A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.
- Awards
- 5 wins & 14 nominations total
Geneviève Brunet
- La Pieuvre
- (as Genevieve Brunet)
Mapi Galán
- Lune
- (as Mapi Galan)
Briac Barthélémy
- Bottle
- (as Briac Barthelemy)
Léo Rubion
- Jeannot
- (as Leo Rubion)
Featured reviews
It's so bizarre that it's beautiful; it's so illogical that it's funny; it's so dark that it's so sweet. That's The City of the Lost Children. The plot it's that the evil -and weird- Krank (Daniel Emilfork) kidnap children to stole their dreams due to the lack of his ability of dream. Or at least he did it, until it came One (Ron Perlman), in the search of his adoptive little brother, aided by Miette (Judith Vittet), a street smart orphan child.
In technical aspects it's a master piece. The decoration give a baroque sensation of always being in small places, yet it's a full city populated of bizarre characters as the story itself.
The acting it's great. I'm quiet impressed for the flawless french that Ron Perlman show us, he's just simply astounding. I cannot say less of Judith Vittet, that being a child in that time she was a tremendous actress. The two have a good chemistry as a girl mature as an adult and a grow up man with the innocence of a kid.
I can't say that this is a movie that everyone would like, because it's not. It have a little of nonsense that might be not of the like of all the public. And all the dark atmosphere might be a little suffocating. So, take the risk and watch it, and then decide: you love it, or you hate it.
In technical aspects it's a master piece. The decoration give a baroque sensation of always being in small places, yet it's a full city populated of bizarre characters as the story itself.
The acting it's great. I'm quiet impressed for the flawless french that Ron Perlman show us, he's just simply astounding. I cannot say less of Judith Vittet, that being a child in that time she was a tremendous actress. The two have a good chemistry as a girl mature as an adult and a grow up man with the innocence of a kid.
I can't say that this is a movie that everyone would like, because it's not. It have a little of nonsense that might be not of the like of all the public. And all the dark atmosphere might be a little suffocating. So, take the risk and watch it, and then decide: you love it, or you hate it.
The first time I saw this movie I shook my head and wondered why I wasted three dollars renting this movie. It seemed to me that the storyline was worthless. However, I gave this movie a second chance, and this time instead of constantly reading the subtitles I paid more attention to the acting and events taking place on-screen.
I was shocked. The amount of creativity and symbolism blew me away. A lot of questions I had accumulated throughout my first viewing were answered by watching the movie carefully.
I recommend to everyone who thought this a poor movie to watch it again. If you don't speak French (like myself) try not to get so involved in the subtitles that you miss critical detail. It's there, and it's important, trust me!
I was shocked. The amount of creativity and symbolism blew me away. A lot of questions I had accumulated throughout my first viewing were answered by watching the movie carefully.
I recommend to everyone who thought this a poor movie to watch it again. If you don't speak French (like myself) try not to get so involved in the subtitles that you miss critical detail. It's there, and it's important, trust me!
The evil Krank (Daniel Emilfork), his dwarf wife and his clone minions children (Dominique Pinon) have a machine to steal the dreams of young children because Krank can't have dreams himself. One (Ron Perlman) is a strong man performer whose little brother Denree is kidnapped by Krank's underlings, the Cyclops. Miette (Judith Vittet) is a young street kid who ends up helping him.
This has a lot of weird concepts on display. I can only describe this a outlandish mix of Dickensian poverty and a french grimy Jules Verne sci-fi with a good helping of weird surrealism. The visual is a good unique grim fairy tale but the story drags a little too much. It meanders and is confused. It is in love with its visual surrealism more than trying to make sense with the story. It should be a lot more simpler than what it is. It spends a lot of time luxuriating in the weirdness of the world and the villain.
This has a lot of weird concepts on display. I can only describe this a outlandish mix of Dickensian poverty and a french grimy Jules Verne sci-fi with a good helping of weird surrealism. The visual is a good unique grim fairy tale but the story drags a little too much. It meanders and is confused. It is in love with its visual surrealism more than trying to make sense with the story. It should be a lot more simpler than what it is. It spends a lot of time luxuriating in the weirdness of the world and the villain.
10presence
The City of Lost Children is my all time favorite movie. It is unlike anything I've ever seen or experienced before. It's a movie that I hold dear to my heart and will never forget. I have to be honest though, the first time I saw this movie, I really didn't like it at all. The story was too confusing, and the characters were extremely weird and twisted. After watching it a second and third time, however, I understood what was going on more, and could spend more time looking at the visuals rather than the subtitles. Speaking of visuals, this movie has it in spades. The environment that Jean-Pierre Jeunet created is out of this world. The city is very dark and the water looks as if there are secrets hidden within. The mood the soundtrack sets is perfect for the scenery and the superb acting by everybody (including the kids) just adds to the greatness of this flick. I highly recommend this movie, it's one of those movies that you will never forget watching, and the images will stay in your head for a very long time. A beautiful, beautiful, movie. 10/10
The City of Lost Children gets two platinum stars and also moves up to one of my top ten favorite films of all time. This is a confusing story, from beginning to end it expands your mind, reaches into your nightmares, and creates a story that is part Dark City and part of a novel called "The Golden Compass" by Phillip Pullman.
Yes, this film was everything and more. Not only visually beautiful, but the creative and symbolic meaning of the actions and words of the characters are "jaw dropping". Also, there are so many sub-stories in this film that reminded me of the style that Run Lola Run was done. This is the style that due to a connection of unrelated events something extraordinary happens. Let me give you an example from this film: There is a scene where the girl and One (Ron Pearlman-also a very biblical name) are trying to escape from the two women who want their jewels. There are events that lead from a dog finding its female companion to a boat almost hitting/splitting the women in half. Wild coincidences...imagine this times ten, and you have this film.
Keep in mind this is a French film with English subtitles, so you are not only getting the true voice of the film, but seeing the darkness of the cinematography without any American input. This really shows the purpose behind making this film, it really takes you to a new place so dark and dreamlike that you the viewer actually feel like you are in the picture itself. A movie about dreams and nightmares that takes place in a world of dreams and nightmares.
Overall, a heavily religious and symbolic film, The City of Lost Children should be put at the top of your foreign film list. Put it in your DVD player, open your mind, and be ready for a wild and intense ride!!
Grade: ***** out of *****
Yes, this film was everything and more. Not only visually beautiful, but the creative and symbolic meaning of the actions and words of the characters are "jaw dropping". Also, there are so many sub-stories in this film that reminded me of the style that Run Lola Run was done. This is the style that due to a connection of unrelated events something extraordinary happens. Let me give you an example from this film: There is a scene where the girl and One (Ron Pearlman-also a very biblical name) are trying to escape from the two women who want their jewels. There are events that lead from a dog finding its female companion to a boat almost hitting/splitting the women in half. Wild coincidences...imagine this times ten, and you have this film.
Keep in mind this is a French film with English subtitles, so you are not only getting the true voice of the film, but seeing the darkness of the cinematography without any American input. This really shows the purpose behind making this film, it really takes you to a new place so dark and dreamlike that you the viewer actually feel like you are in the picture itself. A movie about dreams and nightmares that takes place in a world of dreams and nightmares.
Overall, a heavily religious and symbolic film, The City of Lost Children should be put at the top of your foreign film list. Put it in your DVD player, open your mind, and be ready for a wild and intense ride!!
Grade: ***** out of *****
Did you know
- TriviaTo achieve the slightly skewed color scheme of the movie, the actors were made up in white face and the color palette corrected until they were flesh-toned.
- GoofsThe words from The Original that Miette remembers in flashback (after she receives Uncle Irvin's dream message) differ slightly from what The Original actually said, although the point of the message is still the same.
- Quotes
[after Mlle. Bismuth has been harpooned]
Clone: Does it hurt?
Mlle. Bismuth: Yes, I'm allergic to steel.
- Alternate versionsThere are two different audio tracks for the film - one is the original French language version and another is an English language dub.
- ConnectionsFeatured in Les enfants de la cité perdue (1995)
- SoundtracksWho Will Take Your Dreams Away
Music by Angelo Badalamenti
Lyrics by Marianne Faithfull
Performed by Marianne Faithfull
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- La ciudad de los niños perdidos
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $1,738,611
- Opening weekend US & Canada
- $34,348
- Dec 17, 1995
- Gross worldwide
- $1,784,338
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