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Two Girls and a Guy

  • 1997
  • NC-17
  • 1h 24m
IMDb RATING
5.5/10
8.8K
YOUR RATING
Robert Downey Jr., Heather Graham, and Natasha Gregson Wagner in Two Girls and a Guy (1997)
Dark ComedyDrama

Two girls wait outside a young actor's door and find out he's had them both as "only" girlfriend the last ten months. They wait inside after breaking in. When Blake comes home he just can't ... Read allTwo girls wait outside a young actor's door and find out he's had them both as "only" girlfriend the last ten months. They wait inside after breaking in. When Blake comes home he just can't stop lying but they stay.Two girls wait outside a young actor's door and find out he's had them both as "only" girlfriend the last ten months. They wait inside after breaking in. When Blake comes home he just can't stop lying but they stay.

  • Director
    • James Toback
  • Writer
    • James Toback
  • Stars
    • Robert Downey Jr.
    • Heather Graham
    • Natasha Gregson Wagner
  • See production info at IMDbPro
  • IMDb RATING
    5.5/10
    8.8K
    YOUR RATING
    • Director
      • James Toback
    • Writer
      • James Toback
    • Stars
      • Robert Downey Jr.
      • Heather Graham
      • Natasha Gregson Wagner
    • 108User reviews
    • 43Critic reviews
    • 66Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Videos1

    Two Girls And A Guy
    Trailer 2:23
    Two Girls And A Guy

    Photos49

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    Top cast5

    Edit
    Robert Downey Jr.
    Robert Downey Jr.
    • Blake
    Heather Graham
    Heather Graham
    • Carla
    Natasha Gregson Wagner
    Natasha Gregson Wagner
    • Lou
    Angel David
    Angel David
    • Tommy
    Frederique Van Der Wal
    Frederique Van Der Wal
    • Carol
    • Director
      • James Toback
    • Writer
      • James Toback
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews108

    5.58.8K
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    Featured reviews

    ihateeverymovieisee

    Sleazy Film

    This movie is probably the worst film I've ever watched. The sleazy concept of Robert Downey, Jr. trying to juggle between two girlfriends is horrendous. The graphic scene that gave this film an NC-17 rating was unnecessary. This film is highly degrading to women because it tries to pass them off as submissive sex maniacs who want nothing but threesomes and sexual satisfaction. Aside from that, the entire movie takes place in Downey's apartment, so you get bored with the atmosphere. The acting is on the level of softcore porno acting, and the script was obviously not present during the filming.
    8aeh16

    Interesting, if not wonderful.

    To say that this movie is shallow, or unrealistic, is to miss the point. While it certainly has a lot to say about sex, and especially sexual fidelity, the point of the film is not that at all, but that concerns of sex are not truly the most important factors in a relationship. While loyalty and honesty certainly are, forgiveness is still a virtue, and lying about sex is not the same as lying about feelings. Though I, of course, do not agree with what the female characters in this movie did, at least the movie makes the oft-overlooked point that sex isn't everything, a point seldom made in movies, and often made in life. Though it is certainly not an exceptional movie, it is worth seeing, and an interesting look into the privileged status sex has attained in our modern society.
    9havana-2

    Downey Jr. is what Brando intended on being in Last Tango

    Toback's backbone of a script is great- it sets up the finest young actor of my generation (debatable- but worth saying) Downey Jr. is masterful in adlibbing and improvising. He accomplishes what Brando failed to do in Last Tango in Paris. Downey is real. His problems, his inner angst, his troubles all surface. This is like being with him. His magic and charm are entrancing and enchanting. Pretty cool. Worth a watch late at night- intense though.
    Jaime N. Christley

    Extraordinary: Toback's best work to date

    Convict/thespian Robert Downey, Jr. tops his frenzied role in "Natural Born Killers" with another manic Tasmanian Devil-style performance. It's the funniest of the year, an actor's nightmare (how far do you go when you can do whatever you want?), but also the quintessential Downey, Jr. persona.

    Heather Graham is my baby, she just doesn't know it yet. Just kidding--truth be told, she excels in the part of one of Downey Jr.'s girlfriends. Wagner nearly matches her in the role of the other.

    Toback's direction is stagey (what else can you do with one set?), but his writing is on fire. Sometimes, you snag bits of the actor's riffs and laugh at what you can get your hands on. At other times, you sit back and let it flow over you--this is high-speed Jack Kerouac, coupled with Whit Stillman's keen ear for American bourgeois speech patterns. Wagner and Graham test each other on Downey Jr.'s lovemaking speeches, tying a noose for him before he even arrives, later Downey Jr. verbally abuses and repairs himself in his bathroom mirror--highlights of a dynamite script.

    1998 was the year for actors and actresses, and many notables (and a few unknowns) did landmark work: Jim Carrey in "The Truman Show", Jane Horrocks in "Little Voice", Warren Beatty in "Bulworth", John Travolta and Kathy Bates in "Primary Colors", Roberto Benigni in "Life is Beautiful", Bill Pullman in "Zero Effect", and Robert Downey Jr. in this one. James Toback, who also penned the wretched (and similarly themed) "The Pick-Up Artist" in '87, is back on track. With "Bugsy", "The Gambler" and this film on his record, I eagerly anticipate his next picture.
    Frankie-34

    Even Robert Downey can't save this one

    I recently rented this movie, and having found it in the comedy section of the video store, I thought I was in for a few laughs. Instead I ended up with a head-ache. Listening to the characters constantly bicker and scream at each other was like watching re-runs of the real world. The story-line was bland and exceedingly predictable.The characters were greatly undeveloped-why does Natasha Wagner's character seem so in love with Blake and care so much about him and what he does when she turns out to be a bisexual who is more interested in women anyway? It was an all too convenient way to get rid of her. I found Heather Graham's acting to be very unconvincing and unnatural. Her lines sounded too rehearsed and flat. Natasha Wagner's acting was better, but not by much. Robert Downey Jr.'s part was well acted but, like the other characters, not very interesting. While I am a big Robert Downey Jr. fan, I can't help but dislike this movie greatly.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      When Robert Downey Jr. was arrested for drug possession in 1996, writer and director James Toback vowed to be the first to offer Downey a job once he got out of rehab. Toback wrote the screenplay in four days with Downey in mind for the lead role.
    • Goofs
      The liquor bottle refills in one shot just before Blake returns.
    • Quotes

      Blake Allen: I think words are not serving me well at all.

    • Alternate versions
      Originally rated "NC-17". An oral sex scene was cut to be less explicit for an "R" rating. The "NC-17" version was released on laserdisc and later Blu-ray along with the "R" rated version that played theatrically.
    • Connections
      Featured in Siskel & Ebert & the Movies: He Got Game/The Truce/Two Girls and a Guy/Sliding Doors/Deja Vu (1998)
    • Soundtracks
      You Don't Know Me
      Written by Cindy Walker (as C. Walker) and Eddy Arnold (as E. Arnold)

      Performed by Jackie Wilson

      Courtesy of Brunswick Records

      Unichappell Music, Inc. on behalf of itself and MIJAC Music (BMI)

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    FAQ17

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    Details

    Edit
    • Release date
      • January 29, 1999 (United Kingdom)
    • Country of origin
      • United States
    • Official site
      • Fox Searchlight (United States)
    • Language
      • English
    • Also known as
      • El infiel
    • Filming locations
      • New York City, New York, USA
    • Production companies
      • Fox Searchlight Pictures
      • Pressman Film
      • Muse Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $1,000,000 (estimated)
    • Gross US & Canada
      • $2,057,193
    • Opening weekend US & Canada
      • $649,423
      • Apr 26, 1998
    • Gross worldwide
      • $2,057,193
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 24 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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