Godzilla vs. Destroyah

When I first saw this movie, I hoped this would have more of a brooding, menacing feel to it than it did. I half expected them to return more to the tone of the 1954 GOJIRA, especially since they made so many other references to the original, like bringing back Momoko Kochi as Emiko.

Instead, G. vs. Desutoroia was shot in the usual nervous style of the Heisei series, which so irritated me at first that I found myself counting seconds, to see if ANY SHOT in the whole movie would make it to ten.

On repeated viewings, though, I felt the movie held together better than most of the others in the 'new' Godzilla series. As usual, the human characters seem simply to be along for the ride (the exception is G. vs. Mechagodzilla (II), where I found myself actually caring what went on between the humans). In this case, it's only natural that the Big G. takes center stage.

The final moments are absolutely amazing. Akira Ifukube's classic "the-army-mobilizes-against-Godzilla" theme is heard for probably the last time: not as the usual march, but in a slow choral arrangement that will tear the heart out of any Godzilla fan...

Godzilla may be back in the form of the new, improved Little Godzilla, but PLEASE someone reassure me that we've finally seen the last of that psychic Miki Saegusa. By the time the Heisei series was over, I knew more about Godzilla's inner life than I did about hers. IMHO the whole Psychic thing added nothing to the continuing story... give her a 900 number and an infomercial and keep her out of Godzilla Millennium!

The epic finale of the second Godzilla series concludes with Big G himself facing his toughest challenge yet! This is my personal favorite of the entire Godzilla series after the original 1954 film, and in many ways, this film does it's best to tie back to that film as much as possible, even explicitly tying the origins of Godzilla's new foe to the fate of the original King of the Monsters. Godzilla is at his largest, most powerful, and by far the most furious that he's ever been in the entire franchise, but he will be matched up against the nightmarish Destoroyah, one of the strongest and most terrifying monsters to ever appear in any film!

What follows is a fitting and powerful conclusion for the King Of The Monsters, the last dance so to speak. For Godzilla's days are numbered, as the same radioactive meltdown that is triggering his increased strength and fury is also draining him and will eventually kill him. With some of the best visual effects and creature designs of the entire franchise, and an appropriately epic score to match, G vs. D represents the best the series has to offer. If you must watch only one Godzilla movie, watch the original 1954 Japanese version. But if you watch two, then I urge you to consider Godzilla vs. Destoroyah with the original.

With this film, the Heisei series decisively came to an end, and Godzilla would enjoy a well earned and fitting retirement ... that is, until an American impostor pretending to be the original King Of The Monsters would rear its ugly head in a certain 1998 Columbia/Tristar film that shall remain nameless ...

The most moving and thrilling of all Godzilla films, with a solid plot, smooth acting, moving music and emotional drama. I enjoyed this movie; the final one in the Godzilla "Heisei" series, in which Godzilla's heart, basically like a nuclear reactor, is on a verge of a meltdown. This will result in the disintegration of the entire city. As a result, this movie is a thrilling race against time to stop Godzilla before he melts down.

This G-film's story is particularly captivating and unique, exciting from start to finish. The film also includes a combination of elements that is iconic to a Godzilla film: scientists, reporters, military, Tokyo, fleeing citizens, city destruction, monster battles and Akira Ifukube's brilliant music score. And, it includes a host of actors that appeared in past Godzilla films, most notably Momoko Kochi reprising her 1954 role as Emiko Yamane. All this is a great homage to have in the final Godzilla film of the Heisei series.

There is one thrilling scene in which I especially liked - the part when Yukari gets trapped in the police car with Destoroyah pursuing her. And, the part when Miki breaks down and cry when Godzilla Junior laid lifeless on the ground almost reduced me to tears - reminding you that this film is Godzilla's final bow. I really despise Destoroyah, after all the damaged he has done. Godzilla should have melted that ugly arachnid. And, I would have made the Ken and Meru characters a little less annoying.

But overall, a terrific, heart-pounding film to close out the second Godzilla series. A must see for all.

Grade A-

So this is the end? No, meanwhile they found a way to revive Godzilla. But 1995, it was supposed to be. In order to close the circle, "Godzilla vs Destoroyah' referred directly to the first Godzilla movie from 1954. The monster Destroyah is a result of the `oxygen destroyer' used back then to fight Godzilla. Toho Studios really managed to tie up the loose strings here, giving us a rather dark action adventure, picking up the environmentally hazardous theme from `Godzilla vs Hedora', but at the same time have Godzilla junior return without becoming as childish as in `Son of Godzilla' 1967. If you see Godzilla glowing red with radioactivity (i.e. throughout the entire movie!), you almost feel the pain. Great flick, shouldn't miss in anyone's monster movie collection.

22nd installment and still kicking. This is the climax to the Heisei series. It's quite a beautiful climax, and rather poetic in its relation to the rest of the series. It's the first film with strong connections to the original. It brings back talk of the Oxygen Destroyah, which inadvertently created a new breed of monster. Meanwhile, Godzilla goes on a dramatic journey of character for such a big monster. First of all, he is getting close to meltdown, having absorbed too much nuclear radiation, he may be about to explode. This leaves him with a rather interesting glowing look, Also, he may be about to become a responsible father, as he tracks down his presumably dead son. Toho put a lot of faith into a big rubbery character, but he pulls it off. This is the most emotional since the original, and it still has time for awesome action sequences. Part of me wishes I had watched these years ago, as the city destruction scenes must have seemed even more impressive. Still, it's engaging stuff, and the perfect end to this series.