Frankie Starlight

Saw this film on TV last night, and was blown away by the performances of Alan Pentony and Corban Walker, as the child and adult Frankie. When I read the credits and saw an Acting Coach listed for them, I guessed they were first-time actors. This was confirmed by the Showcase movie host after the film, and makes their achievements even more impressive. Kudos to director Michael Lindsay-Hogg!

Gabriel Byrne was also wonderful - charming and tender - the farewell scene in the park was heartbreaking in its understated simplicity. I'm not a big fan of Anne Parillaud - I saw her in "La Femme Nikita" and an amusing American vampire/cop comedy whose title I can't recall - and the charm of that doe-eyed silent gaze wears off after you've seen it a few times. Still, she conveys the mysterious allure necessary for this role, and it's easy to see why these men fall for her.

Overall, "Frankie Starlight" is a lovely movie, and it's a shame it didn't do better at the box office. Anyone who loves the music of an Irish accent, as I do, will be charmed by that, even if nothing else in this beautiful story (which has a happy ending, by the way!) catches your fancy. Plus, the score under the closing credits was a gorgeous piano and cello combination which kept the mood to the end.

The story of a man suffering Dwarfism, his autobiography and book(and what happens to him in his adult life, following the publication) offering a chronology of the life his independent and determined mother Bernadette, who escapes France during WWII, has an affair with a married Irish immigration official after reaching those shores, and finally tries to make life work in Texas. She is inspiring as she keeps fighting in spite of adversity and trying to make things right, not putting her burden on others. And her son, the titular Frank, is an image of how poorly "unusual" people are treated, and sadly it results in his low self esteem. This is a very touching film, without devolving into melodrama or manipulation. It utilizes a few brief instances to convey to you what this particular situation is like, it's not hammered home or lingered on, so instead we can move on to the next thing. It leads to a movie that comments well on several things without being preachy - social behavior, religion, and human nature. Not every character is entirely developed, but you get a sense of what they're like, and they do feel like real people. While they may not be likable, you can recognize them, and not only outside of yourself. The performances are great. There is a little language and sexuality, none of it gratuitous, in this. The DVD comes with a trailer for this and a photo gallery. I recommend this to fans of the actors and of drama. 7/10

A wonderful story about human triumph over adversity, about good things happening to good people, (after a period of sufficient suffering to make the reward that much sweeter), transcending superficiality and the stupidity of the masses, glimpses into human weakness and vulnerability, super steamy sex, all issues related to growing up: growing up strange, love: real love demonstrated, between strangers, and between family, between lovers, also GREAT acting, historical accuracy, great screenplay, great casting, beautiful camera work, plot pacing, well rewarded suspense, and beautiful people. One of the best aspects of the film is how the general history of WW II was interwoven with the personal experiences of the characters. Highly recommended overall.

This is one of the great "unknowns" in the movie world: a great film seen by very few people. I'm still waiting for the DVD but not holding my breath. Thankfully, my VHS is still good. But like anything good, we'd like to share this with others and most people have never heard of this movie.

For those sensitive souls who enjoy a fascinating portrait of an unusual person or persons that is both sad and uplifting, this is your ticket. It has both, in spades.....a haunting film you can't forget. It's a tragic tale yet has a happy ending of sorts and leaves you feeling satisfied.

What it is, and I can't remember if it is based on real-life situation, is the story of a woman who has a dwarf for a son and what happens to the two of them, beginning in France, moving to Ireland, over to the United States and then back to Ireland.

Along the way, the mother, played so sadly by French actress Anne Parillaud (the original La Femme Nikita), gets involved with two men: Gabriel Byrne and Matt Dillon. All three of these adults are really interesting, likable people, but nothing like the dwarf, who is played magnificently by two actors. Alan Pentony plays "Frankie" has a child and a more lovable kid would be hard to find. Corbin Walker does a great job of playing the adult "Frankie." Trust me: you will not forget either of them.

Walker narrates the film, telling it mostly in flashback style, from his best-selling book. In addition to his mom and the two father-figures in his life, is a short story of Frankie's love affair with astronomy and the stars, hence "Frankie Starlight."

The only profane character in the movie is the book publisher who has two short scenes. That, and two quick sex scenes, give it the "R" rating. Otherwise, this is wonderful old-fashioned storytelling, the kind that makes you really care about the characters.

Frank Bois (Corban Walker) is a dwarf with his autobiographical story recalling his past. His mother Bernadette (Anne Parillaud) is a French refugee who stole away on troop transport ship during WWII. Jack Kelly (Gabriel Byrne) is a married man, but falls the damaged woman. Later, Terry Klout (Matt Dillon) would take her to America.

Sometimes adapting from a novel presents movie makers with a problem. There's too much story to fit into a movie. It would probably be better to trim some parts of the story. Even though the present day story has a nice emotional breakdown from Corban Walker, it does disrupt the flow of the flashback story. The disruption is not a good thing.

The first half has a stand out performance from Georgina Cates as Jack's shocked daughter Emma, but she's gone soon enough. The character Emma would return with another actor as the adult version. Gabriel Byrne is solid as the part-time leading man. Parillaud is ethereal and mysterious. Alan Pentony capably plays the young Frankie. Matt Dillon is a brash young guy which he's an expert at playing as the other part-time leading man.

In a way, I think having Bernadette as the protagonist would be better. She's basically the central character in Frankie's story anyways. Parillaud would have to provide more depths in her performance. Being mysterious would only go so far.