A cyborg policewoman and her partner hunt a mysterious and powerful hacker called the Puppet Master.A cyborg policewoman and her partner hunt a mysterious and powerful hacker called the Puppet Master.A cyborg policewoman and her partner hunt a mysterious and powerful hacker called the Puppet Master.
- Awards
- 5 wins & 7 nominations total
Atsuko Tanaka
- Kusanagi Motoko
- (voice)
Iemasa Kayumi
- Ningyô tsukai
- (voice)
Akio Ôtsuka
- Batô
- (voice)
Kôichi Yamadera
- Togusa
- (voice)
Yutaka Nakano
- Ishikawa
- (voice)
Tesshô Genda
- Nakamura buchô
- (voice)
Namaki Masakazu
- Urisu hakase
- (voice)
Shinji Ogawa
- Gaikôkan
- (voice)
Mitsuru Miyamoto
- Daida Mizuho
- (voice)
Kazuhiro Yamaji
- Seisô kyokuin
- (voice)
Shigeru Chiba
- Seisô kyokuin
- (voice)
Hiroshi Yanaka
- Kenshi-kan
- (voice)
Ginzô Matsuo
- Ossan
- (voice)
Takashi Matsuyama
- Jikkô-han
- (voice)
Sanryô Odaka
- Gishi
- (voice)
Masamichi Satô
- Untenshu
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Upon Ghost in the Shell's release in 1995, the Western world was still largely unfamiliar with manga, but had already had its head turned by Katsuhiro Ohtomo's Akira (1988). Blending philosophical musings with blistering action, Ghost in the Shell captured the imagination of it's new audience, helping kick-start the Japanophilia that runs so blatantly through most modern Western cartoons and lines the bookcases of many a teenager. While it certainly has its flaws, this was the first time that casual Western audiences who were new to manga had seen a cartoon be as meditative as is explosive. And for those that didn't catch it, no doubt they would have watched The Matrix (1999) four years later, a film that arguably 'borrows' a lot more from Ghost in the Shell that it lets on.
In the future, technology has become so far advanced that all aspects of life are interconnected through an electronic network. Major Motoko Kusanagi (Atsuko Tanaka), a soldier working for government agency Section 9, is a cyborg, and is able to access this network through plugs in the back of her head. She and her team are assigned to catch an elusive 'ghost-hacker' known as the Puppet Master (Iemasa Kayumi), an intelligent entity created by the government, who they lost control of when it became self-aware. When the Puppet Master surfaces in the mangled body of an artificial human shell, Kusanagi faces a crisis of identity.
Disappointingly, the film begins with gratuitous nudity, showing off the fine female form (with giant breasts, of course) of Major Kusanagi just before she takes a plunge off a building to nail some bad guys. Manga caters heavily for its audience, be it sexually-frustrated, highly- stressed businessmen or horny teenagers who have no doubt been bombarded with images of giggling, short-skirted school girls throughout their young life. Thankfully, these moments are brief, and prove to be not much more than a mild distraction from the stunning animation on show. Things are grim in the future, but they're certainly beautiful to look at.
The sexism aside, Kusanagi is an interesting character. When a man realises his wife and daughter are nothing more than an implanted memory, he fails to comprehend it. Kusanagi, with her mixture of organic and mechanical body parts and uploaded memories, struggled to define what it is to be human. Her hunt for the Puppet Master, who is seemingly a new kind of being, becomes a hunt for identity. Is it enough to be aware of what and who you are? The philosophy, although provocative, is heavy-handed. Conversations about humanity between Kusanagi and her second-in-command Bateau (Akio Otsuka) are delivered with a monotony worthy of a whiny emo teen, and I found the film's first half quite a head-scratcher. But things thankfully do become clearer, and the film is still, almost twenty years later, one of the best examples of the genre.
www.the-wrath-of-blog.blogspot.com
In the future, technology has become so far advanced that all aspects of life are interconnected through an electronic network. Major Motoko Kusanagi (Atsuko Tanaka), a soldier working for government agency Section 9, is a cyborg, and is able to access this network through plugs in the back of her head. She and her team are assigned to catch an elusive 'ghost-hacker' known as the Puppet Master (Iemasa Kayumi), an intelligent entity created by the government, who they lost control of when it became self-aware. When the Puppet Master surfaces in the mangled body of an artificial human shell, Kusanagi faces a crisis of identity.
Disappointingly, the film begins with gratuitous nudity, showing off the fine female form (with giant breasts, of course) of Major Kusanagi just before she takes a plunge off a building to nail some bad guys. Manga caters heavily for its audience, be it sexually-frustrated, highly- stressed businessmen or horny teenagers who have no doubt been bombarded with images of giggling, short-skirted school girls throughout their young life. Thankfully, these moments are brief, and prove to be not much more than a mild distraction from the stunning animation on show. Things are grim in the future, but they're certainly beautiful to look at.
The sexism aside, Kusanagi is an interesting character. When a man realises his wife and daughter are nothing more than an implanted memory, he fails to comprehend it. Kusanagi, with her mixture of organic and mechanical body parts and uploaded memories, struggled to define what it is to be human. Her hunt for the Puppet Master, who is seemingly a new kind of being, becomes a hunt for identity. Is it enough to be aware of what and who you are? The philosophy, although provocative, is heavy-handed. Conversations about humanity between Kusanagi and her second-in-command Bateau (Akio Otsuka) are delivered with a monotony worthy of a whiny emo teen, and I found the film's first half quite a head-scratcher. But things thankfully do become clearer, and the film is still, almost twenty years later, one of the best examples of the genre.
www.the-wrath-of-blog.blogspot.com
I was a huge anime fan in highschool but as time progressed, my interests and focus in media have changed. A few days ago I re-discovered my forgotten anime collection. Behold, Ghost in the Shell.
Watching this fine piece of animation again brought back the reasons why I was attracted to anime in the first place. It is obvious that a lot of work went into Ghost in the Shell; the attention to graphic details creates some remarkably realistic animation.
Though the major reason to see this film is for the animation, there are also other fine points to consider. It has a fairly complex plot. The science it focuses on is definitely modern though, albeit, fantastic.
I recommend the subtitled version because the dubbed dialog is sometimes over wordy and odd-sounding (as are most dubbed versions).
Some viewers may be turned-off by the many scenes that aren't accompanied by music, especially the action sequences. The music, however, is outstanding. There are a couple of scenes that are basically slide shows of various themes. These are accompanied with music and no dialog. The animation, to say the least, is beautiful and seems to be the focus.
In summary, Ghost in the Shell is very satisfying.
Watching this fine piece of animation again brought back the reasons why I was attracted to anime in the first place. It is obvious that a lot of work went into Ghost in the Shell; the attention to graphic details creates some remarkably realistic animation.
Though the major reason to see this film is for the animation, there are also other fine points to consider. It has a fairly complex plot. The science it focuses on is definitely modern though, albeit, fantastic.
I recommend the subtitled version because the dubbed dialog is sometimes over wordy and odd-sounding (as are most dubbed versions).
Some viewers may be turned-off by the many scenes that aren't accompanied by music, especially the action sequences. The music, however, is outstanding. There are a couple of scenes that are basically slide shows of various themes. These are accompanied with music and no dialog. The animation, to say the least, is beautiful and seems to be the focus.
In summary, Ghost in the Shell is very satisfying.
10queitus
This is an incredible work in the science fiction category, but an absolute masterpiece in terms of animated film.
Deep thematic probing and philosophical questions dot the story. Characters that are cyborg-humans question their existence... this is a true potential problem for the far future. Is something created outside of a womb without a soul? Do souls even exist? Set all this against some incredible action sequences, plenty of eye candy, and a very dark, acrid backdrop of the future of civilization. This is a summer blockbuster and more. It's ashame that most people are too close-minded to consider a film like this.
Bad guys and good guys? No clue. I had to watch the film 3 times to
-Understand the plot fully -Understand the motivations of the characters -Realize the depth of the film -And still I'm left with questions
If you open your mind, Ghost in the Shell settle itself within you... it will linger far after your first viewing. You will realize that a movie can have action, incredible effects, and STILL be deep.
Drama, mystique, philosophy, intrigue, "going out on a limb" quality, action, adventure, deep characters who don't fall into bad or good categories, beautiful imagery, mind-boggling plot... even some comedy! I just can't get over the fact that I have never before seen a more perfect mix of the elements which make a masterpiece. EVER.
10/10.
Deep thematic probing and philosophical questions dot the story. Characters that are cyborg-humans question their existence... this is a true potential problem for the far future. Is something created outside of a womb without a soul? Do souls even exist? Set all this against some incredible action sequences, plenty of eye candy, and a very dark, acrid backdrop of the future of civilization. This is a summer blockbuster and more. It's ashame that most people are too close-minded to consider a film like this.
Bad guys and good guys? No clue. I had to watch the film 3 times to
-Understand the plot fully -Understand the motivations of the characters -Realize the depth of the film -And still I'm left with questions
If you open your mind, Ghost in the Shell settle itself within you... it will linger far after your first viewing. You will realize that a movie can have action, incredible effects, and STILL be deep.
Drama, mystique, philosophy, intrigue, "going out on a limb" quality, action, adventure, deep characters who don't fall into bad or good categories, beautiful imagery, mind-boggling plot... even some comedy! I just can't get over the fact that I have never before seen a more perfect mix of the elements which make a masterpiece. EVER.
10/10.
This is the most beautiful film i've ever seen.
There, i've said it. Watch it and be awed at how amazingly detailed and fluid the whole film is. Never does it falter in the art department. The colours are just right, the peoples movements are so real its scary, and sometimes the strong story of the film cant fit all this beauty in and so it releases it entirely in a magical scene in the middle of the film with no dialogue and no plot progression, just marvellous panoramic followed by marvellous panoramic shot. This is my favourite segment of the movie. It shows the nameless city in which the protagonists exist as a cluttered, enclosed, claustrophobic world, yet terrifyingly familiar. This film is full of such themes which subtly make their way into your mind and you dont even realise they're there until afterwards.
So lets talk about the story. Its an amazing monster of a tale, squeezing it all in barely in its short running time. It does sometimes feel a little rushed, a little convoluted so that it bears repeat viewings to get the whole thing, but it is still a strong story none the less. In fact it is a very mature story. The creators could have so easily gone the typical manga route and thrown in some invading demons or mega-destructive internet monsters. But no, the whole thing restrains intself to a realistic view of an extra-ordinary situation. it all feels like this is exactly how it would happen in real life, and that is what makes it so engaging, and so scary.
This film deserves to be seen, not just because the heavenly beauty warrants it, but because the deep issues it raises needs to be questioned. If you want to be entertained without thinking, watch Wicked City or the countless millions of other mediocre mangas out there. You want to be entertained and be made to think and question the film? See this.
You wont regret it.
There, i've said it. Watch it and be awed at how amazingly detailed and fluid the whole film is. Never does it falter in the art department. The colours are just right, the peoples movements are so real its scary, and sometimes the strong story of the film cant fit all this beauty in and so it releases it entirely in a magical scene in the middle of the film with no dialogue and no plot progression, just marvellous panoramic followed by marvellous panoramic shot. This is my favourite segment of the movie. It shows the nameless city in which the protagonists exist as a cluttered, enclosed, claustrophobic world, yet terrifyingly familiar. This film is full of such themes which subtly make their way into your mind and you dont even realise they're there until afterwards.
So lets talk about the story. Its an amazing monster of a tale, squeezing it all in barely in its short running time. It does sometimes feel a little rushed, a little convoluted so that it bears repeat viewings to get the whole thing, but it is still a strong story none the less. In fact it is a very mature story. The creators could have so easily gone the typical manga route and thrown in some invading demons or mega-destructive internet monsters. But no, the whole thing restrains intself to a realistic view of an extra-ordinary situation. it all feels like this is exactly how it would happen in real life, and that is what makes it so engaging, and so scary.
This film deserves to be seen, not just because the heavenly beauty warrants it, but because the deep issues it raises needs to be questioned. If you want to be entertained without thinking, watch Wicked City or the countless millions of other mediocre mangas out there. You want to be entertained and be made to think and question the film? See this.
You wont regret it.
Wonderfully executed anime classic.
It is a darker anime tale aimed towards a more mature audience. I enjoyed the amazing realism of this film. The attention to detail is definitely enjoyable to see.
The DVD has a rather enjoyable documentary on the making of the film. Any fan will enjoy the structure and content of the documentary. It is quite informative on the process of making the film.
Like most Anime, there is a lot of character development and dialogue mixed with stunning visuals.
I think the most captivating element that this film has to offer is its creative "cinematography" and attention to detail. There are numerous memorable shots in this film.
This is not an anime for everybody. Attention to story is critical and I am guilty of rewinding certain areas just to keep up with the story.
Thankfully this is not a mindless science-fiction/anime tale filled with crazy action sequences. The Ghost in the Shell proves to be quite philosophical in nature by questioning the meaning of life.
I would love to venture deeper into this story and its message but I think it is better for you interpret it on your own.
Remember to watch this movie with your heart, not with your mind. Reflect on it later. This is the best way to enjoy this type of film.
It is a darker anime tale aimed towards a more mature audience. I enjoyed the amazing realism of this film. The attention to detail is definitely enjoyable to see.
The DVD has a rather enjoyable documentary on the making of the film. Any fan will enjoy the structure and content of the documentary. It is quite informative on the process of making the film.
Like most Anime, there is a lot of character development and dialogue mixed with stunning visuals.
I think the most captivating element that this film has to offer is its creative "cinematography" and attention to detail. There are numerous memorable shots in this film.
This is not an anime for everybody. Attention to story is critical and I am guilty of rewinding certain areas just to keep up with the story.
Thankfully this is not a mindless science-fiction/anime tale filled with crazy action sequences. The Ghost in the Shell proves to be quite philosophical in nature by questioning the meaning of life.
I would love to venture deeper into this story and its message but I think it is better for you interpret it on your own.
Remember to watch this movie with your heart, not with your mind. Reflect on it later. This is the best way to enjoy this type of film.
Did you know
- TriviaIn ordinary anime, characters would at least blink to create the feeling of "being animated", but in this movie, Motoko's eyes intentionally stayed unblinking many times. Director Mamoru Oshii's intention was to portray her as a "doll".
- GoofsThe car underneath the spider tank changes in size relative to the tank between shots.
- Quotes
Major Motoko Kusanagi: If we all reacted the same way, we'd be predictable, and there's always more than one way to view a situation. What's true for the group is also true for the individual. It's simple: Overspecialize, and you breed in weakness. It's slow death.
- Crazy creditsOn the Special Edition DVD of the film, the Manga Entertainment logo appears shaded cyberspace green and surrounded by circuitry.
- Alternate versionsThe original Japanese version has the song "Reincarnation" played over the ending credits. This song was replaced with "One Minute Warning" by Passengers (a collaboration between U2 and Brian Eno) for the English version.
- ConnectionsEdited into Wamdue Project: King of my Castle (Roy Malone Remix) (1999)
- SoundtracksSee You Everyday
Composed and Arranged by Kenji Kawai
Lyrics Pong Chack Man
Vocals Fang Ka Wing
Chorus Junko Hirotani
Details
- Release date
- Countries of origin
- Language
- Also known as
- Armored Riot Police
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- ¥330,000,000 (estimated)
- Gross US & Canada
- $889,074
- Opening weekend US & Canada
- $2,736
- Feb 4, 1996
- Gross worldwide
- $968,116
- Runtime
- 1h 23m(83 min)
- Color
- Aspect ratio
- 1.85 : 1
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