Stig, a 15-year-old student, is attracted to the beauty of Viola, his 37-year-old teacher, and she, drawn to his youth and innocence, feels that he is a God-sent relief for her drunken and m... Read allStig, a 15-year-old student, is attracted to the beauty of Viola, his 37-year-old teacher, and she, drawn to his youth and innocence, feels that he is a God-sent relief for her drunken and miserable husband.Stig, a 15-year-old student, is attracted to the beauty of Viola, his 37-year-old teacher, and she, drawn to his youth and innocence, feels that he is a God-sent relief for her drunken and miserable husband.
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"All Things Fair" is a strange kind of film because it is always transforming itself. While it always remains a coming-of-age film it ranges in its focus, touching on many different expressions. Obviously this makes it hard to categorise, hard to follow, hard to analyse, and all this seems to add up to a good thing. It starts out so luridly that I thought I was in for a Swedish version of "Private Lessons" but somehow it manages to continually evolve into something quite else. The changes in pace and locus give the narrative a certain elliptical feel which consolidate the nostalgic representation. Pretty good performances all round and some unexpected twists in the tale make it well worthwhile.
Rape is rape. The "love scenes" are rape. Imagine if the genders were reversed or both the teacher an the child were male, you would see it clearly as rape. Teachers have authority and power over children and just like in the US -- in Sweden it is legally rape for a teacher in a school to have sex with a minor child who attends that school. There is no age under 18 where a minor may consent with a teacher
Again if the genders were reversed in this and it were some 35 or 40 year old guy teacher and his 15-year-old girl student would we be saying, as some reviewers here are, that the "love scenes were "tender" and "beautiful." WTF?
Again if the genders were reversed in this and it were some 35 or 40 year old guy teacher and his 15-year-old girl student would we be saying, as some reviewers here are, that the "love scenes were "tender" and "beautiful." WTF?
This was to be director Widerberg's last movie. A sweet family farewell, since his son played the lead in it. What his last words may be, as expressed in this movie, though, is hard to say. There is no clear moral in it, for which I am thankful, but a somewhat distressing observation about love: it is a close neighbor to hate, and it will not leave without vengeance.
The love affair between the school teacher and the teenage student is interesting when it starts to break up, but its beginning is too swiftly dealt with to make any sense, and its joyous, lustful phase is without depth. Only when things go awry, does the story get interesting, and the actors get to excel in their art.
The title is from a psalm, which is traditionally sung by students when they leave school for the summer break - or for good. It's a hymn to the summer and its luscious splendor - therefore, a lust of another kind, than the carnal one the movie deals with. Some Widerberg irony, no doubt.
Using his son as the student in the movie, was not that good an idea, although Johan Widerberg has a rare charisma on screen, and his own odd talent in acting. His father seems not to have been able to treat his son with the same merciless exploitation, as he was quite apt to do with other actors. So, the student is left hanging in a kind of vacuum, as if empty of his own intentions and conflicts. Things happen to him, as if he had nothing to do with them.
In this type of drama, it is important that the characters are stripped naked - well, mainly their souls, but bodies too, if need be. Widerberg manages the latter with his son, briefly, but not at all the former. When wanting to protect his son, he actually abandons him - for no other reason than the inhibitions in his own fatherhood. Johan, on the other hand, seems to be prepared to do any sacrifice necessary, to make the movie work.
I could be wrong. But the impression remains: the student's story never really gets to be told, because he is not allowed to be present, completely.
The love affair between the school teacher and the teenage student is interesting when it starts to break up, but its beginning is too swiftly dealt with to make any sense, and its joyous, lustful phase is without depth. Only when things go awry, does the story get interesting, and the actors get to excel in their art.
The title is from a psalm, which is traditionally sung by students when they leave school for the summer break - or for good. It's a hymn to the summer and its luscious splendor - therefore, a lust of another kind, than the carnal one the movie deals with. Some Widerberg irony, no doubt.
Using his son as the student in the movie, was not that good an idea, although Johan Widerberg has a rare charisma on screen, and his own odd talent in acting. His father seems not to have been able to treat his son with the same merciless exploitation, as he was quite apt to do with other actors. So, the student is left hanging in a kind of vacuum, as if empty of his own intentions and conflicts. Things happen to him, as if he had nothing to do with them.
In this type of drama, it is important that the characters are stripped naked - well, mainly their souls, but bodies too, if need be. Widerberg manages the latter with his son, briefly, but not at all the former. When wanting to protect his son, he actually abandons him - for no other reason than the inhibitions in his own fatherhood. Johan, on the other hand, seems to be prepared to do any sacrifice necessary, to make the movie work.
I could be wrong. But the impression remains: the student's story never really gets to be told, because he is not allowed to be present, completely.
When reading the synopsis, Bo Widerberg's film evokes understandable skepticism, but as soon as the final credits appear on the screen, and you remember everything that you literally experienced in these 2-and-a-half hours with the hero, it becomes clear that this is not an ordinary drama about romance between a student and a teacher.
The Swedish city of Malmo, at the height of World War II. The pretty middle-aged teacher Viola gets a job at the school where the main character, 15-year-old Stig, studies. These two character decide to get closer with each other, mostly due to the teacher's advances.
Of course, such a relationship is doomed from the very beginning: it goes against morality, against society. However, the actors are providing a very believable and masterful performance.
The biggest advantages of the film are in the acting, Vinderberg Jr. Is very handsome and charismatic. The film's musical accompaniment and script are also okay. I was glad to spend my time watching this film, and I remain very pleased and impressed.
The Swedish city of Malmo, at the height of World War II. The pretty middle-aged teacher Viola gets a job at the school where the main character, 15-year-old Stig, studies. These two character decide to get closer with each other, mostly due to the teacher's advances.
Of course, such a relationship is doomed from the very beginning: it goes against morality, against society. However, the actors are providing a very believable and masterful performance.
The biggest advantages of the film are in the acting, Vinderberg Jr. Is very handsome and charismatic. The film's musical accompaniment and script are also okay. I was glad to spend my time watching this film, and I remain very pleased and impressed.
Watching "All Things Fair" as it showed on TV here in Canada on CBC public network last night, was a treat. Only my sensible, nagging partner coaxing me to get to bed on a work night persuaded me we could trust the VCR to tape the last hour or so. Fortunately for his neck, the tape ran out during the closing credits and not before!
What I liked most about the film (with English subtitles) was the complexity of Sig's world and his relationships. It's a very real world feeling on screen, full of quirky believability, despite Sig's unusual arrangement with his teacher.
Though I know of a real life story resembling Sig's relationship with his teacher that went very differently for the teacher--ending in her virtual ruin--the behaviour of these film characters, the outcome and the aftermath, rings true nonetheless. No character is one-dimensional, even though the film schools us to sympathize with the choices of some and to repudiate others.
It's delightful to find in the credits that the director gave the plum lead role to his son. It takes an admirable trust, I think, to turn over a role like this to one's own young kin, complete with whatever there is in the script that MIGHT be autobiographical.
The female solo vocals in the soundtrack were wonderful. Now, I just need to found out who was singing like a bell whenever love or pain swelled in the story.
What I liked most about the film (with English subtitles) was the complexity of Sig's world and his relationships. It's a very real world feeling on screen, full of quirky believability, despite Sig's unusual arrangement with his teacher.
Though I know of a real life story resembling Sig's relationship with his teacher that went very differently for the teacher--ending in her virtual ruin--the behaviour of these film characters, the outcome and the aftermath, rings true nonetheless. No character is one-dimensional, even though the film schools us to sympathize with the choices of some and to repudiate others.
It's delightful to find in the credits that the director gave the plum lead role to his son. It takes an admirable trust, I think, to turn over a role like this to one's own young kin, complete with whatever there is in the script that MIGHT be autobiographical.
The female solo vocals in the soundtrack were wonderful. Now, I just need to found out who was singing like a bell whenever love or pain swelled in the story.
Did you know
- TriviaKarin Huldt was 14 during filming.
- GoofsRCA Red Seal records are shown playing on the phonograph nearly every time Stig and Kjell are listening to classical music, and when Stig is listening to a classical recording at his home; none of the pieces on the soundtrack were RCA recordings.
- ConnectionsFeatured in Lust och fägring - En film om Bo Widerbergs sista (2015)
- SoundtracksRinaldo: Lascia ch'io pianga
Music by George Frideric Handel (as Händel)
Performed by Lesley Garrett with The Philharmonia Orchestra
Conducted by Ivor Bolton
Silva Screen Records (UK)
- How long is All Things Fair?Powered by Alexa
Details
Box office
- Budget
- DKK 25,000,000 (estimated)
- Gross US & Canada
- $13,128
- Opening weekend US & Canada
- $4,530
- Mar 10, 1996
- Gross worldwide
- $13,128
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