Escort Girl

Okay, no Oscar bait here. The only question is whether this exploitation flick is bad enough to be good. In my book, there're not enough campy moments to qualify for Ed Wood territory. The trouble is middle-age actors Compson and Oakman are simply too accomplished and get too much screen time to bring down the material to subterranean levels. The young couple qualify with some truly sappy moments and bad acting, but unfortunately those are overcome by their two elders. For the voyeur crowd, which includes myself, the girls' underwear conflabs are more like sorority get-togethers than a bunch of hookers exchanging tricks of the trade. Too bad. Ahh…nevertheless, there is that one brief shining moment when this really shapely little number comes out of nowhere to peel down to pasties and fringed g-string that makes the whole 70 minutes worthwhile. I love the bad lighting that made the scene look like an out-take from a stag film. I suppose the producers figured they needed to deliver more than chatty escorts and naughty innuendo to the balcony crowd. Anyway, I'm sorry to say that this cheapie just isn't distinguished enough to enter that rarefied circle of demonic druggies, promiscuous teens, and wayward women, otherwise known as 30's camp classics.

As proprietor of a Hollywood "Escort Bureau", Betty Compson (as Ruth Ashley) procures young men and women for paying customers. The kind-hearted madam has kept her business a secret from fetching young daughter Margaret Marquis (as June Ashley), who spends her time in finishing school. But, things get complicated when innocent Ms. Marquis goes home to live with Mother Compson.

Marquis' good-looking fiancé Robert Kellard (as Drake Hamilton) also arrives. Soon, authorities move in on the racket run by Ms. Compson and partner Wheeler Oakman (as Gregory Stone). Fiancé Kellard goes undercover as a male escort, to investigate the area's illegal trade. Guy Kingsford (as Breeze Nolan) is the ringleader.

"Escort Girl" is a chance to see former silent screen great Betty Compson in a later years role. And, a generous scene features women in various stages of undress. Sporting a figure you won't forget, the dancer in pasties is a titillating highlight. Handsome gigolos Kellard and Rick Vallin are kept fully dressed.

**** Escort Girl (1941) Eddie Kaye ~ Betty Compson, Robert Kellard, Margaret Marquis

I just stumbled into this grindhouse-type feature from the early '40s on the Internet Archive. This is a short melodramatic story of a female head of an escort service who has a big worry on her mind when her daughter-who's never known about her mother's profession since she's been to out-of-town schools growing up-visits her with her fiancée who's investigating to close down these adult places. It's just as well the print I saw had several splices and was just under an hour since the whole thing was mostly laughably cheesy especially whenever that daughter gets angry or sad and gets saddled with the worst lines to boot! There are some intentionally amusing moments though like when Arthur Housman does his usual drunk routine (I remember him from some Laurel & Hardy shorts) or when that receptionist talks and does some facial reactions. I think she's played by Gay Seabrook who's best known as Spanky's mother in a couple of Our Gang shorts. And, yes, there's a somewhat sexy striptease dance of one lady who shows her breasts though her nipples are covered by pasties. So on that note, Escort Girl is worth a look for what I just sighted and no more.

This is a thoroughly dreadful film and the fact that the print is so incredibly choppy doesn't help matters! In fact, it's one of the choppiest prints I have ever seen--and it must have lopped at least five minutes off the film! The movie is about an escort service--in other words, a prostitution ring. A lady is the madame of this agency and has managed to hide this from her daughter--who she has sent away to exclusive schools in order to hide the mother's dirty life. But, when the now grown daughter unexpectedly shows up with her boyfriend (who just happens to be the son of the District Attorney who is investigating this racket!!), things get interesting...or so it should have been had the film been written better. Instead, the film limps along--punctuated with a very risqué striptease scene that really has nothing to do with the film--it's just a chance to see a nearly nude woman. In fact, because of this, the film would not have been allowed to have been shown in many, if not most, municipalities. But, considering how dumb and boring the whole things is, this is no great loss. While it's bad all around, perhaps Margaret Marquis' acting (as the daughter) is the worst in the film---it was THAT bad! Dumb from start to finish.

While this film is not as sleazy as SLAVES IN BONDAGE or GAMBLING WITH SOULS, two earlier films that featured star Wheeler Oakman as a pimp, ESCORT GIRL is slickly made and well-acted by a wonderful cast, and while it doesn't "show anything", it does have a seedy, dirty feel to it, even though it's not unlike a studio-bound, low-budget Grand National crime drama. Oakman, great as the heavy in so many westerns, gets a meaty role as the co-owner of a sleazy escort service, co-run with Oscar nominee and major star of the silent era Betty Compson. Compson's daughter, who has been attending fancy boarding schools in other states, does not know what business her Mom is REALLY in, and suddenly appears out of nowhere. When Compson and Oakman learn that the daughter's boyfriend (Robert Kellard, featured in some classic serials, and playing the title character in the 1947 Columbia serial TEX GRANGER) works for the District Attorney's office, things start to get complicated. It's a joy to watch two pros like Compson and Oakman work--Compson's monologues about motherhood and the dirtiness of the escort business are delivered as if they were great literature. Also, this film LOOKS great. The VHS transfer looks as if it were shot yesterday. There's an incredible plot complication about two-thirds of the way through the movie that I won't mention, but is amazing, and the drunken "confession" after it is classic. In addition, the great screen drunk Arthur Housman stumbles through one scene, and Rick Vallin is priceless as a gigolo who is stuck with an elderly but rich lady as his date, night after night. It's a running gag throughout the film, and Vallin plays it to the hilt. I've probably watched this film a dozen times over the years. It's not as sleazy as other exploitation films, nor is it weird like a Dwain Esper film--it's VERY competently made. It just has a strange appeal to me. Perhaps it will have a similar effect on you? Fans of Wheeler Oakman or Betty Compson will not want to miss it.