How was it possible that a movie like Plan 9 from Outer Space (1957) could be made? This documentary about Edward D. Wood Jr.'s masterpiece gives the answer.How was it possible that a movie like Plan 9 from Outer Space (1957) could be made? This documentary about Edward D. Wood Jr.'s masterpiece gives the answer.How was it possible that a movie like Plan 9 from Outer Space (1957) could be made? This documentary about Edward D. Wood Jr.'s masterpiece gives the answer.
- Awards
- 1 win & 1 nomination total
Maila Nurmi
- Self
- (as Vampira)
Lynn Lemon
- Self
- (as Reverend Dr. Lynn Lemon)
Bela Lugosi
- Self
- (archive footage)
Norma McCarty
- Self
- (as Norma McCarty-Wood)
Michael McCarthy
- Self
- (as Michael McCarty)
Mona McKinnon
- Self
- (voice)
Joseph F. Robertson
- Self
- (as Joe Robertson)
Edward D. Wood Jr.
- Self
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I loved this film. Not being a swooning Ed Wood Jr. fan, I prefer to appreciate his "boundless enthusiasm" and acknowledge his shortcomings. His movies are fun, but his personal story is one racked with pain. I hoped, and was delighted to find, that this film would be about understanding his turbulent life, rather than simply heaping him with posthumous praise. From beginning to end, this film evolves from a documentary into a mythology, leaving the cast and the viewer unexpectedly connected to each other and to Ed Wood Jr.
What we get are people who knew Ed Wood the best talking about him from all perspectives, positive and negative, and showing us their character as much as Ed's. We get insight into Ed's personal and professional life: from his romances, to his drinking, to his sexuality, to his friends, to his enemies, and even to his film making.
The film itself is shot in a low-budget way that seems done out of respect for Ed, as if using the techniques of most theatrically released movies from 1996 would be disrespectful (sort of like wearing a nicer suit than the President). The set designer uses a sense of humor and also a great deal of insight when matching each cast member with their background.
Fans will be excited to hear personal testimony regarding Ed Wood controversies, and new comers will be amazed that this man was real. The DVD is full of impossible to find gems ("Crossroads of Lorado" and photo galleries), but the real treasure of this film is the surprisingly engaging and interconnected story.
Ed Wood had a habit of defining people through their association with him (for better or worse), to the point where one woman will go down in history as "Swimming Pool Owner" for once letting him and his friends be baptized in her pool. This ability to define a person's legacy comes through universally, as the most amazing effect of the film is to not only give a well rounded idea of the man that was Ed Wood Jr., but also to give a comprehensive view of the community that he created. Somehow, without ever having more that one cast member being interviewed on screen at a time, the connection that Ed Wood created amongst the various people in his life becomes clear, and the viewer is left with great sense of involvement.
Even the title hints at the B-list horror genre, but by the end, we see that even this is a kindness. What begins as unrelated stories by random people ends with the conclusion that all of the cast will be forever weaved into an unpredictably cohesive fabric that history will bring into haunting unity with Wood's legend.
In many ways a living contradiction, Ed Wood Jr. could not be condensed to a single viewpoint. This collaborative effort is the closest to knowing him that we can ever get. Being itself a juxtaposition of themes, it is at once respectful, provocative, thoughtful, gripping, fun, sad, kind, and fulfilling.
What we get are people who knew Ed Wood the best talking about him from all perspectives, positive and negative, and showing us their character as much as Ed's. We get insight into Ed's personal and professional life: from his romances, to his drinking, to his sexuality, to his friends, to his enemies, and even to his film making.
The film itself is shot in a low-budget way that seems done out of respect for Ed, as if using the techniques of most theatrically released movies from 1996 would be disrespectful (sort of like wearing a nicer suit than the President). The set designer uses a sense of humor and also a great deal of insight when matching each cast member with their background.
Fans will be excited to hear personal testimony regarding Ed Wood controversies, and new comers will be amazed that this man was real. The DVD is full of impossible to find gems ("Crossroads of Lorado" and photo galleries), but the real treasure of this film is the surprisingly engaging and interconnected story.
Ed Wood had a habit of defining people through their association with him (for better or worse), to the point where one woman will go down in history as "Swimming Pool Owner" for once letting him and his friends be baptized in her pool. This ability to define a person's legacy comes through universally, as the most amazing effect of the film is to not only give a well rounded idea of the man that was Ed Wood Jr., but also to give a comprehensive view of the community that he created. Somehow, without ever having more that one cast member being interviewed on screen at a time, the connection that Ed Wood created amongst the various people in his life becomes clear, and the viewer is left with great sense of involvement.
Even the title hints at the B-list horror genre, but by the end, we see that even this is a kindness. What begins as unrelated stories by random people ends with the conclusion that all of the cast will be forever weaved into an unpredictably cohesive fabric that history will bring into haunting unity with Wood's legend.
In many ways a living contradiction, Ed Wood Jr. could not be condensed to a single viewpoint. This collaborative effort is the closest to knowing him that we can ever get. Being itself a juxtaposition of themes, it is at once respectful, provocative, thoughtful, gripping, fun, sad, kind, and fulfilling.
Haunted World of Edward D. Wood, Jr., The (1996)
**** (out of 4)
Wonderful documentary about the life and times of the legendary and infamous director of various "Z" films including Glen or Glenda?, Bride of the Monster and the notorious Plan 9 From Outer Space. This documentary features interviews with various people who worked with Wood including Vampira, Dolores Fuller, Paul Marco, Conrad Brooks, Loretta King, Norma McCarty, Reverend Lynn Lemon, Lyle Talbot and Harry Thomas. Bela Lugosi, Jr. started a storm of controversy with his rather stupid comments here where he calls Wood a "loser and a user". This might not be too bad if Lugosi, Jr. even knew a single thing or had seen any of these films. Several horror historians who have interviewed Lugosi Jr. have stated that he has seen and knows very little work of his father's so to make certain comments like he does here was very stupid but he did end up taking them back. The documentary does a great job at telling us everything we need to know about the director including stuff about his early life and his days during WW2 where he actually fought in some of the most brutal battles of the war. The history and behind the scenes look at his infamous horror movies is certainly the highlight here as we get all sorts of great stories about how these films were made and we also get a lot of rumors laid to rest. The film runs nearly 2-hours but it never gets boring and it really does a great job at showing this man, although the film doesn't go into much of his late 60's, early 70's work in the adult industry.
**** (out of 4)
Wonderful documentary about the life and times of the legendary and infamous director of various "Z" films including Glen or Glenda?, Bride of the Monster and the notorious Plan 9 From Outer Space. This documentary features interviews with various people who worked with Wood including Vampira, Dolores Fuller, Paul Marco, Conrad Brooks, Loretta King, Norma McCarty, Reverend Lynn Lemon, Lyle Talbot and Harry Thomas. Bela Lugosi, Jr. started a storm of controversy with his rather stupid comments here where he calls Wood a "loser and a user". This might not be too bad if Lugosi, Jr. even knew a single thing or had seen any of these films. Several horror historians who have interviewed Lugosi Jr. have stated that he has seen and knows very little work of his father's so to make certain comments like he does here was very stupid but he did end up taking them back. The documentary does a great job at telling us everything we need to know about the director including stuff about his early life and his days during WW2 where he actually fought in some of the most brutal battles of the war. The history and behind the scenes look at his infamous horror movies is certainly the highlight here as we get all sorts of great stories about how these films were made and we also get a lot of rumors laid to rest. The film runs nearly 2-hours but it never gets boring and it really does a great job at showing this man, although the film doesn't go into much of his late 60's, early 70's work in the adult industry.
For starters - This potentially promising bio-documentary that focused in on Ed Wood (who has been unanimously voted "Worst Director of All Time") gave this somewhat dissatisfied viewer the clear impression that underneath the surface of all of his undeniable incompetence there lurked a man of great directorial genius.
This, of course, is a matter that is open to some serious debate since I, personally, do not believe this to be true of Wood.
But, contrary to what my opinion might be - All of the comments made by those interviewed here who knew and worked with Wood gave one the clear impression that his greatness was, indeed, there, but it was never given the chance to "come-out-of-the-closet" (like his cross-dressing did).
Anyway - This 110-minute documentary certainly had both its fair share of good moments, as well as its not-so-good moments.
And, so - As the sad and pathetic story of Ed Wood finally comes to its inevitable close - He died in 1978, at the age of 54, a hopeless alcoholic and an utter failure as a director.
This, of course, is a matter that is open to some serious debate since I, personally, do not believe this to be true of Wood.
But, contrary to what my opinion might be - All of the comments made by those interviewed here who knew and worked with Wood gave one the clear impression that his greatness was, indeed, there, but it was never given the chance to "come-out-of-the-closet" (like his cross-dressing did).
Anyway - This 110-minute documentary certainly had both its fair share of good moments, as well as its not-so-good moments.
And, so - As the sad and pathetic story of Ed Wood finally comes to its inevitable close - He died in 1978, at the age of 54, a hopeless alcoholic and an utter failure as a director.
I originally caught this back in 1996 in its one week run at a movie theatre. I was under impressed by it and my feelings haven't much changed.
Documentary about the infamous Edward D. Wood Jr. covering his life and movies. There are interviews with people who worked with him or knew him. They include: Vampira, Dolores Fuller, Bela Lugosi Jr., Loretta King, Gregory Walcott and Paul Marco. Interviews are mixed with clips from the movies or some bizarre recreations. It is interesting (somewhat) but was this really needed? I've seen all of Wood's films and they're just terrible. Wood had ambitions but not a bit of talent to carry them out. I wouldn't say he was the worst director ever but he's down there. Do we really need a docu on a very mediocre film maker? I do like the fact that they didn't try to make Wood out to be some sort of saint. More than a few of those interviewed (especially Lugosi Jr.) pretty much hated the man and it comes through loud and clear. Also they totally ignore his films in the adult film industry in the 1960s and 70s. Still it's of interest if you're a Wood fan. The best interviews are with Vampira (who tears Wood apart) and Dolores Fuller (a long time girlfriend).
Documentary about the infamous Edward D. Wood Jr. covering his life and movies. There are interviews with people who worked with him or knew him. They include: Vampira, Dolores Fuller, Bela Lugosi Jr., Loretta King, Gregory Walcott and Paul Marco. Interviews are mixed with clips from the movies or some bizarre recreations. It is interesting (somewhat) but was this really needed? I've seen all of Wood's films and they're just terrible. Wood had ambitions but not a bit of talent to carry them out. I wouldn't say he was the worst director ever but he's down there. Do we really need a docu on a very mediocre film maker? I do like the fact that they didn't try to make Wood out to be some sort of saint. More than a few of those interviewed (especially Lugosi Jr.) pretty much hated the man and it comes through loud and clear. Also they totally ignore his films in the adult film industry in the 1960s and 70s. Still it's of interest if you're a Wood fan. The best interviews are with Vampira (who tears Wood apart) and Dolores Fuller (a long time girlfriend).
I saw this when it came out at the Nuart in L.A. The whole Wood thing had kind of been played out, several Docs had been done already and the Ed Wood feature had come and gone. Bombed really.
My friend and I made it all the way through and though it was O.K. So I was really surprised when I brought it home the other night from the library and was really impressed. The director tracked down a lot of people I don't think had been interviewed elsewhere. The setting of most of the interviews in there own costumed frame was unique.
I thought it was great that Bela Jr. took back some of the mean things he said on the commentary track! After all, Bela was making bargain basement movies long before he met Ed, some terrible, some pretty good. None as interesting or entertaining as "Plan Nine: though.
One flaw: no credit is given to Ed's cameraman, who is often treated as a joke but I think did some great work making Plan Nine look like no other film.
All an all, though, if Wood interests you at all you should check this out. It's quite funny, and quite moving.
My friend and I made it all the way through and though it was O.K. So I was really surprised when I brought it home the other night from the library and was really impressed. The director tracked down a lot of people I don't think had been interviewed elsewhere. The setting of most of the interviews in there own costumed frame was unique.
I thought it was great that Bela Jr. took back some of the mean things he said on the commentary track! After all, Bela was making bargain basement movies long before he met Ed, some terrible, some pretty good. None as interesting or entertaining as "Plan Nine: though.
One flaw: no credit is given to Ed's cameraman, who is often treated as a joke but I think did some great work making Plan Nine look like no other film.
All an all, though, if Wood interests you at all you should check this out. It's quite funny, and quite moving.
Did you know
- ConnectionsFeatures Naissance d'une nation (1915)
- SoundtracksSomeone To Tell It To
Performed by Dolores Fuller
Music by Jimmy Van Heusen (as James Van Huesen)
Lyrics by Dolores Fuller & Sammy Cahn
Published by Warner Music
Used with permission
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