It Takes a Worried Man

In reply to another posting, no you are not on your own remembering this series, As well as starring Peter Tilbury, it was written by him as was the dead pan humour of "Shelley" with Hywel Benett.

The last series saw him find a soul mate in Sue Holderness who also fitted just perfectly with the idea that everyday, everything was going to go wrong

Brilliant Sitcom with good old British sense of humour and I wish that someone would release this and the early Shelly on DVD or Video as I would love to see them again, comedies like these were always shown at varying times as sport etc would always take precedence over a good laugh, so much for English producers sense of entertainment.

I remember this series very fondly. Great performances all round, not just Peter Tibury but also Christopher Benjamin and Nicholas Le Prevost. I was probably much too young for this show when it first aired - I was a teenager and it was all about a mid-life crisis if I remember correctly, but somehow it struck a chord. Fans of this show probably also enjoyed Agony, Shelley and Reginald Perrin. (Well I did anyway.) I would love to see this show again - I wonder how well it has held up after all these years. I think the closest thing to this type of comedy more recently was Paul Whitehouse's Happiness which I also loved. His new series HELP has just started and that looks very promising.

Am I the only one who seems to remember this vague series? As I recall, it was about a married/bored/husband/dad, played by Peter Tilbury, who seemed to moan and groan about life and everything in general. Sounds like good material for a sitcom eh? The title sequence was excellent, and featured an animated picture of Mr Tilbury, which rapidly split and fell apart.

Hmmm?

Peter Tilbury is not unlike a (very, very) British version of Woody Allen, endlessly complaining about life, death, the universe, his love-life, his boring job and vanishing hair. Nicholas Le Provost is his alleged therapist, who doesn't listen but instead complains to him about his own love-life and his other patients. Christopher Benjamin is his boss, who ought to sack him but grudgingly admires his lack of work-ethic and complains to him about the modern world and his daughter's awful boyfriend.

Struck by memories of people quoting lines at school I've just watched the first series and found it hilarious. I don't know why; it just has an alchemy. The dialogue is great and Tilbury, Benjamin and Le Provost are brilliant in delivery but I still can't say why often relatively ordinary lines cracked me up quite as much as they did. Somewhere online I once found someone who'd worked on the show reminiscing about the very cameramen cracking up, the only time he'd seen professionals do that, so it isn't just me.

It shouldn't work! It's just people sitting around yakking! But it does.

IMDb rating system is beyond baffling - how can an arithmetic mean of 8.6 and a median of 9 possibly equate to a weighted average of 4.2?!

This was a fantastic series. If any aspiring comedy writers take the trouble to watch this, they will see that Peter Tilbury's technique defies every single piece of received wisdom on sitcom writing. The plots are wafer thin, Philip Roath seldom finds himself up a tree that he has to get down from, there is precious little conflict to be resolved and it is all tell and no show: most of the laughs come from the characters we never see: Gerald, the analyst's boyfriend, the boss's Mohican son-in-law, and Napley's delinquent sprog.

Tilbury's central performance is workmanlike; the comparison with Hywel Bennet who took the part he had written for himself in Shelley, is interesting. ITAWM demonstrates the advantages of having the writer deliver his own lines; Tilbury knows exactly what he is trying to achieve. But Shelley shows how a great actor can lift a script with a performance that exceeds the writer's vision.

The supporting performances, particularly from Benjamin and the wonderful Le Prevost, are excellent.