Moon ching sap dai huk ying

The title says it all.

A woman is accused of the murder of her husband. In order to extract a confession the court subjects her to a series of violent methods of torture. Most of the story is told in flash backs, recounting how the story leads to the ultimate gory death of her poor husband (his penis explodes). Along the way we found out about sexual martial artists, lesbian frolicking, adultery, lost love, back stabbing and a very potent aphrodisiac.

The torture scenes are appropriately brutal, but generally short. There is nudity aplenty and some sex, but it never gets excessively graphic. Also there is an odd unbalance of dead serious scenes and goof-ball humor; half the film is comedy. Genre fans familiar with exploitive flicks will likely find this a tad prodding and slow, all others will sit slack jawed muttering "what the hell..."

It may be a little too violent for some viewers and not sexed-up enough for others, but those willing to take a shot might enjoy it. Maybe...

5/10

As a native Cantonese speaker, I found this film hilarious with its over the top depiction of Qing dynasty court procedure, Taoist sexual practices and Confucian moralizing.

I have watched this film with some Chinese people who were very westernized or Chinese who were very uptight. They were offended as much as some Western viewers. Other Chinese have found it just as funny as I did.

There is a lot of very fine dialogue that unless you are a Cantonese speaker you cannot appreciate it. The acting is modern and naturalistic. It does not appear stylized or affected in a manner that a historical costume drama would suggest.

The voice over narration at the beginning and end of the film was also hilarious in putting a pseudo scholarly & historical tone to the proceedings.

This is a must see if you have any serious interest in Hong Kong films. Top notch entertainment if you are into this stuff. 10/10

When I got this movie I assumed by the title that it would be ALL about torture. This is not the case. Within all the comedic scenes with the kung-fu sexaholics and the invisible guy, I did find satisfaction in knowing that the two main characters did seem to love each other. As I was sitting there watching, I thought, "Oh, what a horrible movie." I am a huge fan of the actress Gong Li (who does not appear in this movie) but a new interest has sparked within me for the young Yvonne Yung. I will be looking up some more of her movies. As far as a recommendation for you, I would say, it's twisted, funny & weird with lots of titties. If you can stomach that kind of stuff, then you should be able to get through this. Yvonne Yung makes it worth the watch. Beware: It's subtitled, so pay attention!

I've seen so many Hong Kong movies now that when I eventually came to watch this notorious Category III melodrama I took it all in my stride, but thinking back on it now, it has to be one of the most startling viewing experiences available to any viewer unfamiliar with HK cinema. Its part of a string of CAt III movies seeking respectability through use of historical settings (Sex and Zen, Sex and the Emperor, Lover of the Last Empress etc.), and for all its horrors, its not as sickening as Escape from Brothel or Eternal Evil of Asia. Yvonne Yung-Hung has perfected a set of wounded facial expressions that render her a perfect victim/fantasy figure, and feminist critics will find much to deplore in films like this, finding as they do eroticism in sadistic beatings of defenceless women - when one couple is executed, we only hear about the man's horrible death, but we see a graphic depiction of the woman's killing by wooden horse/dildo contraption. This movie is packed with ideas of how to find sexual grotesquerie in contortions of the human body, and the motif of escalating levels of torture is perfectly apt for Wong Jing's style of producing imaginative variations on his favourite preoccupations of sex and violence. He's only the producer, but his presence is tangible - I guess his closest Western equivalent might be Roger Corman. Fans of historical Cat III films will be pleased to see that the great Elvis Tsui once more steals the show with some spectacular sexual wirework.

I saw this movie when I was in Hong Kong on business in 1993, it was on pay-per-view in the hotel I was staying in. The movie itself was hilarious. There is a lot of sex and violence but I found it so over the top as to be neither titillating nor disturbing. Some of the other reviewers found it to be too violent or sexist. Hey, people did bad things to each other in the past, get over it, they still do. Anyways, I knew this was a movie I had to show to my friends when I got back, my descriptions could not do it justice. Not being a Chinese speaker, I found the video in HK before I left and took a picture of it. Upon my return to the US, I sought out a Chinese video store and excitedly rented it when I found it. It had Chinese and English subtitles, and the English translation was HORRIBLE. It totally killed the humor in the movie. My friends, whom I had been babbling to about this movie, at this point, all thought I was a complete loon. I found a dubbed copy on DVD and I am awaiting it's arrival. I hope it's the same version I saw in Hong Kong, because the movie does truly rock, with proper interpretation of the dialog.