Cyborg 3: The Recycler

This is, at least in name, the third part of the Cyborg trilogy started by the 1989 Albert Pyun-Van Damme violent post apocalyptic epic, and followed by the sequel in title only with a very young Angelina Jolie. This movie is more of a sequel of the second part, both part 2 and 3 are not really related to Cyborg. Albert Pyun movie was great. Great action, great music, fast paced and violent. This movie is boring as hell, and its not violent. The music is not that good and it have a lots of dialogs, very poor ones for instance. Its not recommended, just to watch if its aired on TV a Sunday 4 PM and you don't have nothing else to do. A generous 5/10 only because i love post apocalyptic and cyborg movies.

I seem to be one of the rarefied few sump-sucking Vidiots that righteously dig the dastardly diodes off this murderous mechanoid mung-fest!!? And how could I not, as it features another devilishly deviant performance by triumphant B-Movie Thespian Richard Lynch as the menacingly mercenary misfit Anton Llewellyn, plus a wasteland-warped Malcolm McDowell as slyly scheming Lord Talon, an affable cyber boffin Zach Gallagan is on call ta' get them gremlins outta all that busted old world hardware! So, power up your power-gloves, luridly lube some cyber-slapper's scintillating silicon tits, strap on a high-calibre boom-stick, and blissfully beer-goggle this sinisterly scavenging, low budget, high voltaged, electro-blasting, future-shocking cyber trash! The DVD boom of the 90s were a fertile era for funky-fingered, bargain bin-grubbing B-Movie finks, frequently being geekily overloaded with gnarly, junk-headed sequels many didn't even know existed! So, don't be a plug-headed hater, 'Cyborg 3 The Recycler' is a titanium tough DTV time-waster! While, perhaps, not exactly in the same stainless steel celluloid class as Enzo G. Castellari or Albert Pyun, fans of 'Mandroid' will certainly find worthwhile bemusement in this boisterous B-Movie ode to mechanized death!

Cyborg 3 feels like a movie that was directed by three people. One who actually knew what he was doing, one who kinda knew what he was doing and one who was totally out of it.

I have not seen the previous films and can't comment on the movie's relationship with them. All I can say is that the movie undoubtedly has a very cheap feel to it. At times however the film's quality seems to boost up and sometimes it can drop horrifically in the process of a scene. This is marked by the extremely diverse quality of dialogue scenes. Sometimes the actors are stiff as dolls, but the next minute they could be delivering a speech with such passion you start wondering if you suddenly switched to a whole different movie.

I was actually happy to see that the action-scenes were done quite well and many of the cyborg-characters were very sympathetic. However there are also plenty of scenes that either make little to no sense or are extremely ill-planned that they slightly ruin the experience.

Not the worst movie I've seen, but far from the best of them.

STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs

In the future,civility between man and machine has deceased and war wages.'Recycler' Llewyllyn (Richard Lynch,coming across as a poor mans Rutger Hauer! (yikes)) and his sidekick Jocko (Andrew Bryniarski,who weirdly resembles a beefier,blanker version of Vincent Klyn from the original film) hunt cyborgs across the desert,hoping to catch them and sell their scrap parts to the highest bidder.Cyborg Cash (Khrystyne Haje,in a role originally played by a young Angelina Jolie in the previous film) is the first cyborg to become pregnant and becomes their primary target.The story also features a character called Evans (an older Zach Galligan from the Gremlins films) as one of Cash's old flames and a walk-on part (despite being headbilled on the front cover) from Malcolm 'will-work-for-food' McDowell as Lord Talon,one of Llewellyn's main buyers.

The director of the last film,Michael Schroeder,returns to helming duties here,the first in the series to feature no martial artists in the leading roles.

The,erm,shall we say,less than oscar worthy production values,screenplay and acting aside,this plotless rubbish is totally far away from the essence of the original film,which,lets face it,was quite an uninspired mess to begin with and should really say it all.It's also appropriately titled,in the way it seems to 'recycle' ideas from many other movies of much superior quality made before it.This is aside from a nauseating soundtrack which grates on the nerves throughout the film.

Worth watching only for the unimaginable hilarity of a woman giving birth to a baby in the shape of a grey tin can with wires dangling off the edge of it.*

Years after the fall of the last of the great corporations, the world has fallen into a new dark age where cyborgs are harvested for their parts. Cash, a female cyborg, travels to a wasteland doctor to receive news that she is pregnant. On the run from Recyclers (bounty hunters who hunt cyborgs), Cash tries to find her way to Cytown, the mythical refuge for cyborgs.

"Cyborg 3: The Recycler" is the third (& last so far) entry in the CYBORG trilogy. The first film was originally planned to be a sequel to MASTERS OF THE UNIVERSE, but was quickly rewritten into a standard post-apocalyptic martial-arts fest that became something of a cult classic due to its cheesy action scenes. CYBORG 2: GLASS SHADOW was a sequel that actually improved upon its predecessor but was not widely seen (& was dismissed by those few who saw it as cheap fodder).

This film, for one thing, tries to be a meld of the first two films (the first was a cheesy action film while the second was a smart Cyberpunk story) but unfortunately falls short on both counts. The budget was obviously lower than CYBORG 2, with the film being set in the desert wastelands (like so many post-apocalyptic action films of the 90s were), shot around old industrial buildings to conserve costs.

The film's story centres on a plot device, that of a pregnant cyborg, that is as interesting as it is absurd (this film is not the first to try that idea; the anime OVA series ARMITAGE III uses it to a greater extent). But the film falls into the same trap that so many low-budget sci-fi action films fall victim to, in the fact that the snags (synthetic organisms) featured are nothing more than androids. The visual effects amount to nothing more than prosthetic arms & makeup effects.

The acting is pretty standard for this kind of film, with the lead actress (Khrystyne Haje) being the single worst performer on display. Instead of being joyed at the news she is pregnant, she acts all whiny & sullen. Her co-stars are much better, Malcolm McDowell being the usual gangster type who enlivens the scenes he appears in & Richard Lynch has a lot of fun as the chief villain. Of particular note is Andrew Byniarski, playing Lynch's right hand man, who would later appear in THE Texas CHAINSAW MASSACRE remake & its prequel.