L'Anglais qui gravit une colline mais descendit une montagne

In 1919 the first world war is raging but in a small Welsh village two Englishmen arrive to measure the village's mountain. When a pre-assessment reveals a prediction of below 1000ft the villagers are worried – but are incensed when the official measurement is 20 feet shy of `mountain' and they find they now have a `hill' instead. They plot to keep the men in the village until they can pile enough earth on top of their hill to make it over 1000ft and win back their mountain.

This film starts strong with a great sense of humour that it can't quite sustain but is enough to win you over and get into the story. The romance doesn't come into the film until he second half but the whole film is very gentle and winning so that it all just flows together so very effortlessly. The humour at the top is a little sharper and it gets progressively slighter and mushier as it goes but it still works well. Anyone who loves the Ealing comedies should enjoy this, as it appears to aspire to that mould.

I really dislike Grant and find his whole stuttering, blinking act to be annoying most of the time – Mickey Blue Eyes is an example of the sort of performance that makes me want to give up hope for cinema. However here it works dammit! He does his usual stuff but it fits perfectly because his character has no malice and doesn't go against the stuttering etc. The support cast is rich with humour. Fitzgerald likewise keeps it all fizzy and superficial as the tone requires and Meaney is suitably funny. Griffith is very good and Hart is a surprising cameo even if his character is a little too serious for the piece.

Overall this is very slight and has a great feel of whimsy about it. If you're not in the mood for this sort of thing then it's light nature may annoy you but it was just the ticket for me and I really enjoyed it.

I feel sorry for those folks who *don't get* this movie! Based on actual events around 1917, we are privileged to have a glimpse at what life was like in a small coal village in South Wales. The casting was superb! I especially liked the inter-action between Reverend Jones and Morgan. And who could possibly not love Tara Fitzgerald as Betty! The film starts out with some interesting trivia about how people got their names back then- very quaint yet logical to attach an occupation to their names! The photography was wonderful at showing off the unspoiled landscape- I really felt like I was a part of the events. This movie inspires me to want to visit the final resting place of Reverend Jones with a handful of earth from my own garden!

Most people I've asked about this movie have never heard about it and I think it's a real shame. Set against picturesque background of Welsh countryside and leisurely paced this movie totally won me over with its gentle humor and its colorful and beautifully developed characters. I'm not a big fan of Hugh Grant but here he performs quite well. Besides he is not what makes this movie work.

I just love all the supporting characters - Thomas Twp and Tara Fitzgerald as Betty and of course the pair of local archnemesis Rev. Jones and Morgan the Goat. I've seen Colm Meany in a few movies and on TV (I think he plays in one of the Star Treck series) and I've never thought much about him as an actor but he is simply hilarious as Morgan.

So what is this movie about? There isn't much of a plot so without giving anything away I'll just say that it's about a sleepy Welsh village coming together for a noble cause. What's the cause and would you find it noble?

Watch the movie and judge for yourself.

The Englishman Who Went Up a Hill But Came Down a Mountain is directed by Christopher Monger and written by Ivor Monger. It stars Hugh Grant, Ian McNeice, Tara Fitzgerald, Colm Meaney and Kenneth Griffith. Music is by Stephen Endelman and cinematography by Vernon Layton.

Set in 1917, plot finds Grant and McNeice as two English cartographers who arrive in the Welsh village of Ffynnon Garw to measure what the locals proudly proclaim to be Wales' first mountain. However, it turns out that the "mountain" is 16 feet below the required 1000 feet requisite so therefore can only be classed as a hill. This news causes disgust amongst the locals, who then set about stopping the cartographers going home whilst they attempt to build atop of the hill to make it over 1000 feet.

A film with a big title that is matched by the size of its heart, Monger's film owes much to those fun community based pictures that filed out of Ealing Studios back in the 40s and 50s, Re: Whisky Galore! and The Titfield Thunderbolt. We can also safely place it the whimsy category where something as wonderful as Local Hero sits, while the old British comedy staple that encompasses an obsession with size (The Mouse That Roared) watches over the film like an approving British cinematic angel.

Homespun humour marries up with the utterly engaging view of quirky village life to provide us with just under 100 minutes of entertainment. Although clearly simple in plot and structure, to simply dismiss it as such does not do justice to the fine work of the ensemble cast and the writing of Ivor and Chris Monger. With Grant doing what he does best, the amiable nervous fop, picture has a lead actor fully comfortable with the tone and texture of the production, while around him there are a number of fine character actors putting delightful meat on the comedy bones of oddball characters with names such as Morgan the Goat, Johny Shellshock, William the Petroleum and Betty from Cardiff! Best of the bunch is Griffith as Reverend Jones, a grumpy, stubborn eccentric who underpins everything so wonderfully skew-whiff about life in Ffynnon Garw.

As for the writing? The screenplay has a wonderful ear for small village dialogue, while in amongst the value of community spirit theme, sits a near sombre observation of the effects of war on such a community. The production design is appealing, with Layton's photography around the Powys locations a visual treat, and Endelman's music has a suitably warming and jaunty feel; even if it starts to get a touch repetitive later in the piece. It doesn't have widespread appeal, it's clearly a film aimed at a small portion of film fans that love those films mentioned earlier. But in an era when film is being smothered by CGI and visual gimmickry, revisiting something like The Englishman Who Went Up a Hill But Came Down a Mountain offers up a most refreshing and diverting experience. 8/10

This film is a gentle, affectionate portrait of a village in Wales, its people and its Mountain. Within the village, there are long standing feuds and traditions. Then, two Englishmen arrive with a job to do and history is made. It may or may not be based on a real Welsh village. The writer and many of the names in the credits have Welsh sounding names. The scenery is beautiful and the characters are delightfully observed. It is a piece set at the time of the First World War. It has echoes of Under Milk Wood, of The Shooting Party, and of Clochemerle. Kenneth Griffith was memorable in Clochemerle and plays the Reverend Jones in this film. At first, Hugh Grant seems to be playing yet another floppy haired, romantic hero, but as the film unfolds, there is greater depth to his character. The harsh reality of mining is simply portrayed and we are reminded of the heightened need for coal in wartime. The Great War itself casts a shadow over the whole village, making the film poignant and touching.