Lancelot falls in love with Guinevere, who is due to be married to King Arthur. Meanwhile, a violent warlord tries to seize power from Arthur and his Knights of the Round Table.Lancelot falls in love with Guinevere, who is due to be married to King Arthur. Meanwhile, a violent warlord tries to seize power from Arthur and his Knights of the Round Table.Lancelot falls in love with Guinevere, who is due to be married to King Arthur. Meanwhile, a violent warlord tries to seize power from Arthur and his Knights of the Round Table.
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Although many have criticised this film harshly, I believe it is unnecessary. It is an adaptation of the myth of Arthur, and is interesting. There is no magic, no Merlin :(, no Morgana, no sword in the stone - in fact, no referral to Arthur's past. This obviously changes the myth quite substantially. Merlin and the Sword were key players in the typical Arthur legend, but this adaptation is good because Morgana often confuses people.
It squashes what Camelot really is - an ideal - into about two and a bit hours of movie. Richard Gere is charming as Lancelot, a roving swordsman, and Lady Guinevere delivers an outstanding performance as the young woman torn between two loves. Sean Connery, is as always, fantastic. The best thing about this movie - to me - was that the love story was sensible. Instead of Guinevere and Lancelot cheating on Arthur, it becomes more of a love triangle, with deeper issues, as all three love each other (in different ways.)
All this said, it isn't the greatest movie despite some excellent acting - the movie had a weak plot and Maligant is not a very convincing villain. But, if you're bored, home sick, or just want to watch some light entertainment, by all means watch this film - just don't expect Peter Jackson quality.
It squashes what Camelot really is - an ideal - into about two and a bit hours of movie. Richard Gere is charming as Lancelot, a roving swordsman, and Lady Guinevere delivers an outstanding performance as the young woman torn between two loves. Sean Connery, is as always, fantastic. The best thing about this movie - to me - was that the love story was sensible. Instead of Guinevere and Lancelot cheating on Arthur, it becomes more of a love triangle, with deeper issues, as all three love each other (in different ways.)
All this said, it isn't the greatest movie despite some excellent acting - the movie had a weak plot and Maligant is not a very convincing villain. But, if you're bored, home sick, or just want to watch some light entertainment, by all means watch this film - just don't expect Peter Jackson quality.
Richard Gere should play detectives or cowboys but not Knights.This is the worst King Arthur movie i have seen in my life.He really is too American and besides the whole story is just bad.Before and after have been much better movies telling movies about King Arthur,Beides there should be less of an age gap between King Arthur and Lancelot.This movie is like a meal at McDonalds it feeds you but its not a good meal.
I have spent a considerable amount of time studying the old, medieval tellings of the legend, as well as researching the 'real' Arthur (who existed pre-medieval, around the 6th or 7th century) and I enjoyed this interpretation. The only really bad thing that stuck out was the costumes. Many were not historically accurate. In particular, the costumes of the knights were terrible! Same with the construction of the round table room. It looked like something out of Star Trek.
In 'First Knight' Connery has gentleness in his eyes, and embodies the best aims of the founder of the Knights of the Round Table... Arthur had his share of war... He had devoted his life to building a land of peace and justice... He looks forward to quieter days... He asks Guinevere to 'marry the king but to love the man.'
Julia Ormond glows and smolders to fine effect as the passionate Guinevere who is confused about her feelings for the king and his first knight... Guinevere tries to convince Arthur that her will is stronger than her heart... She assures the king that she may look at him differently but not with less love...
Richard Gere lacks the heroic stance required for such part... He is not colorful and flamboyant as Lancelot... He is simply Richard Gere... He lives by the sword, and fights for money... He is introduced as a wanderer, with no wealth, no home, no goals, just the passionate spirit that drives him on... Lancelot had never dreamed of peace or justice or knighthood... He rescues the Lady of Leonesse, and gives Arthur back his life itself...
Ben Cross is arrogant as the powerful Prince Malagant, a former knight of the Round Table, with hatred in his heart... He dares to kidnap a lady who is almost a queen... Malagant doesn't care how many men he loses so long as he wins... He offers the king what is not 'his' to give..
In Jerry Zucker's film there's no Merlin, no malevolent Mordred, no femme fatale, just the city of Camelot seen golden as ever, the knights brave and loyal, the battles almost breathtaking in their ferocity, and the scenic beauty so fresh, so pure, so green...
Julia Ormond glows and smolders to fine effect as the passionate Guinevere who is confused about her feelings for the king and his first knight... Guinevere tries to convince Arthur that her will is stronger than her heart... She assures the king that she may look at him differently but not with less love...
Richard Gere lacks the heroic stance required for such part... He is not colorful and flamboyant as Lancelot... He is simply Richard Gere... He lives by the sword, and fights for money... He is introduced as a wanderer, with no wealth, no home, no goals, just the passionate spirit that drives him on... Lancelot had never dreamed of peace or justice or knighthood... He rescues the Lady of Leonesse, and gives Arthur back his life itself...
Ben Cross is arrogant as the powerful Prince Malagant, a former knight of the Round Table, with hatred in his heart... He dares to kidnap a lady who is almost a queen... Malagant doesn't care how many men he loses so long as he wins... He offers the king what is not 'his' to give..
In Jerry Zucker's film there's no Merlin, no malevolent Mordred, no femme fatale, just the city of Camelot seen golden as ever, the knights brave and loyal, the battles almost breathtaking in their ferocity, and the scenic beauty so fresh, so pure, so green...
The Arthurian legend gets another reinterpretation in First Knight with an impressive Sean Connery as King Arthur. The last time Connery was at Camelot was his appearance as the Green Knight in Sword of the Valiant back in 1984. Julia Ormond is a fetching and beautiful Guinevere any knight worth his salt would saddle up and rescue her.
Richard Gere is Lancelot and try as he might he comes off as way too American. This role calls for someone with the dash of an Errol Flynn and I'm surprised no one ever cast Flynn in a Camelot tale. Gere is not Errol Flynn, why was no one from across the pond cast? My first guess would be that Gere was a box office name, but certainly Sean Connery in the cast would take care of that.
Some elements of Knights Of The Round Table got into the plot here. Lancelot who is kind of a medieval sword fighter for hire rescues the evil Prince Malagant played by Ben Cross. He's the Mordred of this story, not a believer in the ideals of Camelot by any means. His philosophy is that Arthur is mistaken, men don't want brotherhood they want leadership and he's just the guy to provide it. Cross is also thinking in terms of real politik, Guinevere's domain of Lynness lies adjacent to Camelot, good base for an invasion.
Gere joins the Round Table brotherhood in part because of sincerely believing in the Arthurian ideals, but also to be close to Julia Ormond. If you've seen any number of Camelot based films or have read Thomas Malory you have some idea on how this will end. But in the case of this particular film, not completely.
First Knight is not first by any means in Camelot films. But it's enjoyable enough for the fans of the leads. And Ben Cross comes really close to Stanley Baker's outstanding Mordred in Knights Of The Round Table.
Richard Gere is Lancelot and try as he might he comes off as way too American. This role calls for someone with the dash of an Errol Flynn and I'm surprised no one ever cast Flynn in a Camelot tale. Gere is not Errol Flynn, why was no one from across the pond cast? My first guess would be that Gere was a box office name, but certainly Sean Connery in the cast would take care of that.
Some elements of Knights Of The Round Table got into the plot here. Lancelot who is kind of a medieval sword fighter for hire rescues the evil Prince Malagant played by Ben Cross. He's the Mordred of this story, not a believer in the ideals of Camelot by any means. His philosophy is that Arthur is mistaken, men don't want brotherhood they want leadership and he's just the guy to provide it. Cross is also thinking in terms of real politik, Guinevere's domain of Lynness lies adjacent to Camelot, good base for an invasion.
Gere joins the Round Table brotherhood in part because of sincerely believing in the Arthurian ideals, but also to be close to Julia Ormond. If you've seen any number of Camelot based films or have read Thomas Malory you have some idea on how this will end. But in the case of this particular film, not completely.
First Knight is not first by any means in Camelot films. But it's enjoyable enough for the fans of the leads. And Ben Cross comes really close to Stanley Baker's outstanding Mordred in Knights Of The Round Table.
Did you know
- TriviaUnlike many of the previous Arthurian films that drew to greater or lesser extent from Sir Thomas Malory's (1415-1471) "Le Morte d'Arthur," this film clearly drew from the romances written by French poet Chrétien de Troyes (1130-1191), who actually invented the character of Lancelot.
- GoofsWhen Prince Malagant lays his sword on the round table, he doesn't pick it up when he leaves. That was intentional, a sign of his resignation.
- Quotes
King Arthur: May God grant us the wisdom to discover right, the will to choose it, and the strength to make it endure.
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Lancelot
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $55,000,000 (estimated)
- Gross US & Canada
- $37,600,435
- Opening weekend US & Canada
- $10,856,442
- Jul 9, 1995
- Gross worldwide
- $127,600,435
- Runtime
- 2h 14m(134 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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