Television adaptation of the Henry James' classic novel "Turn of the Screw", with changes in location and character names. A live-in nanny discovers two children haunted by the spirits and d... Read allTelevision adaptation of the Henry James' classic novel "Turn of the Screw", with changes in location and character names. A live-in nanny discovers two children haunted by the spirits and deeds of their former caregivers.Television adaptation of the Henry James' classic novel "Turn of the Screw", with changes in location and character names. A live-in nanny discovers two children haunted by the spirits and deeds of their former caregivers.
- Director
- Writers
- Stars
Elizabeth Heery
- Miss Jessel
- (as Elizabeth Morton)
Alun Armstrong
- The Butler
- (uncredited)
- Director
- Writers
- All cast & crew
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In agreement with the other comments, I too was skeptical with Valerie Bertinelli in the part of the governess in basically an all British film. But she was surprisingly very good. I also agree that this was a very scary movie. The effects were great, not overboard. The actor portraying Peter Quint was diabolical looking. Think about how difficult it is to act without being able to speak....very interesting. Diana Rigg, as always was great in her role. The children were okay, the boy had a tendency to squint, but when his eyes were open, he was a very handsome child. The film location was perfect for this type of movie, kind of pseudo-gothic. If you like horror, I would definitely recommend this movie.
This was worse than a Harlequin romance novel: the only good part was the old castle and the surrounding landscape. Hammy, overdone rehash of every 2 bit ghostly/old manse film that's ever been done. It provided rain, lightning, dim corridors, haunting music, candles blowing out, spectral beings, and on and on and on all the way to the 'creepy' finale. Valerie should have stayed home and let Eddie bring home the bacon.
This film doesn't deserve a "10," but for only one reason. The ending is absurd and meaningless. Valerie Bertinelli's, and her director's, brilliant feminist interpretation of Henry James' misogynist story deserved a denouement. Without spoiling the five seconds or so of film that pass for an ending, it can be said those five seconds undo all the freshness of the movie.
The Haunting of Helen Walker has three adult female characters: governess, estate manager (played by Diana Rigg), and housekeeper, none of whom hate one another, distrust one another, or-a typical Jamesian conceit-tolerate one another. Helen's increasing identification with children clearly victims of abuse and neglect doesn't cause the manager, for example, to demand her dismissal. Helen's American-ness isn't regarded as a mild form of illness. And unlike The Turn of the Screw, which questions a lonely protagonist's sanity, The Haunting of Helen Walker shows how a real governess living in isolated splendor might react when she is forsaken by two very rich children's sadistic uncle.
I review older, generally unknown, sometimes ridiculed, films when I see they don't deserve the scores they receive on IMDB. The Haunting of Helen Walker inexplicably turns Walker into a victim at the end without letting us know how much time has passed, the circumstances of her losing her mind, or whether the other child who can be saved is saved.
But that is the writer's (or writers') fault, not Bertinelli's or Rigg's. I don't think I've ever seen another production where Valerie Bertinelli's acting talent is put to better use.
I am a huge horror fan and this film is up there with the best of them. I might even go so far as to compare the shocks in this film to those found in 'Don't Look Now'. It starts quite slowly and seems to be just an ordinary period drama to begin with, but soon your heart will start beating.
The first shock is totally unexpected and will still scare you when you think about it later. I won't give it away, but you'll notice it! Although the film does have some slower bits, there are enough twists, turns and shocks throughout to keep you interested. One of the only bad parts of this film is the children that Helen Walker looks after. I wanted to give them (especially the boy) a good slap, but this does not decrease the power and shock of the images that'll keep you thinking about this film long after you've seen it.
The first shock is totally unexpected and will still scare you when you think about it later. I won't give it away, but you'll notice it! Although the film does have some slower bits, there are enough twists, turns and shocks throughout to keep you interested. One of the only bad parts of this film is the children that Helen Walker looks after. I wanted to give them (especially the boy) a good slap, but this does not decrease the power and shock of the images that'll keep you thinking about this film long after you've seen it.
Bit of a yawn I'm afraid, but then Deborah Kerr's, "THE INNOCENTS"is a hard act to follow. That has the advantage of being shot in stunning black and white for starters which I think creates an eerie, unsettling atmosphere throughout which this colour version fails to do. Yes I may have jumped at one point but at no time was there anything to send a real chill down my spine. The subtle, ghostly appearances in "THE INNOCENTS" were much more effective in achieving that in my opinion. I wish I could be more positive in my review of "The Haunting of Helen Walker" as it started well and engaged me. I was really hoping for something a bit special. I cannot fault the acting and overall production, but it just simply looked too glossy and lacked atmosphere for my liking, but at least I saw it through to the end.
Did you know
- TriviaPaul Rhys (Edward Goffe) and Florence Hoath (Flora) both starred as father and daughter in the British period drama series "The Cazalets".
- ConnectionsVersion of Matinee Theater: The Others (1957)
- SoundtracksPrelude No. 4 in E minor Opus 28
by Frédéric Chopin
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- The Turn of the Screw
- Filming locations
- Somerset House, Strand, London, England, UK(opening scene)
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- See more company credits at IMDbPro
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