In Las Vegas, two best friends--a casino executive and a Mafia enforcer--compete for a gambling empire and a fast-living, fast-loving socialite.In Las Vegas, two best friends--a casino executive and a Mafia enforcer--compete for a gambling empire and a fast-living, fast-loving socialite.In Las Vegas, two best friends--a casino executive and a Mafia enforcer--compete for a gambling empire and a fast-living, fast-loving socialite.
- Nominated for 1 Oscar
- 4 wins & 11 nominations total
Philip Suriano
- Dominick Santoro
- (as Phillip Suriano)
Summary
Reviewers say 'Casino' is a complex crime drama with mixed opinions. Many praise Scorsese's direction, performances, and thematic depth. Critics hail it as a masterpiece for its narrative and visual style. Others find it derivative, criticizing pacing and length. The film's violence receives mixed reactions, with some appreciating realism and others finding it excessive. Overall, 'Casino' is seen as a significant, if flawed, Scorsese film.
Featured reviews
I generally avoid violent films...which is why I resisted watching "Casino" for a long time. However, despite being very violent in spots, the film turned out to be very compelling....it was far more than just violence and had an interesting look at the mob influence in Las Vegas back in the day.
The film is unusual in that it has two leading men with parallel stories. Sometimes Ace and Nicky (Robert De Niro and Joe Pesci) were in scenes together....often they were apart...each doing his own thing. As for Ace, he was a smart man who was in charge of one of Vegas' top casinos. He was tough...but basically honest for a mobster. As for Nicky, as you'd expect with a Joe Pesci character, he's a bit of a nut-job....often out of control and letting anger govern most of his decisions. Unlike Ace who had a veneer of honesty about him, Nicky was a hood...and didn't mind this. Eventually, the pair end up having a downfall. How and what happens to each you'll have to see for yourself.
The parts of this film I enjoyed the most were when you learned about how Vegas operated. Seeing Ace dealing with crooked gamblers was especially interesting. And, in this sense, I enjoyed the film much more than "Goodfellas"...also with the same stars and same director. This is because "Goodfellas" was mostly just about violence and crime...whereas "Casino" seemed to have more story and wasn't always about excessive violence and nastiness...not that the film is in any way a 'nice' picture. It's filled with obscenities, nasty folks and a few scenes of horrific violence. Think about this before you decide whether or not to see the movie.
By the way, this is only a personal choice and doesn't really affect the movie much, but one thing I did not love about the film is the omnipresent pop music....which at times made the film seem like a music video. I think less of this would have been nice.
The film is unusual in that it has two leading men with parallel stories. Sometimes Ace and Nicky (Robert De Niro and Joe Pesci) were in scenes together....often they were apart...each doing his own thing. As for Ace, he was a smart man who was in charge of one of Vegas' top casinos. He was tough...but basically honest for a mobster. As for Nicky, as you'd expect with a Joe Pesci character, he's a bit of a nut-job....often out of control and letting anger govern most of his decisions. Unlike Ace who had a veneer of honesty about him, Nicky was a hood...and didn't mind this. Eventually, the pair end up having a downfall. How and what happens to each you'll have to see for yourself.
The parts of this film I enjoyed the most were when you learned about how Vegas operated. Seeing Ace dealing with crooked gamblers was especially interesting. And, in this sense, I enjoyed the film much more than "Goodfellas"...also with the same stars and same director. This is because "Goodfellas" was mostly just about violence and crime...whereas "Casino" seemed to have more story and wasn't always about excessive violence and nastiness...not that the film is in any way a 'nice' picture. It's filled with obscenities, nasty folks and a few scenes of horrific violence. Think about this before you decide whether or not to see the movie.
By the way, this is only a personal choice and doesn't really affect the movie much, but one thing I did not love about the film is the omnipresent pop music....which at times made the film seem like a music video. I think less of this would have been nice.
10G1enn
Casino is by far my favourite film. I enjoyed good fellas, thought Raging Bull was great and enjoyed Taxi driver but this is a cut above the rest imo
I have seen this film to many times to count and i am yet to become even remotely sick of it. The acting is flawless, story flows at a great pace for the full all but 3 hours, great narration and a great soundtrack
Pesci and De Niro play their parts so well as does Stone. When watching this film I started to wonder what PEsci is really like in real life. Is he a crazed man like he so often plays? After seeing Casino you are likely to wonder, he is that good
I also think the characters in Casino are far more believable then those in good fellas.
Must see for any gangster film fan
I have seen this film to many times to count and i am yet to become even remotely sick of it. The acting is flawless, story flows at a great pace for the full all but 3 hours, great narration and a great soundtrack
Pesci and De Niro play their parts so well as does Stone. When watching this film I started to wonder what PEsci is really like in real life. Is he a crazed man like he so often plays? After seeing Casino you are likely to wonder, he is that good
I also think the characters in Casino are far more believable then those in good fellas.
Must see for any gangster film fan
10ray-280
As a lifelong gambler who has crossed paths with a few fringe types portrayed in the film, I'm well aware of the story, the culture, and the ambiance of the Tangiers, the fictional casino placed in the control of Sam "Ace" Rothstein (Robert Deniro). Rothstein is not a mob member, but a "moneymaker" for them because he's the nation's best sports handicapper. It was refreshing for a movie to finally show that not all gamblers are stupid, but instead one of those who takes advantage of the many who are.
Rothstein's partner in crime is Nicky Santoro (Joe Pesci), who is far less convincing as a mobster than he would seem to like to believe. Sharon Stone plays the psychotic Ginger, a once-in-a-lifetime role in that it was the only time in my life I could bear to watch her on film. The supporting cast is strong, led by James Woods and Don Rickles (excellent in his dramatic capacity), and the movie is generally well-acted.
If you are a gambler or know the "wiseguy" culture, the movie doesn't have to be explained, while if you aren't, you'll feel like you've stumbled upon the secret meeting place of the mafia and made privy to what is said, without anyone knowing you were there. This film is based on the true story of what happened when the mob tried to put its men in suits and have them heading a casino, and why it has never been tried since. The homage paid to the incestuous nature of Nevada politics was an excellent touch.
Most of us wouldn't like a guy like Sam Rothstein, nor would we like to be him, but if we go to Vegas for a weekend and stay at a casino/hotel, we'll have a better experience if his watchful eye is ensuring that our stay is a pleasant one. The film's nod to how Vegas has been sanitized since those days is also accurate, and reflects sadness at a lost era, where the baby (the "old school" types who made Vegas great) was thrown out with the bathwater (the organized crime influences).
Rothstein's partner in crime is Nicky Santoro (Joe Pesci), who is far less convincing as a mobster than he would seem to like to believe. Sharon Stone plays the psychotic Ginger, a once-in-a-lifetime role in that it was the only time in my life I could bear to watch her on film. The supporting cast is strong, led by James Woods and Don Rickles (excellent in his dramatic capacity), and the movie is generally well-acted.
If you are a gambler or know the "wiseguy" culture, the movie doesn't have to be explained, while if you aren't, you'll feel like you've stumbled upon the secret meeting place of the mafia and made privy to what is said, without anyone knowing you were there. This film is based on the true story of what happened when the mob tried to put its men in suits and have them heading a casino, and why it has never been tried since. The homage paid to the incestuous nature of Nevada politics was an excellent touch.
Most of us wouldn't like a guy like Sam Rothstein, nor would we like to be him, but if we go to Vegas for a weekend and stay at a casino/hotel, we'll have a better experience if his watchful eye is ensuring that our stay is a pleasant one. The film's nod to how Vegas has been sanitized since those days is also accurate, and reflects sadness at a lost era, where the baby (the "old school" types who made Vegas great) was thrown out with the bathwater (the organized crime influences).
A complex, multilayered, beautifully directed film, Martin Scorsese's Casino is a masterpiece of destruction and betrayal. Few films take so many chances and succeed so wonderfully. It takes some of the basic formulas that were found in Goodfellas and applies them to another type of story - while Goodfellas' view was ground-level, telling the story of the "blue collar" gangsters of NYC, this film tells the story of the guys who controlled those guys. And it's fascinating to watch these people run Las Vegas, control the flow of money, and then fall from the heights of power due to lust, hubris, and greed. An amazing film that will hopefully get the recognition it deserves in the years to come.
While re-watching "Casino" just now I kept thinking of Spielberg's words re: Kubrick. "Just try to stop watching one of Stanley's movies when you've already started," he said. "It's impossible".
Perhaps, with Kubrick's passing, Scorsese became the greatest filmmaker on the planet. "Casino" is just an unbridled jolt of cinema, a three hour movie that feels like an hour and a half, a breakneck pace that still allows for rare depth in its performances and characterisations. It's the best performance Sharon Stone ever put in; after the ridiculous "Basic Instinct" and "Sliver", they could have written her off if not for this. Her character's arc is tremendous.
More than anything, "Casino" is a showcase of what Pauline Kael called "film sense", that implacable quality that all great directors have. Like Spielberg and Kubrick, Scorsese has a gift for knowing exactly what shot should follow which, is an absolute master of camera movements, angles, framing such that the movie streaks across the screen like fast-moving water over rocks, never once stalling or slowing down.
It's brilliant, but it's not up with the director's greatest work like "Taxi Driver", "Raging Bull", or "Hugo", which is a truly underrated masterpiece. It's a notch below, but when Scorsese is a notch below his best, he's still streets ahead of everybody else.
Perhaps, with Kubrick's passing, Scorsese became the greatest filmmaker on the planet. "Casino" is just an unbridled jolt of cinema, a three hour movie that feels like an hour and a half, a breakneck pace that still allows for rare depth in its performances and characterisations. It's the best performance Sharon Stone ever put in; after the ridiculous "Basic Instinct" and "Sliver", they could have written her off if not for this. Her character's arc is tremendous.
More than anything, "Casino" is a showcase of what Pauline Kael called "film sense", that implacable quality that all great directors have. Like Spielberg and Kubrick, Scorsese has a gift for knowing exactly what shot should follow which, is an absolute master of camera movements, angles, framing such that the movie streaks across the screen like fast-moving water over rocks, never once stalling or slowing down.
It's brilliant, but it's not up with the director's greatest work like "Taxi Driver", "Raging Bull", or "Hugo", which is a truly underrated masterpiece. It's a notch below, but when Scorsese is a notch below his best, he's still streets ahead of everybody else.
What Scorsese Film Ranks Highest on IMDb?
What Scorsese Film Ranks Highest on IMDb?
Cinema legend Martin Scorsese has directed some of the most acclaimed films of all time. See how IMDb users rank all of his feature films as director.
Did you know
- TriviaMost of the conversations between Robert De Niro and Joe Pesci were improvised. Martin Scorsese would tell them where to start and where to end. The rest was up to them.
- GoofsAfter the failed car bombing, Sam is put into the ambulance feet-first. People are loaded into ambulances head-first, since most of the monitoring equipment is in the front.
- Quotes
Ace Rothstein: [to Don] Listen to me very carefully. There are three ways of doing things around here: the right way, the wrong way, and the way that *I* do it. You understand?
- Crazy credits"This is a fictional story with fictional characters adapted from a true story."
- Alternate versionsFinnish VHS release is cut by 1 minute. Notable cuts were:
- Tony Dogs being tortured with the vice
- Baseball bat killings
- ConnectionsFeatured in Cops (1994)
- SoundtracksMatthäuspassion BMV
Composed by Johann Sebastian Bach (uncredited)
Performed by the Chicago Symphony Orchestra
Conducted by Georg Solti (as Sir Georg Solti)
Courtesy of the Decca Record Company Limited, London
by Arrangement with PolyGram Film & TV Licensing
Details
- Release date
- Countries of origin
- Language
- Also known as
- Sòng Bạc
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $52,000,000 (estimated)
- Gross US & Canada
- $42,512,375
- Opening weekend US & Canada
- $9,946,480
- Nov 26, 1995
- Gross worldwide
- $116,112,375
- Runtime
- 2h 58m(178 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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