Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex-and-violence-filled journey through an America of psychos an... Read allJordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex-and-violence-filled journey through an America of psychos and quickie marts.Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex-and-violence-filled journey through an America of psychos and quickie marts.
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Featured reviews
Gregg Araki's THE DOOM GENERATION is reminiscent of everything from MY OWN PRIVATE IDAHO to THE RIVER'S EDGE to TRUE ROMANCE to the experimental films of Pasolini, of Warhol (Morrisey), as well as of Richard Kern. The film reveals its thematic message when the most innocent and selfless of its three main characters asks the other, more self-centered, two if they ever think about the meaning of existence. Dismissing the very question, they reveal to the questioner an answer of sorts, one which suggests that we each create a meaning for ourselves, and are all existentially alone as we do so.
While offering us a rather slight story of a pair of teen lovers on the road who encounter a slightly older bisexual who becomes their nemesis, companion, lover and protector, THE DOOM GENERATION offers a great deal of visual style and wit, and some genuine moments of suspense. In fact, the film's gory and discomforting climactic scene is perhaps the artistic highlight and suggests some real filmaking talent by writer/director Gregg Araki. This is probably not everyone's cup of tea, but is worth a look for those who like a film which challenges them to react to strong imagery and who don't mind transgressive depictions.
While offering us a rather slight story of a pair of teen lovers on the road who encounter a slightly older bisexual who becomes their nemesis, companion, lover and protector, THE DOOM GENERATION offers a great deal of visual style and wit, and some genuine moments of suspense. In fact, the film's gory and discomforting climactic scene is perhaps the artistic highlight and suggests some real filmaking talent by writer/director Gregg Araki. This is probably not everyone's cup of tea, but is worth a look for those who like a film which challenges them to react to strong imagery and who don't mind transgressive depictions.
This was one of the strangest movie I've ever seen, but at the same time, one of the most meaningful. This was a good movie. There was a sadistic violence, a bunch of sex scenes, vulgarity, more graphic violence, more sex, a three way, and an incredibly sad, tragic ending.
If you are able to look past all this (many people cannot, mind you), than you will see a good movie about three teenage tortured souls cruising along the urban pits of Los Angeles, who run into a crazy clerk with a shotgun, a crazy drive thru attendant with a shotgun, a nasty blonde with a sword, and some really scary Neo Nazis, who all think Amy Blue is someone else.
Rose McGowen is Amy Blue, the sexy, angry, speed taking, tough as nails lead character, James Duval is Amy's naive, stoner boyfriend Jordan White, and Johnathon Schaech was Xavier Red, the crazy, dangerous, kinky, and violent source of trouble. If you have a strong stomach, and don't mind harshly sad endings, check it out, but be aware, because you might get grossed out and leave (I almost did). 9/10
If you are able to look past all this (many people cannot, mind you), than you will see a good movie about three teenage tortured souls cruising along the urban pits of Los Angeles, who run into a crazy clerk with a shotgun, a crazy drive thru attendant with a shotgun, a nasty blonde with a sword, and some really scary Neo Nazis, who all think Amy Blue is someone else.
Rose McGowen is Amy Blue, the sexy, angry, speed taking, tough as nails lead character, James Duval is Amy's naive, stoner boyfriend Jordan White, and Johnathon Schaech was Xavier Red, the crazy, dangerous, kinky, and violent source of trouble. If you have a strong stomach, and don't mind harshly sad endings, check it out, but be aware, because you might get grossed out and leave (I almost did). 9/10
Some films divide audiences immediately. 'Eraserhead', 'Beyond The Valley Of The Dolls', 'Night Of The Living Dead'. 'The Doom Generation' is one of those movies! I don't know of anyone who has seen it that has a luke warm response. You either love it or hate it, and I love it!
Gregg Araki makes unique movies. Self conscious, self parodying, INTELLIGENT trash. His world is not really our world. It's an exaggerated, surreal version of "reality". Sexy, violent, pop culture bombarded, dream-like, impossible to forget or ignore. 'The Doom Generation' is clever, ironic, disturbing fun.
Personally, I think his next movie 'Nowhere' is his masterpiece, but this is almost as good. Plus we get lots of Rose McGowan flesh on display - not a bad thing! Her performance as Amy Blue ALMOST makes her the 1990s version of Tura Satana! She will never knock off Tura's crown as Queen of Sleaze, but she seems to be having a hell of a lot of fun trying, and I have a hell of a lot of fun watching her!
Gregg Araki makes unique movies. Self conscious, self parodying, INTELLIGENT trash. His world is not really our world. It's an exaggerated, surreal version of "reality". Sexy, violent, pop culture bombarded, dream-like, impossible to forget or ignore. 'The Doom Generation' is clever, ironic, disturbing fun.
Personally, I think his next movie 'Nowhere' is his masterpiece, but this is almost as good. Plus we get lots of Rose McGowan flesh on display - not a bad thing! Her performance as Amy Blue ALMOST makes her the 1990s version of Tura Satana! She will never knock off Tura's crown as Queen of Sleaze, but she seems to be having a hell of a lot of fun trying, and I have a hell of a lot of fun watching her!
Gregg Araki's Doom Generation is a satirical look at a generation that has been played out in cookie cutter versions of Gen X films. Don't get me wrong, Doom Generation is a little more "visual" than let's say, "Reality Bites," but then so is "Nowhere." The graphic nature of the violence and language play into Araki's satire and even the subliminal messages throughout the film play into the hands of those who look upon the "Gen-X" films as hip because we all go to a coffee house. Capitalism is evident in these films because of all the product placement, but we are not supposed to give in to this commercialism. Giving into this wasteland of over-marketed products is what Gen-X'ers say that they will not do while wearing their $60 Tommy pants and sipping on a $6.00 latte. Araki does what any brilliant director would do in this situation: make THE DOOM GENERATION.
One of my personal favorite films is this tale of a road adventure between a teenage couple and a guy they pick up, leading to lots of sex, gory violence and bizarre events. This one is quite a dark movie, with lots of death and tragedy, but at the same time a brilliant look at the whacked-out characters involved in these harrowing situations. Director Gregg Araki seems to have a knack for these types of movies. His next film was the even better NOWHERE. Definitely Recommended.
Did you know
- TriviaEvery time one of the characters uses the skull lighter, the flame is a different color; Blue when Jordan White lights it, White when Xavier Red lights it and Reddish Orange when Amy Blue lights it.
- GoofsAround 12:30 when the trio are running out of the store, you can see Jordan White's flannel fall off. it reappears throughout the film.
- Crazy credits"A big no thanks to Cheryl Ladd"
- Alternate versionsThe edited, R-rated version omits 13 minutes of footage, including explicit dialogue bits, sex scenes, and large portions of the ending.
- SoundtracksHeresy
Performed by Nine Inch Nails
Written by Trent Reznor
©TVT/Interscope Records
Courtesy of Warner Special Products and TVT Records
Details
- Release date
- Countries of origin
- Language
- Also known as
- Generación sin futuro
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $284,785
- Opening weekend US & Canada
- $27,812
- Oct 29, 1995
- Gross worldwide
- $287,811
- Runtime
- 1h 23m(83 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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