Les péchés mortels

I am a passionate lover of movies and actors. American, foreign, documentaries, independent- all kinds of movies. I usually try to find the silver lining in every movie I watch. Hard work and risk taking deserve at least that much from a viewer. This movie was very irritating to watch. It didn't even follow it's own plot. It would pick up and drop story lines randomly without any logic. Relationships were contrived, some to shock, some for lack of better ideas. Acting was not very inspired, it's hard to see how could it possibly be with this script. It was messy, unfinished and irritating. So much for silver lining on this one.

If you like longing glances into the misty distance, unmotivated yet psychotic incest, and daft police work, you'll love this waste of time and film.

The casting director clearly liked a specific "look" of female. As a result, I spent the first half of the movie just trying to keep the female characters straight. Beautiful women are not enough to save this flimsiest of scripts, however.

I feel cheated. I could've been playing solitaire. It would've been equally fulfilling. Clearly, I do not recommend this movie. I was hoping for so much more from a largely watchable cast.

Very good movie even though a bit complicated to follow when seen for the first time. It is one of those movies you need to see at least twice to fully appreciate it. The principal actors, first of all Gabrielle Anwar, and Stephen Dorff, are outstanding. Noteworthy is also Patrick Blossier´= s excellent photography.

Having said that I still think with this highly imaginative and original story at his hands Patrick Dewulf could have done more, simply by concentrating on the main characters. There are too many subplots there that are rather superfluous in that they do not contribute to the main story which is intense enough and need not be pepped up.

But still: An excellent movie! I highly recommend it.

Is it a war movie? Is it film noir? Is it cheap titillation? A deep exploration of complex and controversial relationships? This film cannot decide what it is and so, as another person noted, must require several viewings in order to make sense. Sadly, it is just not compelling enough to warrant multiple viewings - unlike other films that ARE rich with complex themes and artistic vision.

The actors valiantly try to overcome the morass that is the script - but were probably as annoyed as the rest of us at the myriad loose threads that never tie up.

Adrian Dunbar portrays the frustration of someone tempted and confused by things around him - he must be the avatar for the viewer. Stephen Dorff offers another workmanlike portrayal of your friendly neighborhood rebel without a clue. Gabrielle Anwar, who is usually a fine actor, is stuck with a character whose neuroses become tedious and irritating by the end of the film. Joanna Lumley escapes caricature by a false eyelash and looks luminous in the period fashions. The rest of the cast are superfluous at best and annoying distractions at worst, doing nothing to advance the story. They and the plot lines that involve them do not even qualify as decent red herrings.

The cinematography is lovely - very atmospheric and evocative of the era - as are the costumes and staging.

Unfortunately, Dewolf's grasp at Art exceeded his reach and no amount of plot devices can make this murky movie anything more than a mild diversion. Perhaps the fault lies with the editing - which would explain the subplots that disappear and other senseless oddities. A tighter script, a focused plot, and less cheap titillation would have permitted this talented cast to fully engage the viewer in a riveting mystery flick.

This film goes into areas that most others are afraid to enter and really makes the best of a great story line. It also has a cast of fantastic actors who play their roles with the right amount of mystique and venomous betrayal. I loved the character of Jeremy, he was well-played and had an amazing level of complexity. He's a completely despicable person, but you can't help but to be drawn to the cunning and disregardful nature of his character. The young lady playing Jeremy's sister is also very believable in her role as the childish, and incestuous girl who can't quite bring herself to get away from her brother. The whole movie is a work of art, and very well done.

You need to understand the times. Frightened by communist spread, many in Europe turned to Nazis for help in fighting the menace especially the wealthy. In 1938, into this milieu, a British detective, played by Adrian Dunbar, seeks to find how a friend had died. The only clue he has leads to the Graves, an English family living in France. The mother is pro Nazi. Two of the siblings seem possibly be in an incestuous relationship. Another sibling had been slain in an accident years before. This "accident" leads to blackmail and incest. This may be what the deceased friend had discovered that lead to his death.

Stephen Dorff and Gabrielle Anwar play the nearly-grown siblings. Anwar is at the peak of attractiveness. I usually hate to see girls who look like their lips have been smashed by a brick but in this one case I make an exception. She seems to want out of the relationship but can't resist Dorff's touch, even on the eve of her wedding. More murders occur as Dunbar seems about to break the case. But he, too, is under Anwar's spell. He wants to help her escape, when Dorff shows up again. I don't want to spoil it. The photography is marvelous. The music fits the scene. A enchanting look at pre-war France. And I'm sure if Hitler had seen the mother's taste in art, he'd have had her shot. I recommend it to anyone who loves crime and drama, as well as good acting.

Overall rating: 7 out of 10.