Judge Dredd

Continuing my plan to watch every Sly Stallone movie in order, I come to 1995's Judge Dredd.

Plot In A Paragraph: Judge Dredd, (a blue eyed Stallone) is convicted for a crime he did not commit, and he must fight to clear his name.

Armand Assante (an actor I normally like) tries too hard and over acts awfully, but he is not alone. Diane Lane and Max Von Sydow apart, the acting is bad, bad, bad (Stallone included)

In the Dredd comics, tradition dictates that Dredd does not off his helmet, thus his face has mostly only fleetingly appeared in full, but this mean Stallone would never show his face clearly, so to placate his ego, 15 minutes in to the movie and the helmet is off. It's a shame this movie doesn't work, as Sly looks the part, and it could have been a franchise. However the ball is dropped and he must take the lions share of the blame.

In interviews, Stallone said he felt the film was supposed to be a comedy/action film, and demanded rewrites to make it even more comedic. The director and screenwriter, however, had intended a darker approach, which led to many difficulties behind the scenes.Director Danny Cannon was so disheartened over his constant creative disputes with Stallone that he swore he would never again work with another big-name actor. He also claimed that the final version was completely different from the script, due to the changes Stallone demanded.

I'll preface this by saying that I have never read the Judge Dredd comic. That being said, I bashed this movie when my friends and I watched first watched it back in 1995 in the theater. I am now throughly eating my words. This thing is amazingly good and entertaining throwaway cheese. There is zero originality here. This is Blade Runner meets Demolition Man meets Texas Chainsaw massacre meets Superman 2 meets Star Wars Trilogy. This movie is almost a replica of Demolition Man but is tons more fun. Stallone, like in Demolition Man, plays a supercop. He's accused of a crime he didn't commit and is punished, like in Demolition Man. There are other parallels along the way. He meets a Texas Chainsaw Massacre family in his exile, with an android member who looks suspiciously like Terry Bradshaw. Armand Assante is really great as the villain, Diane Lane excels in a role that doesn't fit her and Rob Schneider is stunningly endearing as the third wheel in a party of two. Max Von Sydow and Jurgen Prochnow add their talents to give the movie a seasoned flavor. Stallone's intro is pathetic but he excels along the way. The digital effects also work themselves into the story very well. I'm stunned at how good this thing is upon reviewing it.

This film, and its generally poor reception is a good example of what happens when huge marketing mistakes are made. Take a look at the cover of the DVD package: "Stallone: Judge Dredd". The film should have been titled "Judge Dredd" - even in the packaging - and the emphasis for the marketing of this film should have been less Stallone, more content. On the flip-side, when the most consistent complaint you can find among IMDb psychofants is "HE TOOK OFF HIS HELMET!", you really have to wonder if the film is quite as bad as so many believe.

Eagle Comics 2000 AD character Judge Dredd was one of the most original, entertaining and intelligently written and interestingly drawn sci-fi comics of recent times. With story arcs varying from 2 pages worth of panels to 4 or 5 episodes, and sometimes multi-threaded plots, this violent, political and tough cyberpunk version of Dirty Harry set some pretty high standards for adult comic authorship both in its native UK and in the USA, once the imports started flowing in. It freely traversed from film noir to flat-out wild sci-fi action to nihilistic hard justice, and did so with style and originality rarely seen in the comic medium. Hence, although I like Stallone in this film, it's not only misleading but a little insulting to call this 'a Stallone film'. The producers had very big shoes to fill, and though I am in the minority here, I believe they did well.

The production team chose a story arc which I was never very fond of, but one of the more do-able ones to be sure. Any Dredd-based film would necessitate a huge special effects budget, and most of them, even with the best special effects available, would likely be nearly impossible to pull off and might look ridiculous. To their credit, the Return of Rico story arc was rightfully recognized as good film material - it involves more emotional content than the usual Dredd fare, and actually required fewer outrageous special effects, than, say, the many Judge Death arcs might have.

Dredd is a "street judge" - and the judges are the closest thing to a government in a post-apocalyptic future where nuclear war has concentrated all of the world's population into mega-cities - hotbeds of crime and chaos, surrounded by mutagenic wastelands called The Cursed Earth. Dredd is the best of the best, a very tough cop who knows method, theory, and has an incorrigible sense of ethics and dedication to the law. Dredd is also mentor to an entire generation of judges, including the brilliant Hershey (Lane). Rico, Dredd's former best friend, and a psychotic murderer escapes from a high security prison with some help from a fascistic leader of the judges who is bent on securing power and a new world order with himself in charge. Soon, Dredd is framed for murder and exiled to the wastelands, and judges start to die all over the city. About midway through the film, Dredd learns the truth of his relationship to Rico and begins to figure out the sinister plot. Of course, there is only one thing for him to do - return to Megalopolis to stop the conspiracy before it plays out.

The film features good performances by a really nice cast. Armand Assante brings the character of Rico to life better than the comic book ever did. Diane Lane, Jurgen Prochnow and Max Von Sydow are always good, and though I had my doubts to begin with, Stallone pulls off Dredd very well. While some folks complain about Rob Schneider's irritating behavior, I found that his goofy character took a little of the edge off of Stallone's depressive performance of the most stoic law enforcement officer on planet earth. This is not one of Joan Chen's better roles. If you're a big Chen fan, you might think twice about seeing this.

All considered, I see Judge Dredd as a under-rated and mis-marketed film, which, through its fast pace, sophisticated sci-fi plot, Excellent special effects and very good cast, took all of the screenable elements of the comic book and made them accessible to an audience a bit wider than its original fan-base. If this review peaks your interest, see it!

It's unfortunate that "Judge Dredd" wasn't accepted by mainstream viewers or even received a cult following. I found it to be very entertaining. I don't see too many movies based on comic book superheroes that I honestly enjoyed. "X Men" for example went on too long, moved very slowly and took itself too seriously. "Judge Dredd" is a fast-paced sci-fi-action thrill ride that delivers from start to finish and has help in the comic relief department by Rob Schneider. Sylvester Stallone overacts throughout, but that's part of the fun. Watching him scream out "I AM THE LAW!!" makes you want to scream it out along with him, which is what I do whenever I view this movie. There are many quotable lines, which I enjoy reciting. "Judge Dredd" is not a deeply intelligent, insightful film. But it makes a great popcorn flick! This upbeat, funny, nonstop entertainment is a real treat for me to watch over and over again.

My score: 8 (out of 10)

I first saw this film in Asia, and thought it was an OK action/sci-fi film (Max von Sydow gave the film his blessing). But when I returned to the U.S. shortly afterwards, I was surprised by how much the film was being vilified. And the reviews didn't seem to bear any relation to the film I saw in Asia. There seems to be an anti-Stallone lobby in the U.S., which attacks every film he makes (even some of the better ones like Cliffhanger and Assassins). I simply don't get it. He happens to have appeared in some of the best action films of the last decade or two. He still commands 8-figure salaries for every film. He lives like some kind of Olympian god. OK, so 'Get Carter' was a pale, pale (PALE) shadow of the original (though beautifully photographed!), but Sylvester Stallone is as big as Jackie Chan overseas. This might make some of you glad that you aren't overseas. It makes me glad that I am (that and the low cost of living). Keep up the good/bad work, Sly!