Butterfly Kiss

Amanda Plummer continues her tradition of oddball and perfectly drawn characters in Butterfly Kiss. In fact, her extended cameo in Pulp Fiction comes across as somewhat well balanced in contrast to her portrayal of this dented and damaged road weary dominatrix in search of a soulmate on one of Britain's anonymous northern roads.

Thelma and Louise? Well, yes, I suppose, but Butterfly Kiss has more in common with John Huston's little known masterpiece Wise Blood than with Ridley Scott's dust-borne epic of the great American Southwest. There are two women in both movies--but Little Women is not Thelma and Louise cubed.

There are some beautiful loose ends in this one. Why is Plummer's character the way she is? Where's she been? How did this come about? Adding to that is the fact that the accents are thick as steel padlocks and what you should have is a confusing mess. Instead, Plummer pulls this off with such aplomb that you don't care about any of that. What's she going to do next? That's the real question in Butterfly Kiss, and you'll hang on just to find out.

I loved this. Rent it for a couple of days because you'll want to see it a couple of times before you're done with it.

I found "Butterfly Kiss" to be mesmerizing, horribly sad, and strangely energizing. Twisted is the right word for it, but there was more to it than two crazies running around killing people. The bond between Mi and Eu that was cemented so quickly after them having met each other is the most fascinating facet of the whole story. What Mi gives up for Eu is heartbreaking and amazing.

This is a strange British film which revolves around a relationship between two characters that alternates between super sweet and super disturbing (one of them has a penchant for asking people at petrol stations if they've heard a specific love song then kills them afterwards). Love and redemption, like a modern Shakespearean tragedy, courses through the film's veins. The repetitive nature of the narrative coalesces into a hypnotic rhythm, riding the pace out sleekly. Though scripted, the film feels spontaneous, exciting and shows subtle natural variation on a theme. The characters attempt to obtain purification, thinking that murder is the only way they can downplay their other more humanly flaws. Powerful, strong film that is refreshingly modest and practical.

Amanda Plummer ravages through this film like a wounded hyena starving for what may be it's last meal come flood or high water. She may be Hollywoods best actress, but does she give a crap. I thinks not. Hollywood gives Oscars for cute models who show a talent for walking talking and chewing gum all at he same time. And if she can make herself ugly for a role, Hollywood seems astounded at her courage. Plummer can not only chew these little girls into so many wads of Jamaican licorice stick, but in this role as Eunice, she makes Robert DeNiro look like a neutered cub scout. This is as powerful a performance as you'll see. And on top of that her English accent is superb. There aren't any other actresses in Hollywood that could play this role. Maybe Renee Zellweger could come close. But I doubt she'd have the guts to do it. This is a very disturbing film. But a performance like this would make even the great Kim Stanley cringe.

One of the most memorable movies I've ever had the fortunate experience of picking up at a video rental store. It exposed me to one of the best actresses of the 20th., and now 21st. Century: Amanda Plummer. My praise of this film does not finish with Ms.Plummer's believable portrayal of this intense, psychotic young woman. Being an ex-patriot (as they say), I could even smell the petrol (gasoline) fumes. I felt as though I were 'Up North'. It's not a pretty picture! It's certainly not one to be missed by any serious film (noir) lover. You might also check out 'Heavenly Creatures' 1994.