Evil Come Evil Go

Sister Sarah is a Bible-thumping evangelist nutcase who dresses like Baby Jane Hudson.

She travels from one rural American ragdump to the next, vociferating the evils of recreational sex. Between her holy-rolling streetcorner castigations, she pacifies crowds with her mellifluous hymns(not only is she the Lord's golden-throated songbird, she also plays the accordion). By night, Sarah frequents bars, intent on luring "sinful" men to their bloody deaths. By-and-by, she takes on a wealthy, brick-ugly lesbian minion...together, these goose-stepping Christian crusaders become a holy force to be reckoned with.

Craggy little exploitation cowplop is too over-the-top to possibly be sincere...I suspect it has tongue lodged firmly in cheek when it's not lodged firmly elsewhere. EVIL COME EVIL GO is neither fish nor fowl...while nothing about it is exactly praiseworthy, it's generally more rounded than the centroid of its kindred contemporaries. And while the film's underpinnings may be of an erotic nature, it certainly won't serve to enhance xerotripsis for most fellows.

4/10

Unusual, sex/slasher/comedy, with evangelical theme. In truth the sex is fairly well done, let down only by the low lighting (and frequency), the bloody scenes are also not bad and it really is amusing now and again. Sister Sara is a self styled 'anti- pleasurable sex' evangelist who enlists another to help lure men and then do them in, because they are so evil. This is all made watchable though by decent use of original music and hymn singing(!) sometimes accompanied by tambourine thumping. It is particularly impressive at the start and we see the girls on the street but it looses it's way a little two thirds in when we reckon it's all over but it then steps up a gear and finishes with a flourish. If you think this review is a bit muddled, you should see the film. Fun to be had nonetheless.

Street preacher Sara Jane (Cleo O'Hara) believes God has put her on this Earth to rid the world of pleasurable sex. She receives shelter from Penny (Sandra Henderson), a lesbian who Sara Jane promises to turn to God. How does she do this? By having Penny help her in killing anything that humps. This is certainly one of the more bizarre horror morality tales out there. Clocking it at a lean 73-minutes, I would say 60% of that time is spent with the camera lens ogling nude bodies. Not that I mind, but it does tend to get a bit monotonous. Things liven up whenever O'Hara is around though. Dolled up like Baby Jane and sporting a southern accent the would fit in perfect in COAL MINER'S DAUGHTER (the first half, that is), she is a hoot as she sings Bible hymns while killing (and dreaming of having her own evangelical show). There are quite a few stabbing deaths in here with some H.G. Lewis blood on display. I have no idea who the target audience for this was - T&A fans? Horror fans? Religious freaks? All of the above?

This film, a weird cross-breed of horror and soft-core porn, is one of the more original low budget flicks from the 70s. Apparently intended for the grindhouse crowd(and coming near the end of that era), this movie mixes sex with religious fanaticism and gore. Sister Sarah Jane drifts cross-country, preaching against the evils of pleasurable sex and men. And how does this fine lady do the Lord's work? By hooking up with men, having sex with them, then stabbing them to death! Sister Sarah takes her message to the streets of downtown Hollywood, where she finds a disciple in naive Penny, a wealthy lesbian who swears to renounce her tendencies and follow Sarah. Together, they conspire to enact Sarah's master plan: Penny lures the men to her house and has sex with them and Sarah kills them. As sick as it sounds, it works. Actress Cleo O'Hara handles her role as Sarah Jane skillfully, going from bible-thumping harpie to slutty pyscho believably. If you're looking for a sick time, check this one out.

A religious fanatic teams up with a lesbian and they go on a killing spree offing people who have sex. This is a really terrible film. It's barely over an hour in length, and it feels interminably long. Every single scene plays out at a glacial pace. The one highlight is somebody's cat that enters a scene clearly unexpectedly and commands the frame for a few minutes. Give the cat an Oscar and chuck this flick in the trash.