Professeur Holland

The first time I saw this film was in the movie theater with one of my best friends--both of us musicians. By the time we left, both of us were bawling our eyes out. This film is very touching and well done. Granted, there are accuracy errors (every film has those) and I've noticed several complaints about the music in the final scene (why are people so nitpicky?). I had a band director much like Mr. Holland when I was in middle school, a man who struggled at first as a teacher but soon became a beloved and inspiring director. Every time I watch this film I think of that man, and how he changed my life for the better. It's a movie I can truly relate to.

Okay, enough reminiscing. :P If you want a film that will tug your heartstrings, this is it. Rating 9 out of 10.

Richard Dreyfuss is outstanding (as is the whole cast) in this thoroughly enjoyable film. I really liked it the first time, but with repeated viewings, I'd say that this film got even better. It's a little predictable, but so what? For me, it was impossible not to care about these characters, and the ending was the perfect heartwarming note to go out on. It was rather funny as well, but my favourite thing about this movie was the music. It seems only fitting, considering the importance of music to this film, that it would have a great number of songs, but I was astonished by how much I LOVED the music in this movie. All-in-all, this was a completely satisfying film, and I would call it a must-see.

I remember seeing "Mr. Holland's Opus" for the first time in high school. I liked it then, and still do. Films about teaching often involve tough kids and less than ideal teachers, among other things. I have to say this film is an exception. Mr. Holland is an inspiration in so many ways that he does not realize or even want to acknowledge. It is also a story that could have taken place and that some people can relate to. This is why I enjoyed it so much.

Mr. Holland has a dream of composing a very memorable and moving symphony, and to ultimately be "rich and famous." But working odd jobs in pursuit of his dream doesn't appeal to him. Reluctantly, he takes a day job as a high school music teacher to support the family and at first hates it. His students are not motivated to learn through readings and tests, and do not respond well to the music of Bach. When he finds they love rock and roll, he integrates this into the curriculum, much of the disapproval of the administration, who believe "rock and roll by its very nature leads to a breakdown in discipline." He teaches and mentors many students over the years, from a clarinet student who doubts her talent and feels inferior to her musically talented family, to a wrestler who becomes a drummer, and a talented singer with her eye on him who wants to go to Broadway despite any barriers. Whether or not he knows it, Mr. Holland inspires them to do something worthwhile.

Despite his love and talent for teaching, Mr. Holland cannot develop this same level of rapport and love with his wife Iris and son Cole, who is deaf. His desire for Cole to appreciate music is outweighed by Cole's inability to hear and his father's reluctance to help him. Cole learns sign language from his teachers and mother predominantly. Mr. Holland appears to be the kind of person who detests imperfection of any kind, and this strains his familial relationships. Gradually, though, he learns to accept and deal with these challenges, and becomes more loving and appreciative.

I recommend "Mr. Holland's Opus" for musicians, singers, music teachers, and really everyone. Enjoy the show!

Glenn Holland is a young composer. In the fifties he stops touring with his band to teach music in a school which he hopes will free him from touring to allow him to work on his main love of composing his own music. Despite initially hating his job, Holland soon learns to enjoy it and how best to communicate the love of music to his pupils. We trace his life over 30-40years as he has a son with his wife and goes through great emotional times while putting his personal dreams to one side.

Although this had `sentimental life lesson film' written all over it, I still wanted to give it a go and strangely still enjoyed it. The film is very much a bit of praise for all those who are unsung heroes in there lives and it had the potential to be really sickly sentimental. Happily a good script manages to avoid this for the majority of the time.

The weakness of the film is the fact it that it does try to cover a lifetime and occasionally there isn't enough plot to do that well. I know it would have been difficult but I do feel that the film could have been either a little tighter or filled to overflowing with plot to make it feel shorter. As it is it is still enjoyable but it does feel a little wandering at times – but I guess that's like life in a way. When the climax comes though it is hard not to be a little moved by the lesson that the film is teaching us.

However, the reason for the success of the film is also the reason for it's Oscar nomination – Richard Dreyfuss on good form. He kept me watching even when the material was stretched. He is totally believable in the role – for a microcosm of his performance watch his face when the announcement is made about the surprise they have prepared for him – his emotion got me right away! He deserved his nomination for this as he is captivating over the whole film. He even ages very convincingly and make up should be congratulated. However while makeup were concentrating on Dreyfuss they totally forgot about Headly who doesn't age a bit until the final time period (apart from looking a bit tired). She is badly miscast and she doesn't fit the role at all. Thomas, Macy, Dukakis and Anderson (as the teenage Cole) all do well in support – but this is Dreyfuss' movie.

Overall I enjoyed this. I usually struggle with things like this because they pile the sentiment on thick like a daytime TVM. Happily this script avoids that are the majority of the flaws are compensated for by a strong performance from Dreyfuss.

I love this movie because I had a fantastic, inspirational teacher in high school that all the students admired and looked up to. Even though I was in high school when this movie came out, I still carry the memories. Nicolas Cage deserved to win his Oscar for Leaving Las Vegas, but I still would have loved to see Richard Dreyfuss win. The whole cast was wonderful, and you actually felt like you were in the 60s and 70s, unlike other films set in that time period.

How often does a film come out that generations relate to; and a film so touching about a teacher who cares about his students, and vice versa? Will always be one of my favorite films.