Le maître des illusions

Alright, so maybe this wasn't a great adaption of his short story, the Last Illusion, but it was one hell of a ride. The special effects aren't overdone, the acting was up to par, and the direction was marvelous. This movie is so gritty, its tone is perfect. Bakula may have been a bit too emotionless in a scene or two, but overall he was wonderful as the detective who gets caught up in the trickery, and the evil. There is also one or two funny moments, very very well placed. Of course, to fully appreciate the movie, you must watch the directors cut, with a couple extra scenes, that actually add a lot to the plotline, and the surreality of it all. Great stuff Clive!

Clive Barker, the writer and director, has not made one regrettable step in his career. Lord of Illusions is a phenominal film unlike anything ever seen. Barker is, without fail, the only truely original and visionary man working in an otherwise lackluster industry. His films are bold, original, breathtaking and oddly quite beautiful. Lord of Illusions does not disappoint. The slithering plot is engaging, dramatic, frightening and indeed morbid spinning a tale of a detective who has a lingering tie to the darkside. This is an adult nightmare and is not intended for younger audiances at all. It is intelligent, opulant, impressive and twisted. Georgeous and repulsive at the same time. Though Hellraiser and Nightbreed are wonderful in and of themselves, it is Lord of Illusions that is Clive's masterwork... that is until Tortured Souls comes out.

"There are two worlds of magic. One is the glittering domain of the illusionist. The other is a secret place, where magic is a terrifying reality. Here, men have the power of demons. And Death itself is an illusion."

Clive Barker's Lord of Illusions is a terrifying glimpse into another world in which few have traveled. Those who have been there, didn't like what Barker had to show them. I wasn't even impressed with it upon my first viewing. I simply forgot it, lumped it in with the other, countless horror films I've seen and will never see again. However, I recently rediscovered it...and was completely awestruck. The theatrical release did not do the film justice. It dropped priceless minutes of film and much need footage. I strongly urge you to seek out the uncut director's version on DVD format. This is a very big horror movie, and a hidden treasure at that; hidden under a brilliant detective story and surrounded by film noir. But I promise you there is a horror spectacle buried under there. It may be a little slow going at times...but all that build-up makes whatever happens all the more effective. Lord of Illusions is an unbelievably awesome, genre-twisting experience (and was never bastardized by a sequel). Everyone needs to take this journey again. Please Mr. Barker...make another film.

Dorothea: "What the f**k are you?"

Nix: "A man who wanted to be a God...and changed his mind."

While magician Nix entertains his young audience by holding fire and even juggling it, Philip Swann and others are rescuing young Dorothea, who has been kidnapped and is being held in the same building. In the process of getting the girl out, Nix is killed--or is he? 13 years later, New York private detective Harry D'Amour is hired to go to Los Angeles to work on an insurance fraud case. He visits a fortune teller and is shocked to see a man dying violently. There may be a connection between this death and Swann, who is now married to Dorothea.

Valentin works for Swann and wants D'Amour to meet with Dorothea, who wants D'Amour to work for him (and also looks good in a swimsuit). D'Amour goes to one of Swann's shows, where one of the illusions doesn't go as planned. This gives Swann something to investigate. An interesting investigation follows.

My primary motive for watching this movie was seeing Scott Bakula, who I liked in 'Quantum Leap'. D'Amour is intelligent and a smart-aleck, sometimes funny, with just the right mix of confidence and vulnerability; he did not disappoint. Had I judged the movie from just its first 10 minutes, to paraphrase a line spoken by one of Dorothea's rescuers, I would have said bury this thing deep where it can never again be found. The same applies to the horrifying, graphically violent ending. And there is plenty of blood and gore in between the opening and the final scenes. I'm pretty sure the language was cleaned up for UPN as well--who actually would say 'Forget you' in a theatrical film? Sometimes the audio didn't sound right in situations where profanity would be expected.

The movie had redeeming qualities, though. Kevin O'Connor showed confidence onstage but often seemed afraid or nervous otherwise--I'll give him the benefit of the doubt and call that good acting. Vincent Schiavelli had a brief but effective scene as an illusionist in a meeting with others practicing the profession. Joel Swetow was good as Valentin.

Although they were not what I would call entertaining, I would say the visual effects were quality work. Certainly the gore factor was quite high, but someone did an impressive job with what is called morphing.

And Daniel von Bargen did an outstanding job as the very frightening Nix. I did not like the character at all, but one has to be impressed with the talent shown.

In 1982, a group led by a man called Swann breaks in a cult in the Mojave Desert to rescue a teenager from the evil leader Nix the Puritan. Thirteen years later, New York private detective Harry D'Amour (Scott Bakula) is assigned to investigate a embezzler that is spending money in Los Angeles and he stumbles upon the fortune teller Quaid (Joseph Latimore) that was tortured and murdered by two men. Soon he is hired by Dorothea Swann (Famke Janssen), the wife of the famous illusionist Philip Swann (Kevin J. O'Connor), to investigate the murder of Quaid. She invites D'Amour to go with her to a show of magic of her husband. When Swann is killed on stage during his act of illusion, D'Amour meets other illusionists in the Magic Castle where he learns that magic does exist in the beginning of his weird journey to the evil world of Nix.

"Lord of Illusions" is an horror film written and directed by Clive Barker and still great in 2020. The noir-style makes the film timeless and with an intriguing beginning. The special effects are ahead of time (for a 1995 movie), with good performance of Scott Bakula and the debut of Famke Janssem in a feature. My vote is seven.

Title (Brazil): "O Mestre das Ilusões" ("The Lord of the Illusions")