Memories

Katsuhiro Otomo's "Memories" combines the vision of Otomo's usual "God's revenge for the human race believing too much in science" with two first-time, although far from inexperienced directors. The first of the three films, "Magnetic Rose" is by far the least Otomo-esquire of the three pieces, although based on one of his short mangas. The film centering mainly on the sci-fi side of anime. Space freighters respond to a distress call in a bad sector of space, and become lost in the haunting memories of an intergalactic opera singer. The second piece, "Stink Bomb" shows, if possible, a humorous side to biological warfare, as an unsuspecting pharmaceutical tech accidentally ingests a biological weapon and becomes a walking disaster. The final film, actually directed by Otomo, called "Cannon Fodder" was by far my favorite, and the most disturbing of the three films. The basic story centers around a family living in a town whose citizens devote their entire lives to bombing an unseen enemy in the sky. This story is very politically motivated, very dark, and not at all a "happy little story". The animation is unlike anything I've ever seen from Otomo, and full of sweeping single-cut shots that give you chills. Overall, I highly recommend this movie collection for any anime fan. It most definitely incorporates the vision of three brilliant directors.

It's an anthology. It's three stories of 45 minutes, 40 minutes and 15 minutes that have nothing at all to do with one another. In fact, the film's title only refers to the first story. This film is one part science-fiction thriller, one part bioterrorism comedy (THERE'S a category I've never put a film in!) and one part single-shot (99% of it, anyway) borderline-documentary.

Disney couldn't make a film this engrossing if the fate of mankind depended on it.

Those who have what I call the "It's an Anime" stigma should shake it off for "Memories". Rent this. Buy this. See this!

This was an amazingly beautiful film, filled with great music that only pushed each scene along wonderfully. I thought this was a great piece of film. I have had the pleasure of showing this to friends that have always looked down on what anime is, and walk away stunned. Some might find these stories slow, but I think if you have any real appreciation of anime, you will find this to be an interesting piece of work. It consists of three stores. Koji Morimoto's "Magnetic Rose", Tensai Okamura's "Stink Bomb", and Katsuhiro Otomo's "Cannon Fodder". I would say that Magnetic rose was perhaps the deepest of these three stores. Offering a beautiful mix of classical music, with a futuristic settings to offer a sense of contrast. Stink Bomb being the more lighthearted of the three. While still maintaining a grim reality, and almost eerie sense of setting, using a more modern day look, and music. Then Cannon Fodder, right from an Orwell idealized future, with the loud sounds, and marches. These movies all offer up something different, and wonderful, while still working there way along a nice line of thought.

So there are three stories: Magnetic Rose, Stink Bomb and Cannon Fodder.

The last one is a very direct and slap over the head story about a nation that runs for the only purpose of loading a cannon and firing at an enemy nation that supposedly does the same. Magnetic Rose is a pure sci-fi story in a space setting about the power of memories, pretty well animated and with terrific atmosphere. I would argue that, as annoying as the characters were, Stink Bomb was the best one, deliciously satirizing the Japanese social, political and military structure as a hapless idiot tries to escape the terrifying cloud of gas that he is unwittingly generating.

All in all, a wonderful and entertaining retreat into real storytelling and animation art.

An anthology movie split into three distinct pieces, so I thought it better to review them all separately.

Memories (1/3): Magnetic Rose - 7/10

Part 1 of the anthology movie that is Memories starts with what most people consider to be the best of the three: Magnetic Rose. Broadly speaking, it sees the crew of a ship in deep space investigating a distress signal, and then coming across some unexpected things.

It introduces its premise confidently, a little slowly, but overall surely, and it builds mystery well as things go along. As a piece of sci-fi, it's moderately intriguing, but I think it's all boosted immensely by the visuals on offer. What's happening doesn't seem too important, sometimes, when the animation is this striking.

Memories (2/3): Stink Bomb - 6.5/10

Stink Bomb is perhaps the best Japanese film about bureaucratic boobery that isn't Shin Godzilla. It's a good deal sillier than the first short film in the Memories anthology, but it's still fairly entertaining, following a ridiculous young man who accidentally turns himself into a bioweapon.

It does feel like a bit of a goofy kaiju movie parody, and even if that's the only real joke the short has, at least it's a funny joke, and at least it's only a short film, rather than them trying to stretch something like this to feature-length. I had fun, but it probably won't stick with me.

Memories (3/3) - Cannon Fodder - 6.5/10

The most visually unusual of the three, Cannon Fodder also stands out because it runs for 20-something minutes, while the other two shorts are both approximately 40-45 minutes each. As much as I can gather, it's about the meaningless of war, all done with a futuristic slant that bleakly suggests the human race will never change, and firing increasingly advanced cannons will always just be a thing.

It feels satirical, but not in a truly funny way. It's kind of feel-bad and has a vibe that feels off, but that feels intentional, and I think it makes for an offbeat and sort of fitting end to the overall anthology movie that is Memories.