Hei tai yang: Nan Jing da tu sha

THE NANKING MASSACRE is another solid piece of work from T.F. Mou regarding the atrocities that the Japanese brought upon the Chinese in WWII. Personally, I felt that this installment lacked the punch of MEN BEHIND THE SUN, but was still very effective in trying to relate the horrors of war and oppression. There are a few "gore" scenes, but to be quite honest, they almost come off a little comically (or i'm just sick...). I found the "forced abortion" and the "baby in the rice steamer" scenes to be pretty hilarious, though I'm sure they weren't meant to be - the FX just looked silly and not horrifying. That's not to make light of the film itself or of what actually happened in China at that time period. All-in-all I found the film to be very moving, and should really be looked at as a history lesson more than as a horror film. I know that "extreme" horror fans will seek this and MEN BEHIND THE SUN out for their notorious reputations as "shocking" and "horrific" gore films, but I think that those who are just looking for blood-and-guts will be severely disappointed. As I stated before, these are neither horror nor gore films, but a fictionalized recreation of events. Either way, I feel that they are both good films, although I prefer MEN BEHIND THE SUN over THE NANKING MASSACRE. Definitely not for everyone due to some graphic material, but highly recommended 7 1/2 out of 10

Having seen men Behind the Sun I guess I hoped for an evolution in style & technique to match the larger scale of this movie. I was also quite interested to see someone make a hard-hitting fact-based fictionalised account of what happened during this most notorious of Japanese atrocities, but this is not it. This plays like a bottom-to-mid tier European Nazi exploitation movie from the 70s - e.g. SS Experiment Camp etc (perhaps more like Deported Women of the Special Section actually). Granted it has a greater scope and more people running around, but it resorts to the same cheap and cheerless device of lots of hapless non-actors limply falling over to the sound of ridiculously fake gunshots, spiced up with the occasional poorly executed 'shock' sequence. The admittedly horrible documentary footage is roughly spliced in between scenes so hackneyed that even these real images are robbed of much of their power. Watch channel 4's 'The Holocaust' (aired recently (still running?), as of 1 No 2006) for a genuinely disturbing documentary on the evils of war (featuring excellent in-context use of actual footage). This is the type of treatment the horror of Nanjing deserves, not this hackneyed exploitation garbage (a better executed exploitation movie minus the disrespectful use of stock footage would have been fine, but again this is not even a very good exploitation movie). Rating: 3 (5 as exploitation, 1 as a treatment of the subject).

Arriving at my door, this video, which I had procured from E-Bay.com has many extras and features and is very-well put together, but the film itself, unbeknownst to me at that time, would prove to be my undoing: Quite by accident I'd come upon a dread vision more fantastic than anything from out of Dante; putrified, bodies piled in heaps on beaches in the Chinese province of Xixioung, a, like so many flesh-balloons ripening and bursting in the afternoon sun. On this the camera lingers, unflinchingly -- Pop! a corspe, bursting at the seems, abruptly inflates and then pops open strewing it's organs amid a splash of half-uncoagulated blood, and then another, and then another...

Finally, toward evening, this ranch of carnage is set ablaze and we are treated to a symphony of sickening popping sounds and the abysmal sight of what can best be described as a field of human popcorn yielding it's unwholesome fruits. The heat from the resulting conflagration, you see, creates pressure within the floury endosperm of corpse-meat, causing it to explode, and, horrific to relate, turn itself inside out.

In addition to a severe case of panic/anxiety disorder, a screening of these terrors, celebrated in this film, "Rape of Nanking-- Solar Disc of Umbra" (literal translation) resulted in something my doctor has told me is called "restrcutring cognitive distortion", a condition wherein brain fluid backflows (refluxes) into the lobular cavities, sometimes getting into the ears, occasionally, I understand, even into the mouth. It produces ultra-intense headaches at least twice a week. Actually. before I started taking Pantroprazole, it was occurring not just twice a week, but more than twice a day. In addition to the nightmares, in a very small percentage of people, including me, it produces nearly impossible to describe creepy feelings like something besides just brain fluid is crawling around in my head.

Additionally, it also seems to produce, or, at least, trigger creepy feelings and pressure in my head that vaguely resemble the anxiety I experienced when first watching the terrific imagery presented in this title, but are unlike any headache I've ever had. My doctor says that those headaches have nothing to do with the Nanking Massacre, but I don't believe him.

And when dead bodies start erecting themselves, and march out of their graves, or people with crippled skeletons are restored to perfect form, CNN will be there ...

This is worth viewing and the DVD Special edition well worth buying for the 'extras', but there are one or two problems. I think the main difficulty is that the director has available to him awful, original footage of events and decides to mix these in with what for the main part can only be described as exploitative material. Nothing wrong with a good old exploitation movie of course but here the, probably cheaply done, massed bodies and brutal slayings look nothing compared to the original sickening footage. There are moments like the burning of the bodies at the river's edge that are undoubtedly powerful but for the most part we are only too aware that this is a one event movie spun out for the sole reason of showing the spilling of blood and guts and getting across the message that the Japanese are evil. Having said all that the DVD distributors have exceeded themselves and included notable items including a most illuminating 1944 US propaganda film, 'Why We Fight: The Battle Of China' - not to be missed.

Gripping and sadistic movie that happens when China is invaded by Japan on the onset of war and finds Japanese army surrounding and butchering people at city of Nanjing (1937). After that , at the city violations , mutilaciones and massacres take place . Prisoners and other unfortunate people are interred in camp prisons, but then they are led to fire squad , scaffold or alive burying .

Director deglamorizes war showing true horror and ominous, bloody deeds , but in exploitation style , at times . It's a staggering evocation of the Chinese holocaust in Nanjing , as the atrocities are depicted as a disturbing matter and as an astonishing factor by-product of sheer Japanese evil . There are graphic depiction of the horrible massacres with lots of blood , gore and guts . Packing some really disagreeable and shocking images , no apt for squeamish. It describes the terrifying Japanese encroachment in which the military will stop at nothing to wipe out the Nanjing population and at whatever cost with all kinds of execution means . However , this gory picture relies heavily on sadistic and ultra-violent scenes, including beheading , murders in cold blood , mutilation, dismemberment , slashing and anything else .

The picture is set in 1937 Nanking and based on true events. After Nanking was occupied by the Japanese Army, massive burning , rape, killing and plundering continued for six weeks. Males, females and young, none were spared. The atrocities were even worst thah shown in this film. This was not a War. It was an intentional, planned and organized massacre. During the Nanking massacre... 43.123 bodies collected by the Buddhist Society, 22.683 collected by the Red Cross, 112.267 collected by Chun Shan Society, 7.000 collected by Tung Shan Society, 28.000 collected by Shen Chang and others, 7.000 bodies collected by Ruy Fang and others, 3000 bodies collected by Kao Guan and others, 90.000 bodies handled by the Japanese. According to the verdict of the war crimes tribunal in 1947 the Japanese Army was judged to have raped over 20000 women and killed 300.000 Chinese during the Nanking Massacre. One-third of the city was destroyed. Property was plundered at unestimated losses. No family was spared. Main responsible officers were judged. Matsui Iwane was sentenced by the Far East International War Crimes on Nov 12, 1947 and subsequently hanged. Tani Hisao sentenced by The Chinese War Tribunal in 1947 and executed. Mukai Tosjiaki, Noda Iwa, Tanaka Gunkichi sentenced by the Chinese War Tribunal and executed in 1948 . Nakajima Kyogo died of natural causes in 1945.