Ne meurs pas sans me dire où tu vas

This is why I watch foreign films, because once in a while I can find a movie like this. This movie manages to take wistful and make en entire movie out of it. Even at that, I never knew what was coming next (always a good thing). The ending was not what I would have expected. And then it was the next day before I got what the entire movie was about. Oh, it already stood by itself, in my mind. But when it hit me, it was like, "Oh, wow, yeah, NOW I get it!" It's possible some may watch this and never get it - what I realized later - but I hope they do.

Reincarnation is dear to my heart, which is why I put this in my Netflix queue and then moved it to the top. There is so much you can do with reincarnation themes. And this film treats it both respectfully (not totally necessary, but nice if it happens) and explores the implications and how it might work for some (maybe for all). Few films do the latter well.

It treats love across the lifetimes warmly and at a soul level, never letting us forget that desire is part of it, but never letting that be the driver.

Whether life goes on or it doesn't, our thoughts on it and the way we treat it in movies won't make any difference. But this film does present a love story/sci-fi version that is well worth it.

I give it 10 stars, not because it is about reincarnation, but because the story is well told, has surprises, and allows our minds to get involved. We should all have an across-the-lifetimes love like Leopoldo and Rachel have in this film.

Orthodox religion teaches that man has just one life in which to merit his eternal reward or damnation. Yet today approximately one in four Americans and many Eastern religions believe in reincarnation, the idea that repeated rebirth in human bodies continues until the soul has reached a state of perfection. In his 1995 film, Don't Die Without Telling Me Where You're Going, Argentine director Eliseo Subiela (Man Facing Southeast) uses the idea of reincarnation to tell a touching story about the enduring power of love. Adapted from a novel by Uruguayan writer Hermenegildo Sabat, the film is fantasy, but the emotions dealt with are very real.

Leopoldo (Dario Grandinetti), like his father, is a projectionist at the local cinema. His dream, however, is to become an inventor. With the help of his friend Oscar (Oscar Martinez), who has invented a robot in the image of famous tango singer Carlos Gardel, Leopoldo creates a machine that can record a person's dreams and play them back later on a videotape.

The film opens in New Jersey in the year 1885. Thomas Edison's assistant is saying good bye to his wife who has just passed away. We are then transported to modern day Buenos Aires where Leopoldo has recorded a dream in which he feels overwhelmed with love for a woman he does not know. He has been married to Susana (Monica Galin) for twenty years, but his love has become mechanical. Amazingly, the next day he sees the woman (Marianna Arias) in his dreams standing outside his theater. She explains that her name is Rachel and that she was married to Leopoldo, then named William, over one hundred years ago. She also tells the astonished projectionist that they have reincarnated together many times throughout the centuries in different roles. Like the angels in Wings of Desire, she is a spirit whom Leopoldo can see and talk with but cannot touch. He longs to hold and kiss her but the laws of the universe prevent this.

Fears begin to arise about his mental health when he is seen talking to himself as though someone were standing next to him. Leopoldo's love for Rachel only deepens, however, and both must struggle to overcome their deepest fears, Rachel to accept life, Leopoldo to accept death. Enhanced by the music of Franz Schubert and a lovely original score by Pedro Aznar, Don't Die Without Telling Me Where You're Going is a deeply felt meditation on love, death, and spirituality. In lesser hands, it could have become mawkish and unconvincing, yet Mr. Subiela is a true poet, and in spite of some initial resistance, I was moved by this sensitive work.

Leopoldo invents a rare stuff that he calls "dreams machine". Using that, he accidentally meets with his eternal love. This is the fantastic story of a couple able to love each other, even facing the death itself. Excellent photography and intelligent performings to demonstrate that reincarnation is more than a chance. Pedro Aznar's score goes deeper enough to create the timeless atmosphere for this tale. This film is one of Subiela's typical stories, and tries to find an answer to the human being's bigger question.

Do not be afraid. Death is not the end. It's just the path between flesh and soul.

No te Mueras sin Decirme Adónde Vas is a very interesting movie which deals with a lot of science fiction which is not really seen much in Argentine movies, which are most usually very realistic in nature. The fact that there is a robot in the movie, invented by one of the main characters, is not far-reaching compared to the appearances of ghosts, or spirits, which we also see throughout. The use of the technology invented in the movie seems to be the way by which the two inventors find love. On the one hand, Leopoldo clearly falls in love with the lady which he consistently begins to see from the moment she appears in his dream recorder machine. This love goes so far as to improve Leopoldo's relationship with his own wife. A similar occurrence is also observed in the life of Leopoldo's friend, Oscar. After seeing the girl once loved in a dream recorded by the recently invented machine, Oscar ends up reuniting with her. The movie ends up bringing up questions of reincarnation and the ability to become a new man or woman at different stages in one's life.

There is every emotion possible found in this film. I cried, laughed, was sad, joyful, and so many other things, but most of all my soul was greatly touched. The subject of reincarnation is something very close to me and seeing it portrayed on the screen in this beautiful, emotional, magical and real way was just incredible. The story, the acting, the directing and the cinematography were so beautifully integrated. This is a masterpiece if ever I saw one. The part of the film that hit me the hardest was the scene in which Rachel encounters all the people going to be born. The fear of being born was portrayed so strongly by Mariana Arias - It is something I will never forget. As a beginning film student, this is the type of film I hope to one day make.