Red Line

Low budget, near future Sci-fi (hanging on the coat-tails of Blade Runner). Basic movie making with enough bombs, bullets and female nudity, not to turn it down. Features B-movie heavyweights Rutger Hauer and Marc Dacascos.

This movie has two pluses in its favor. First, Rutger Hauer looks great. Second, the sets and art direction are very interesting. The movie has a strange blend of Old World buildings, futuristic props and 1940's style furniture. Other movies (yes, most notably Blade Runner) have used a similar look more successfully, but the total effect was still compelling. I did get the impression, however, that they used the same building over and over and just changed the furniture when it was supposed to be a different location.

Unfortunately, the filmmakers appear to have spent so much money on the set that they had no funds for other essential movie elements such as a script that made sense, costumes for the actresses and an acting coach. I found the plot utterly incomprehensible. I have no idea why any character in the movie did any of the things he/she did. I have no idea what the ending was supposed to mean.

Equally baffling was the fact that the women in the movie wore no clothes. The film is set in Moscow; you'd think they would get cold. Okay, I can understand that prostitutes in brothels are not going to fully clad, but come on--topless women boxers? nude women assassins?

Finally, with the exception of Hauer (who really has given some great performances in his career), no one in this movie can act. NO ONE!! Robbie the Robot gave better line readings.

In short, if you're looking for a movie filled with meaningless violence and even more meaningless sex, you'll love this one.

This movie had the kernel of something different in its concept and layout, but blows it completely. Back from death movies with an action twist have been done several times, (good ones being "Robocop" and "The Crow") but this one doesn't even approach the philosophical aspects other than people looking at Rutger Hauer and saying, "I thought you were dead."

No, what made this movie start off different was the bizarre mix of old Eastern European backgrounds and settings with near future technology and lifestyle. This different look was reminiscent of (and done better) in Rutger Hauer's other recent movie, "Fatherland."

If the movie had tried it could have been a so-so Bladerunner set in Russia, or if it really made a leap it could have been something uniquely it's own. Instead it ruins any hope it had with endless shoot-outs and sex scenes. These in and of themselves don't make much of a plot or a movie, and I kept thinking of those parodies of Hollywood movies, which this one quickly became.

I read the tags before watching it, they said Cyborg, there was no cyborg. I like everything I've seen Rutger Hauer in. This is a budgeted film, not really a bad film. More T&A then I prefer but, no Cyborg! So that lowered it to 5 from probably 7.

Actually this is just another thirteen in a dozen movie, you'd think. But the location (Russia) makes the movie a bit more original and gives it a certain atmosphere and second Hauer is acting very convincing. These kind off roles (mysterious ruthless man) are perfect for him..