The first interplanetary cruise ship malfunctions halfway to Jupiter, forcing most of the crew and passengers to abandon ship. A handful of people are trapped onboard.The first interplanetary cruise ship malfunctions halfway to Jupiter, forcing most of the crew and passengers to abandon ship. A handful of people are trapped onboard.The first interplanetary cruise ship malfunctions halfway to Jupiter, forcing most of the crew and passengers to abandon ship. A handful of people are trapped onboard.
- Director
- Writers
- Stars
Kristine DeBell
- Fiona
- (as Kristine De Bell)
Jordan Michals
- Lima
- (as Jordan Michaels)
Neil Ross
- Main Cerebral
- (voice)
- (as Neilson Ross)
Patti Glick
- Felix
- (voice)
Doris Hess
- Additional Voices
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Life Pod is one of those movies that you just watch and try not to analyze too hard. The acting is rather amateurish, at best. The special effects are obviously low budget, but not too bad. The story line is rather stock, but with an interesting twist. Computer run amok, but not exactly a computer and the running amok is very understandable when the truth is revealed. Still the movie has its moments and is quite watchable. For me, at least part of the allure of this movie is the prominent role of Kristine DeBell. She may not be the greatest actress in the world, but having been a former playmate of the month, she is cute enough. In all Life Pod is much like other low-budget Sci-Fi movies of the 1980s and somewhat predictable.
The White Star Lines bit is cute, if completely inaccurate. The last of the White Star Lines Company stock was purchased by the Cunard Lines 1947 and the last ship to sail under the White Star colors was the Britannic (not the sister of Titanic) which was sold for scrap in 1960.
The White Star Lines bit is cute, if completely inaccurate. The last of the White Star Lines Company stock was purchased by the Cunard Lines 1947 and the last ship to sail under the White Star colors was the Britannic (not the sister of Titanic) which was sold for scrap in 1960.
The last of the Sandler/Emenegger sci-fi films comes as something of a relief to me as all of these movies have been poor quality, low budget science fiction efforts in which the level of imagination involved counts for nothing when so little money has gone into the production. They're also all entirely derivative, with this one tackling 2001: A SPACE ODYSSEY for inspiration.
Once again the film's main antagonist is a computer, a rather open rip-off of HAL 9000 although without the same quality of the voice acting. A desperate crew are trapped aboard a space ship with time running out (just like in ALIEN) and must figure out a way to work together in order to survive and/or escape.
Like the rest of these movies, the cast is unknown, the quality of the acting is very poor, and the script is sub-par. I appreciate that this one seems to have a little higher budget than others like LABORATORY and CAPTIVE so it's a pity they picked a script that was so derivative. For a change, it's not Robert Emenegger or Allan Sandler directing; instead that job goes to first-timer Bruce Bryant, and he doesn't make much of an effort really.
Once again the film's main antagonist is a computer, a rather open rip-off of HAL 9000 although without the same quality of the voice acting. A desperate crew are trapped aboard a space ship with time running out (just like in ALIEN) and must figure out a way to work together in order to survive and/or escape.
Like the rest of these movies, the cast is unknown, the quality of the acting is very poor, and the script is sub-par. I appreciate that this one seems to have a little higher budget than others like LABORATORY and CAPTIVE so it's a pity they picked a script that was so derivative. For a change, it's not Robert Emenegger or Allan Sandler directing; instead that job goes to first-timer Bruce Bryant, and he doesn't make much of an effort really.
Life Pod is one of those films to watch out for, should it appear on your local cable station's movie listings late at night. Those who dismiss it in the first glance will miss an unusually compelling, worthwhile science fiction film that belies its low-budget origin.
Let's briefly rattle off some of it's merits:
~It's got no annoying loopholes; everything works and makes sense. Odd how a 'small' movie can sometimes do this better than a big-budget production.
~The special effects don't get in the way of the story. And there is quite good photography, too.
~The narrative itself, focuses on a human situation, rather than being pointlessly technological, or un-engaging fantasy. It's the same foundation that made 'Alien' great. People are at the heart of this movie.
~Set design is complementary in that is innocuous, unobtrusive, measured. Again, properly servile to the plot.
~The actors are all low-budget actors from TV land. Once again, a case of "less is more". They are unknowns, so they are abstracted for the viewer, and this allows for fluid, accessible characterizations.
~Pacing is efficient, economical, simple, and linear, with no waste. The director takes us exactly to the emotional climax comfortably and confidently.
With all that said, I think its just a great little sci-fi story: an intriguing plot that, humbly executed in a no-frills manner, sticks with you over time. I would love to have this in my collection.
Let's briefly rattle off some of it's merits:
~It's got no annoying loopholes; everything works and makes sense. Odd how a 'small' movie can sometimes do this better than a big-budget production.
~The special effects don't get in the way of the story. And there is quite good photography, too.
~The narrative itself, focuses on a human situation, rather than being pointlessly technological, or un-engaging fantasy. It's the same foundation that made 'Alien' great. People are at the heart of this movie.
~Set design is complementary in that is innocuous, unobtrusive, measured. Again, properly servile to the plot.
~The actors are all low-budget actors from TV land. Once again, a case of "less is more". They are unknowns, so they are abstracted for the viewer, and this allows for fluid, accessible characterizations.
~Pacing is efficient, economical, simple, and linear, with no waste. The director takes us exactly to the emotional climax comfortably and confidently.
With all that said, I think its just a great little sci-fi story: an intriguing plot that, humbly executed in a no-frills manner, sticks with you over time. I would love to have this in my collection.
7JHC3
Wow. Something of a surprise. Though flawed, it is far better that I expected.
The brand new space liner Arcturus with some 3,000 passengers is in the final days of its sixteen day trip to Jupiter. Without warning, the ship's Cerebral (central computer) sounds a disaster alarm and orders everyone to evacuate.
Soon, there are only a handful of people remaining including one of the ship's astrogators (Penny), the captain (Cary), and the director of the shipping line (Kenyon).
It turns out that the alarm was false and that the main Cerebral is acting
erratically. The remaining passengers and crew must escape the ship and
avoid personal conflicts in order to survive.
The film starts out very well. The opening commercial is a very nice touch. There are obvious parallels to 2001: A Space Odyssey and to the historic
sinking of the Titanic. The film does slow down at times and has pacing
problems, but is generally well made and well acted.
The brand new space liner Arcturus with some 3,000 passengers is in the final days of its sixteen day trip to Jupiter. Without warning, the ship's Cerebral (central computer) sounds a disaster alarm and orders everyone to evacuate.
Soon, there are only a handful of people remaining including one of the ship's astrogators (Penny), the captain (Cary), and the director of the shipping line (Kenyon).
It turns out that the alarm was false and that the main Cerebral is acting
erratically. The remaining passengers and crew must escape the ship and
avoid personal conflicts in order to survive.
The film starts out very well. The opening commercial is a very nice touch. There are obvious parallels to 2001: A Space Odyssey and to the historic
sinking of the Titanic. The film does slow down at times and has pacing
problems, but is generally well made and well acted.
Arcturus is a civilian spaceship on its maiden voyage to Jupiter. There are some 3000 passengers aboard. There is a mysterious distress signal and most are abandoning ship. Crew member Simmons (Joe Penny) gathers various people as he searches for a way to a lifepod.
I remember Joe Penny from 80's TV and a few of the actors seem familiar. The production designs look 70's or very early 80's. There is no action other than shaking the camera in the third act. This is no Titanic. The miniature work is fine. The story is something about computer, but it's sorta non-sense. It can't really get above its low production value.
I remember Joe Penny from 80's TV and a few of the actors seem familiar. The production designs look 70's or very early 80's. There is no action other than shaking the camera in the third act. This is no Titanic. The miniature work is fine. The story is something about computer, but it's sorta non-sense. It can't really get above its low production value.
Did you know
- TriviaAccording to the advertisement at the beginning of the film, the year is 2191.
- GoofsAs on ships, the bottom of the door frames are raised off the bottom of the floor, so that they can make a perfect seal with the doors, in case of accidental decompression, probably. So the robot with wheels, which is shown on either side of the doors, cannot possibly make it through the doorway.
- Crazy creditsOpening credits prologue advertisement for space travel: ARCTURUS
SEE YOUR TRAVEL AGENT © 2191 *Whitestar II International Spacelines Inc.
- ConnectionsRemake of Les naufragés (1944)
- How long is Lifepod?Powered by Alexa
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