La ferme du mauvais sort

"Child, child. If you come to this doomed 'ouse, what is there to save you?"- Judith Starkadder in COLD COMFORT FARM.

The "child" in question is the lone offspring of one Robert Poste (deceased) and, as we are soon to discover, Poste's progeny, Flora, is hardly one in need of saving. Orphaned in her budding womanhood, nettled by the golden orb of an unrealized literary career, Flora strikes out from the discerning (or snobbish) urban sophistication of London ( leaving behind her good friend Mary and Mary's invaluable manservant, Sneller) and heads for the bucolic splendor of the Sussex countryside to lodge with her relatives, the Starkadders, and find herself.

Robert Poste's child finds instead: a muck-begrimed tumbledown estate wherein resides a ready-for-Hollywood womanizer (Cousin Seth), an estate-coveting farmer (Cousin Reuben), a daffy romantic (Cousin Elfine), a too-loving mother (Cousin Judith), a 'vengeful god', proselytizing father (Cousin Amos), and an iron-willed matriarch (Greataunt Ada Doom). There's also a smattering of Lambsbreath (Adam) and a smidgen of Hawk-Monitor (Dick).

Inside the Starkadder fold Flora encounters a resistance to dish washing modernity (the twig versus the hand mop); the rumor of an unmentionable misdeed once perpetrated against her father; the oft-cited permanence of the Starkadders on their environs; and the matriarch's frequently mentioned trauma after having witnessed a particularly odious occurrence inside the outdoor log pile storage facility ("...something nasty in the woodshed"). Undaunted, Flora presents a cool brow and an almost impervious demeanor plus an extremely persuasive power to influence. Within COLD COMFORT FARM, where high fashion and applied scientific reasoning smash headlong into arrested sociological development and stunted personal/ familial growth, tear-inducing laughter is the order of the day.

As mentioned in the comments of others, Ms. Beckinsale, clad in her natty period togs and radiating a winsome, unflappable aura (while also projecting a strangely prepubescent vibe), hasn't had as good a role since Flora. Meanwhile, those master thespians, Freddie Jones, Ian McKellan, and the inimitable Eileen Atkins nearly go mad with delight as they burrow gleefully into their characters. Rufus Sewell's Seth smolders hilariously while Stephen Fry's Mybug, "soaked in nature's fecund blessing", blusters uproariously. This sort of comedy of manners and cultural collision required an intelligent, perceptive and witty director. John Schlesinger (DARLING, 1965) fit the bill gloriously.

This is one of those little gems you'll be lucky to find in a video store if you're on the lookout for such an item, or, like me, are likely to find on movie channels such as IFC or Sundance, which is where I saw it. Kate Beckinsale plays a young lady among a decidedly strange group of relatives on an obscure English country farm and, while ostensibly there to write her first novel, brings change to the lives of everyone involved. All the players are delightfully involved in their characters and all seem genuinely committed to this quirky little piece which is both lighthearted and eminently watchable. A young Kate Beckinsale is captivating in her loveliness and expressiveness which is totally controlled and shows her to be a born actress. Definitely one to capture on DVD!

This film was produced for BBC television but had a theatrical release the next year -- probably to take advantage of the popularity of all those Jane Austen movies (Emma, Persuasion, et. al.) It is not a Jane Austen story, but it is a sort of genial romance/comedy of manners (set in the early 1930's?) with a plucky, bright, but penniless heroine. The book it was based on was actually a parody of Gothic romance fiction. Even though this movie is played for laughs (and has many), it still manages to make you care for the characters. Everything works here and (editing, cinematography, performances) and you really appreciate what the director, John Schlesinger, managed to do on a probably skimpy budget.

This movie was the first I ever saw of Kate Beckinsale and I thought she was fantastic in it. I remained a fan for a long while, even though her subsequent movie performances (and choices) have been awful. She finally lost me with her recent laughable turn in Van Helsing. Nevertheless, she WAS good in Cold Comfort Farm, so if you're no fan of Beckinsale don't let that dissuade you from seeing this movie.

Other standouts in the cast are Eileen Atkins, Rufus Sewell, and Ian McKellen who is screamingly funny as a fire and brimstone preacher.

This film is definitely worth having on video or DVD in that it bears up very well to repeated viewings. I've seen it at least 5 times since its release, and my estimation of it rises with each viewing.

Humorous film involving a spirited young woman by the name of Flora, who brings her stylish views of living, to the oppressed residents of a country farm. The humor at times is very dark and cutting, and oft times hilarious. They'll be plenty of good, quotable material from this well-crafted film, to go around. My favorite: "...Drain the well, there's a neighbor missing..." The script is very slick, and the performances are even better. If you enjoy offbeat humor mixed with a really sweet story, you'll like this movie.

The first time I saw CCF I walked out of the theater wondering whether or not I liked it. The more I thought about it and a couple rentals later and I love this movie. It's funny on so many different levels you've really got to dedicate a few viewings before passing final judgment.

This is one of the few movies I'd put in the same category as "Rozencrantz and Guildenstern are Dead" - movies that get funnier the more times you watch them.