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Leaving Las Vegas

  • 1995
  • 12
  • 1h 51m
IMDb RATING
7.5/10
142K
YOUR RATING
POPULARITY
2,651
980
Nicolas Cage and Elisabeth Shue in Leaving Las Vegas (1995)
Ben Sanderson, a Hollywood screenwriter who lost everything because of his alcoholism, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
Play trailer2:48
1 Video
99+ Photos
Dark RomancePsychological DramaSteamy RomanceTragedyTragic RomanceDramaRomance

Ben Sanderson, a Hollywood screenwriter who lost everything because of his alcoholism, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-... Read allBen Sanderson, a Hollywood screenwriter who lost everything because of his alcoholism, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.Ben Sanderson, a Hollywood screenwriter who lost everything because of his alcoholism, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.

  • Director
    • Mike Figgis
  • Writers
    • John O'Brien
    • Mike Figgis
  • Stars
    • Nicolas Cage
    • Elisabeth Shue
    • Julian Sands
  • See production info at IMDbPro
  • IMDb RATING
    7.5/10
    142K
    YOUR RATING
    POPULARITY
    2,651
    980
    • Director
      • Mike Figgis
    • Writers
      • John O'Brien
      • Mike Figgis
    • Stars
      • Nicolas Cage
      • Elisabeth Shue
      • Julian Sands
    • 423User reviews
    • 92Critic reviews
    • 82Metascore
  • See production info at IMDbPro
    • Won 1 Oscar
      • 32 wins & 30 nominations total

    Videos1

    Trailer
    Trailer 2:48
    Trailer

    Photos134

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    + 128
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    Top cast47

    Edit
    Nicolas Cage
    Nicolas Cage
    • Ben Sanderson
    Elisabeth Shue
    Elisabeth Shue
    • Sera
    Julian Sands
    Julian Sands
    • Yuri
    Richard Lewis
    Richard Lewis
    • Peter
    Steven Weber
    Steven Weber
    • Marc Nussbaum
    Kim Adams
    • Sheila
    Emily Procter
    Emily Procter
    • Debbie
    Stuart Regen
    • Man at Bar
    Valeria Golino
    Valeria Golino
    • Terri
    Graham Beckel
    Graham Beckel
    • L.A. Bartender
    Albert Henderson
    • Man at Strip Bar
    • (as Al Henderson)
    Shashi Bhatia
    • Hispanic Prostitute
    Carey Lowell
    Carey Lowell
    • Bank Teller
    Anne Lange
    Anne Lange
    • Business Colleague
    Thomas Kopache
    Thomas Kopache
    • Mr. Simpson
    Vincent Ward
    Vincent Ward
    • Businessman #1
    Lucinda Jenney
    Lucinda Jenney
    • Weird Woman
    French Stewart
    French Stewart
    • Businessman #2
    • Director
      • Mike Figgis
    • Writers
      • John O'Brien
      • Mike Figgis
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews423

    7.5141.6K
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    Featured reviews

    9mstomaso

    The dignity of love and the depths of despair

    If Mike Figgis never made another film, and Nick Cage and Elizabeth Shue retired after making Leaving Las Vegas, they would have done so with impunity. Both actors are superb, and bring the excellent screenplay to life with the help of some masterful dramatic cinematography.

    Cage plays a suicidal alcoholic who has come to Las Vegas to drink himself to death, and Shue plays the unexpected problem - a prostitute who falls in love with him. The only reason this film did not receive a ten from me is the voice-over technique which was tastefully minimal, but, in my opinion, the only mistake the director made. It does help to provide closure, but I felt that closure was an unnecessary compromise here.

    This is not an entertaining film, and in truth, I am surprised by its popularity among typical audiences. It is a serious film, and a work of art, but fun is not to be found here. DO NOT see this film if you dislike feeling emotionally drained and ethically challenged, and DO NOT see it if you are very prone to boredom, or easily offended by sexual violence, substance abuse and the horror of daily life on the street.

    This is an intensely sad film about love shared by people who are caught in the gravity of their lives and can not escape. It is also a story of redemption and respect, found in improbable places. It is NOT a fun-filled frolicking romantic comedy, but rather, the opposite, and it achieves a beauty, dignity and power almost unique among films treating such starkly real and disturbing subjects.
    8luke-a-mcgowan

    An unrelenting tragedy, with raw and passionate performances

    Having recovered from the mind-numbing Heat, a supposed character study, I was eager to sink my teeth into a different 1995 gem and I found it here with Leaving Las Vegas. With only two important characters, the entire film rests heavily on the shoulders of Nicolas Cage and Elisabeth Shue, and neither of them disappoint.

    Of the two, Nicolas Cage is the Oscar winner and the truly deserving one at that. He is simply hypnotic as Ben Sanderson, an alcoholic so far gone he doesn't even remember why he wants to die. His withdrawal scenes are so real they are upsetting, whereas his drunken charisma is so real its almost funny. The balance that Cage strikes really highlights how tragic his character really is. He conveys hatred and rage and loneliness and despair, and you will be so sad yet so hooked that its impossible to look away. Elisabeth Shue gets off to a slower start than Cage, but she is still an endearing, emotional character, capable of great things.

    The writing is very good, giving Cage the perfect, pitiful dialogue in order to serve his woeful character, and even throws in a hypnotic monologue or two. The best thing that Figgis achieves in this film is his cruel and deliberate intersplicing of mood-killing incidents (invariably caused by alcohol) between the moments of love and passion that Shue and Cage share. It is a relentless reminder that their love story is completely doomed. Sting's My One and Only Love is all over this film, which I thought was a very good choice, in addition to the beautiful and haunting score.

    The final act focuses a little too much on Shue and not enough on Cage, and whilst their final scene together was appropriately pathetic to suit the tragedy of the film, I couldn't help but feel less engaged. I also didn't enjoy Shue's constant commentary, given that it doesn't really go anywhere.

    But between the raw passion of Nicholas Cage and the uncompromising guiding hand of Mike Figgis, any complaints I could ever have otherwise found in Leaving Las Vegas are completely washed away.
    9jguz58

    Amazing, and gritty performances

    It's not a movie I could bear to watch very often, because it's sad to see people destroy themselves. But Nicolas Cage and Elisabeth Shue are riveting to watch here. As a person who has a past involvement in alcohol and substance abuse, I found Cage's performance especially compelling, and after watching him in this one, I am sure glad that lifestyle is behind me!

    The chemistry between these two is really great, two people that need each other in different ways, trying to cope with how screwed up their lives have become. Very real performances, if you're faint-of-heart be ready for some strong words, and not just obscenities. Wow! They really lay it on the line. Great performances by two of my favorites.
    flipgirl38

    Powerful Film About Loneliness And Acceptance

    Remarkable. Touching. Riveting. Leaving Las Vegas is all of these and then some. I have not seen a film of this magnitude about loneliness and acceptance in such a while that I was in tears for much of the run time.

    Nicholas Cage is Ben, a man who has lost his wife and child, throws his job away, and takes all of his remaining money to buy as much liquor as possible and "drink himself to death" in the city of Las Vegas. He has given up all hope, with no wish to live, but for one reason or another, wants a companion to share in his misery, but not try to save him. He finds this companion in a hooker, Sera, played by Elizabeth Shue. They immediately form a strong relationship based on one night of talking about their lives. Sera in particular quickly grows attached to Ben, for no other reason than she has been alone her whole life and wants nothing more than to feel that want and need by someone.

    Cage won his first Oscar for his role as Ben, and how deserved it was. He was astounding, perfection, down to every single tick, the volume of his voice, the pain and tragedy buried in his eyes. I could not believe the extent of his role, the dedication and time he invested in bringing this character to life. Same goes for Elizabeth Shue, who with a simple glance at a person, she reveals her entire self, and no one even dares to notice except for Ben. This neediness is apparent, she wants to hold onto this relationship so badly, yet what makes their relationship work is total and complete acceptance of their respective decisions. He will not tell her to stop being a hooker, and she in return can never ask him to stop drinking. And it is in that factor that makes this film worth watching. To be totally accepted by those around them, to open themselves up to such an extreme.

    Leaving Las Vegas is a sobering film about connections, loneliness, acceptance, and a small little island of hope that is Ben and Sera. They are two good people, depicted in a world full of sorrows and misdeeds, who latch onto each other and never let go. They were nothing but ghosts, till that chance encounter, and became each others worlds. Cage and Shue bring these good people to life in such an extraordinary way, making Leaving Las Vegas a film to be treasured and remembered for years to come. I highly recommend this film.
    8klindon-38400

    Possibly one of the greatest performances ever

    Nic Cage is hit and miss with me. This is him at his best. His pain, apathy, hopelessness, helplessness, pathetic-ness (if that's a word) is heart wrenching. You can't help but pity him but at the same time you know he's on the correct path -- for him. It's sad. But beautiful at the same time because of his relationship with her. The thing that makes this performance so amazing to me is that he's usually such a loud, boisterous character, sometimes to the point of obnoxiousness but here he is so understated. If it's not the best performance of all time, it is definitely his best performance. For me.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Author John O'Brien, on whose novel this movie is based, committed suicide two weeks after the movie went into production. Director Mike Figgis contemplated abandoning the project, but decided the film would make a good memorial for O'Brien.
    • Goofs
      Yuri is supposed to be swearing in Latvian on the phone. In fact, he speaks gibberish.
    • Quotes

      Ben Sanderson: I don't know if I started drinking 'cause my wife left me or my wife left me 'cause I started drinking, but fuck it anyway.

    • Crazy credits
      The opening credits do not appear until fifteen minutes into the film.
    • Alternate versions
      LaserDisc version is unrated and contains more sexually explicit footage. First pressings of the VHS versions also contained this footage but later pressings did not. The Unrated Edition has also been released on DVD and Blu-ray and runs 112 min.
    • Connections
      Featured in Siskel & Ebert & the Movies: Vampire in Brooklyn/Mighty Aphrodite/Copycat/Leaving Las Vegas/Never Talk to Strangers (1995)
    • Soundtracks
      Angel Eyes
      Written by Matt Dennis and Earl K. Brent

      Performed by Sting

      Courtesy of A&M Records, Inc.

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    FAQ

    • How long is Leaving Las Vegas?Powered by Alexa
    • What does Ben get told by a waitress at the casino (around 1:04:00), when he's sitting at a gaming table with Sera, which makes him react by flipping the table and screaming?
    • What are the differences between the R-Rated and Unrated Version?

    Details

    Edit
    • Release date
      • March 20, 1996 (France)
    • Country of origin
      • United States
    • Official site
      • Official Facebook
    • Languages
      • English
      • Russian
    • Also known as
      • Adiós a Las Vegas
    • Filming locations
      • River Palms Resort Casino - 2700 South Casino Drive, Laughlin, Nevada, USA(interiors, as Gold River Casino and Resort)
    • Production companies
      • Lumiere Pictures
      • Initial Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $3,600,000 (estimated)
    • Gross US & Canada
      • $32,029,928
    • Opening weekend US & Canada
      • $70,864
      • Oct 29, 1995
    • Gross worldwide
      • $32,029,928
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 51 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.66 : 1

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