Destiny Turns on the Radio

i was talking with a friend who doesn't get QT movies at all .. while this, i've learned, is only a QT acting role, i really enjoyed it .. i'm surprised by the negativity of the comments by others .. seems this is either a love/hate movie or a sore point with QT aficionados .. whatever, i recommended it to my friend and do so to others who enjoy quirky little movies with a touch of magical realism together with a nice soundtrack .. i smile recalling the many scenes that entertained .. no deep meaning or message here, just a fun way to spend a little time while passing through an evening .. i'm no fan of Las Vegas, where the movie is set, but the little motel with its homage to film stars of the 1950's hearkens ones memory back to a time when the Strip was much less commercialized and overdone, a time when life seemed simpler, more magical, and just plain fun .. check out this little gem for yourself

The film tells a story about marginal people--people living in the interstices and on the edges of our system. Stories of this type allow writers and directors to concentrate on interactions among a fairly small group, and (usually) they create interesting, likable people for us. This film, with its bow to magic realism, is both amusing and surprising. Tarantino is not effective as an actor, I feel. Apparently he is too self-conscious or, perhaps, does not rehearse. Aside from his performance (and it is not actually bad), the performances are fine. Just about every actor in the film does a good job.

This film brings to mind "Liquid Sky" and "Repo Man" (it features Tracey Walter, who played oddballs in both). It has a plot based on fantastic elements, yet is grounded in ordinary events (the usual romantic involvements and lifestyles of the criminal mind). It does feature great music and good performances, even if the plot is a little stupid or slapstick at times. Dylan McDermott and James Le Gros are both great. I feel that Nancy Travis is a bit overmatched in her role (Sarah Trigger would have been better), and I don't get Quentin Tarantino, so he could have been replaced by anyone else in this picture. The over-the-top ending, which leaps into the ridiculous zone, drops the rating to a "6", but this is pleasant, diverting entertainment with nice-looking actors, if nothing else.

Destiny is one of those films that is neither great nor terrible. Taranitno is one of the greatest filmmakers of all time. But his acting abilities are very limited. The story is sort of creative, but at the same time trying to be a indie film too hard. James Belushi puts on a good performance that seems almost related to his character in "About Last Night" but with a more violent twist. And you can't forget Allen Garfield, terrific guy. But, this film will merely exists. Don't over emphasize the meaning of this film based merely on the existence of Quentin Tarantino. Only Quentin knows why he did this terrible movie, don't try and rationalize Quentin. This film is an example of Quentin's personality. He does whatever the hell he wants to.

It is said:

Uttamo brahinasadbha'Va madhyania' Khayyam ha'Ravi'a' Japastutih sya'dad-ha a' murtipu'ja Dhaka'Dhaka'

Society at large has lived in relative indifference of the cohesive power of Dylan McDermott (Wonderland, TV's The Practice, Cowboy Way) culture. The spiritual values of Dylan McDermott culture are integrative, relational and adaptive. McDermott and McDermott's father Pappy, played by Tracey Walter (Tv's Nash Bridges), seem quite startled to notice a man who appeared from their hot-tub and that man is Destiny, as played by the Q-man (Tarantino). Ideation on James Belushi (Tv's According To Jim, Daddy's Boy, Animal House, Mulholland Falls) is, in this movie, anyway, the best process of intuitional practice. The second best is Dhaka'Na (meditation) and dharana (concentration). LeGros and Travis are inferior and idol worship (Tarantino) is the least favorable.

This is what is called in Western philosophy a fallacy of a 'straw man argument'. that is, you present the notion of people worshiping Hollywood pretty-boys which they presume will enable them to achieve some sort of cosmic liberation. McDermott flounders and can barely do anything. LeGros and Travis are wasted and Travis didn't sing those songs, you know. Tarantino gives this movie it's surviving 9.1/2 star ruling. Furthermore, it survives being a Bomb with the assistance of David Cross (Men In Black 1 and 2, Showboat) and Bobcat Goldthwait (Blow, Indepenence Day) but even their parts are also a kind of sadhana. Also starring Sara Trees (Legend of Curly's Gold Strike) as Lucille's friend.

The tantric paths are the vehicle, as it were, and realizations are stations along the way....