San Francisco's A.C.T. company presents Shakespeare's classic take with a Commedia dell'Arte flair, as if it were a inn yard performance by a traveling company.San Francisco's A.C.T. company presents Shakespeare's classic take with a Commedia dell'Arte flair, as if it were a inn yard performance by a traveling company.San Francisco's A.C.T. company presents Shakespeare's classic take with a Commedia dell'Arte flair, as if it were a inn yard performance by a traveling company.
Ron Boussom
- Grumio
- (as Ronald Boussom)
Bobby Ellerbee
- The Haberdasher
- (as Bobby F. Ellerbee)
Michael Keys Hall
- Emilio
- (as Michael Keys-Hall)
Stephen Schnetzer
- Lucentio
- (as Stephen St. Paul)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I saw this production in a theatre class back in the late 70's and have never forgotten it -- this was the first time I'd seen a production of "Taming of the Shrew" that didn't offend my feminist sensibilities! It was fast paced (as Shakespeare's comedies should be), physical and fun, well directed and acted.
I saw this San Francisco Repertory Theater production in black-and-white when it first aired in 1976; I haven't seen it since, but I still remember it. I've searched for it over the years, and contacted PBS and WNET to see if it can be run again, or if the videotape can be purchased. >
It was this performance that sparked my interest in Shakespeare. I don't quite know any higher compliment I can give it. I was 11 or 12 at the time, and Shakespeare was foreign to me despite being the same basic language, yet here it was, so live and real.
I haven't given it 10 of 10 merely because of its slight shortcomings within the medium. This show was for a live audience, and was filmed for television, not made for television. It's simplicity is charming, though.
It works. Watch this show and see what Shakespeare should be. I only wish I could have been there live to see it!
ADDITIONAL NOTE: Now that I've read the other reviews, I find it fascinating that everyone has the same comment that they remember it from 20+ years ago!
I haven't given it 10 of 10 merely because of its slight shortcomings within the medium. This show was for a live audience, and was filmed for television, not made for television. It's simplicity is charming, though.
It works. Watch this show and see what Shakespeare should be. I only wish I could have been there live to see it!
ADDITIONAL NOTE: Now that I've read the other reviews, I find it fascinating that everyone has the same comment that they remember it from 20+ years ago!
I saw this program when I was a ten and it knocked my socks off. It was my first intro to Shakespeare and Mark Singer. I was awestruck and couldn't take my eyes of the television screen. This particular production and the rest of the company changed my life. Mark Singer's Petruchio was so full of life and unbridled energy that I think I might have fallen in preteen love with him not to mention the story of the Taming of the Shrew. I've sought out Shakespeare productions ever since (and Mark Singer). The dancing and delivery of the lines were so crisp. I so wish that I could see this particular production again. I still talk about it and wish my kids could view it with me and experience the excitement like I had when I first saw it oh so many years ago.
10kaaber-2
It is a great pleasure to review something you liked twenty years ago to find that it is actually better than you remembered it. Such is the case with this production of "Taming of the Shrew"
This is not only by far the most lively and good-natured version of the play I have ever seen on stage or film, but it also seems to be directed in accord with the commedia dell'arte tradition that has surely been very much on Shakespeare's mind when he wrote the play. There is a multitude of 'in-your-face' gags (the audience is never lured into the deceptive ruses of naturalistic theater, but are constantly made aware of their own presence) and scores of Italian 'lazzi' - stunts of every kind. We have a remarkably acrobatic duo in Kate (Fredi Olster) and Petrucchio (marc Singer), and their first scene together - where every piece of Shakespearean lewdness is brought out to us with a vengeance - is rewarded by a full minute of accolades from the delighted, live audience before which the production was filmed in 1976.
Of all in the cast I only knew Marc Singer, and remembered him only from a sci-fi series ("V"?) and a Harold Robbins series (Park Avenue 79?), but this is truly his claim to fame.
If you never see another Shakespeare play in your life, be sure to catch this one. After 25 years of searching in vain, it was finally brought to me by the miraculous combination of the internet and my visa card. Brave new world, indeed!
This is not only by far the most lively and good-natured version of the play I have ever seen on stage or film, but it also seems to be directed in accord with the commedia dell'arte tradition that has surely been very much on Shakespeare's mind when he wrote the play. There is a multitude of 'in-your-face' gags (the audience is never lured into the deceptive ruses of naturalistic theater, but are constantly made aware of their own presence) and scores of Italian 'lazzi' - stunts of every kind. We have a remarkably acrobatic duo in Kate (Fredi Olster) and Petrucchio (marc Singer), and their first scene together - where every piece of Shakespearean lewdness is brought out to us with a vengeance - is rewarded by a full minute of accolades from the delighted, live audience before which the production was filmed in 1976.
Of all in the cast I only knew Marc Singer, and remembered him only from a sci-fi series ("V"?) and a Harold Robbins series (Park Avenue 79?), but this is truly his claim to fame.
If you never see another Shakespeare play in your life, be sure to catch this one. After 25 years of searching in vain, it was finally brought to me by the miraculous combination of the internet and my visa card. Brave new world, indeed!
Did you know
- TriviaOriginally broadcast on Great Performances (1971).
- ConnectionsVersion of La bisbetica domata (1908)
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