The Grass Harp

After watching The Grass Harp I felt I had just experienced a feast! If you are tired of the McDonald's diet of recent Hollywood formula movies than you will welcome this gourmet quality film!

Based on Southern writer Truman Capote's boyhood, the story reveals the nuances of small town life with humor and wit. The lush visuals and lyric pace create a leisure mood befitting the 1930's when life was simpler. The golden sepia tones of the scenes subtly transport us into the memories of Collin, through whose eyes the story is told. The Southern ambiance, social graces and simple pastimes of a bygone era are beautifully recreated in the world surrounding the characters.

I love the barbershop scenes, where locals gather to socialize and get the latest news. You just want to hang out in the shop and shoot the breeze with Walter Matthau and Roddy McDowell. Joe Don Baker is the perfect southern sheriff and his sidekick Ralph (a rooster) adds a hilarious touch of eccentricity to his tough good-old boy demeanor. Charles Durning is hilarious as a self-righteous preacher that can't wait to kick Mary Steenbergen and her brood of a dozen kids out of town.

Piper Laurie is the heart and soul of the movie as Dolly Talbo. The timid and ethereal Dolly has been living under the thumb of her overbearing sister (Sissy Spacek) but manages to create a unique life of meaning for herself. Edward Furlong plays their teen nephew Collin who comes to live with them.

Dolly and her housekeeper (Nell Carter) take Collin under their wing and try to help him adjust to life in this small southern town. As Dolly advises Collin about the girl he has a crush on, she too falls in love for the first time in her life.

Piper Laurie glows like a young girl around the young-at-heart Judge Cool (Walter Matthau). Their scenes together are sweet and heartbreaking.

The movie is beautiful, both visually and emotionally. It is funny, sad, and touching. Don't rush this viewing. Sit down with a glass of wine and savor.

The Grass Harp is a feast for the eyes and soul!

A delightful movie from Truman Capote's memoir of his boyhood in the South. It is both tender and poignant. The acting is excellent. Piper Laurie as the orphan's free-spirited aunt is superb. Sissey Spacek as the other aunt is excellent. The atmosphere of that time, comes alive. A worthwhile movie for those with a tender heart.

Directed by Walter Mathau's son Walter, this is a superb adaptation of on one of Truman Capote's best stories about how Southern misfits in the 1930's help each other survive. Both Piper Laurie and Sissy Spacek, as the wealthy Talbo sisters, are perfectly cast and neither has ever been better. Walther Mathau, under his son's direction, in his most sympathetic roles, plays a retired judge. Every member of the spectacular cast is completely understandable: Jack Lemon and Mary Steenburgen are a pair of hilarious but unrelated con-artists. Nell Carter is the Talbo sister's very feisty cook, Joe Don Baker is the bumbling sheriff, Charles During the preacher, and Roddy McDowall is the gossipy barber. Look for Doris Roberts (Ray Romano's 'mom') as Mrs. Richards and for the director himself, Charles Mathau, as a barbershop regular.

If you're looking for an action-packed movie you probably won't enjoy this beautiful piece of film-making. You absolutely have to change gears to appreciate the wonderful and sensitive story it tells. Watching this movie is very much like watching an extended episode of The Waltons, right down to the narration and beautiful music. Good performances by all, and I especially enjoyed Piper Laurie's portrayal of sensitive and delicate Dolly Talbo, who lives under the thumb of her younger sister, played by Sissy Spacek. Ironically, Piper Laurie played Spacek's mother 19 years earlier in Carrie. The movie tells a tale of life and love in a small Southern town, and days gone by.

Having said that, the one criticism I have of the movie is that I didn't really CARE about the characters. I enjoyed very much watching the characters interact, and being reminded of life in a world that has almost completely disappeared. But I was more amused by them than passionate about them.

While this film may not be perfect, it's a wonderful movie; more intelligent than at least 90% of what comes out of Hollywood. As another reviewer suggested, if you have a couple of hours of quiet time, sit down with a glass of wine and enjoy.

Set in the 30's, The Grass Harp is a story about an orphan boy who is sent to live with his eccentric aunts. The story follows the plight of social "outcasts" with humor and insight.

On the surface this story is about love and our connections to others - both living and dead. Yet underneath run themes of social injustice, racial inequality, religion, morals and the struggles of social conformity vs. individual expression - but the film never preaches. It just reveals.

Director Charles Matthau accomplished the near-impossible task of adapting Truman Capote's classic book into a beautiful rendered film. Wisely, he approached this multi-layered story with a light touch, allowing the material and talent to shine. Matthau skillfully captures a myriad of complex relationships and emotions, allowing the characters to live and breathe without placing judgment on who they are.

The boy's coming-of-age story is entertaining, humorous and poignant. As the film unfolds, Collin encounters a diverse group of characters, from which he gains valuable insights about life. Now an adult he looks back (as the narrator) reflecting on this formative time.

Each character is uniquely distinct and true-to-life. The entire all-star cast is at the top of their game.

This is the best performance of Piper Laurie's career. She is delicate and mesmerizing as the fragile Dolly Talbo. Her scenes with Spacey and Matthau will break your heart.

For those of you who have only seen Walter Matthau in grumpy curmudgeon roles, you are in for a treat!

Matthau is wonderful as a Judge Cool, a Southern gentleman struggling to find meaning in his retirement years. As Piper Laurie's love interest he is tender and charming yet dignified. A man of integrity and honor, Judge Cool is the only "accepted" towns person with compassion for the outcasts.

As a collective, the ensemble cast captures the social pecking order with uncanny accuracy.

Jon Don Baker is great as the Sheriff, Nell Carter is a hoot as the eccentric housekeeper and Sissy Spacek is an amazing blend of steely resolve masking her conflicted feelings of vulnerability and insecurity.

Roddy McDowell is the delightfully sarcastic barber. Jack Lemmon and Mary Steenbergen are great fun as cons on the run. Mary as a traveling cowgirl evangelist out to save souls - never mind that she is a single- mother of fourteen kids…all by different fathers! She pulls it off with comic charm and sad poignancy. Lemmon is a "chemical engineer" (read quack potions salesman) with a scheme to get his hands on Dolly's herbal potion. Even though both Lemmon and Steenbergen are devious cons looking to score, they too are well-developed characters and oh-so-human in their desperate schemes to survive the Great Depression.

There is also one of the most delightful casts of furry creatures ever assembled: a host of cats, dogs, fish, and a scene-stealing Rooster named Ralph. It looked to me like Ralph was huffing around wishing he had more lines. I'd be all for him getting his own sequel.