Flirt

Flirt being the fifth Hal Hartley-film I've seen it's also the one I appreciated the least.

You get to follow the same story in different places of the world (NY, Berlin, Tokyo) with different people.

Although the run time wasn't even one and a half hour it felt longer. It must depend on that Berlin and Tokyo didn't really pass my quality control. And that might depend on that the previous Hartley-films I've seen have really been great and that Flirt's NY-episode also was great. It would have worked better as a short film. All by itself. But then seeing almost exactly the same "short story" again only with a twist didn't appeal to me much I discovered later on.

If you like Hartley maybe you should see Flirt all because his trustful actors (Martin Donovan, Elina Löwensohn, Bill Sage, Michael Imperioli), his pretty unique way of making film and of course because of Ned Rifle's music.

One short film script repeated three times in three different cities in the United States, Europe and Japan. The dialogue is identical in each; the plot plays out the violent and alienating repercussions of chronic flirtation and self-destructive covetousness. The subtle differences in each scenario are due (theoretically) to the changes in setting, sexual orientation and cultural backdrop.

If you're a Hal Hartley fan you'll probably enjoy this film to some extent; if you're not then you may be easily put off by the repetition of what could be seen as stiff artsy banter. The dialogue is clever, sharp, witty - characteristically quirky Hal Hartley writing. But the first scenario, set in New York and involving Martin Donovan, Parker Posey and that other favorite Hal Hartley actor from Simple Men (Bill something), is easily the best of the three and the high point of the film.

There's some really nice editing in this film, for those who have an interest in technical considerations.

Although I'm a big fan of Hal Hartley's previous work (Trust, The Unbelievable Truth), I was a bit disappointed by Flirt. There are some clever elements to the film, including Hartley's always excellent dialog sequences. The repetition, providing different views on the same plot sequence, was well done. Overall, an above-average movie, particularly for Hartley followers.

The same story told three times in three countries but with different characters and culture values. Hartley goes for the Godardian style but without the political cheekiness. Nice to see Hartley try his hand at something a little different.

It's three movie segments using the same story. One takes place in New York, another in Berlin, and the last one in Tokyo. In New York, Emily (Parker Posey) is leaving for Paris and her partner Bill is wondering if he should hook up with someone else. He gets shot in the face by the other woman's husband. The same story repeats in the other cities.

Hal Hartley is trying more stuff. It has his mannered speech and peculiar shooting style. The big idea here is repeating the same story three times. It's a big idea more than a film. I'm not sure what it achieves unless the movie makes them completely different like doing it in Japanese. Experimentation is important and I'm glad that he tried even if it doesn't achieve anything great.