality. In steps Lt. Devon (Palminteri) who plants evidence and saves his ass on the condition he joins a SCAR unit made up of killers with badges. When this rogue unit with authority all the way from the top goes after a Bolivian drug dealer, John spares the life of callgirl and singer Candy (Carrere) which quickly puts the both of them on the unit's hitlist.
The morality play on display here is super thin and not something to be thought of deeply. John goes from being a slight gung-ho a-hole himself with a disregard for perps rights to thinking this unit pushes it too far in the blink of an eye. Chazz relishes dialog as the head of the unit while Baldwin with his glazed style of acting is sufficient. Carrere provides her beauty and a partner in crime for the second halve rather than just be a stock damsel in distress.
Between having seen other b-movies go over this same territory to it's 'walk the streets' credit sequence opening that had a suspect intro to our main character, I firmly knew where 'Scarred City' stood. If you're willing to look past a story low on believability this has a solid cast, few bursts of good action and doesn't waste time getting down to business.
Officer John Trace (Baldwin) is already on shaky ground after three cop shootings in a year when he gets his fourth fatality. In steps Lt. Devon (Palminteri) who plants evidence and saves his ass on the condition he joins a SCAR unit made up of killers with badges. When this rogue unit with authority all the way from the top goes after a Bolivian drug dealer, John spares the life of callgirl and singer Candy (Carrere) which quickly puts the both of them on the unit's hitlist.
The morality play on display here is super thin and not something to be thought of deeply. John goes from being a slight gung-ho a-hole himself with a disregard for perps rights to thinking this unit pushes it too far in the blink of an eye. Chazz relishes dialog as the head of the unit while Baldwin with his glazed style of acting is sufficient. Carrere provides her beauty and a partner in crime for the second halve rather than just be a stock damsel in distress.
Between having seen other b-movies go over this same territory to it's 'walk the streets' credit sequence opening that had a suspect intro to our main character, I firmly knew where 'Scarred City' stood. If you're willing to look past a story low on believability this has a solid cast, few bursts of good action and doesn't waste time getting down to business.
I have to say I did enjoy the film I liked the story of a team of cops who have no regard of the law they kill whoever they like. For me it was very enjoyable but as the person from another post says that some parts of the film seem to be rushed and I do feel that. I think the ending could have been a lot better and it didnt really tie up the characters very well. I would recommend this to anyone who has a free night on their hands to watch it you will enjoy it I did very much.
Given the middle of the road IMDb ratings I didn't expect much from this movie, but after viewing the trailer decided to give it a shot. Was I pleasantly surprised! The story about a cop with issues who joins the corrupt, homicidal, vigilante police unit, then sees the light and fights them is certainly not new, but this movie delivered on what it purports to be--an enjoyable, fast-paced action film.
The three main actors were somewhat deadpan in their delivery, but that made their characters seem all the more...well, scarred. The movie contained all the ingredients for an engaging film: It had action, characters you care about, and even some romance. Hey, it's not "Ben-Hur" but it's a terrific little B film that worth checking out.
The three main actors were somewhat deadpan in their delivery, but that made their characters seem all the more...well, scarred. The movie contained all the ingredients for an engaging film: It had action, characters you care about, and even some romance. Hey, it's not "Ben-Hur" but it's a terrific little B film that worth checking out.
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Details
- Release date
- Country of origin
- Language
- Also known as
- S.C.A.R. (Justice sans sommation)
- Filming locations
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- Runtime
- 1h 40m(100 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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